"Sharing the Keys, to our Grandcestors archaic past"

Codex Vault

Codex Babylon - Earths archaic monuments speak

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Copyright research of JD Jeffrey

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Codex Babylon: E-Manual for a New Age

Posted by J.D. Jeffrey on July 18, 2019 at 12:00 AM

Codex Babylon

Many before have spoken of a prior advanced civilization such as Greek philosopher Plato, Ignatius L Donnelly, Edgar Cayce, etc.

Today it's a vast question still asked and researched by modern historians such as found in Graham Hancock's 'Fingerprints of the Gods', Carl Munck's 'The Matrix Code', 'Revelation of the Pyramids'  by Patrice Pooyard, to name a few. 

Often the names of this advanced society are referred to as Atlantis, Lemuria or Mu. Some have called it Pangea, Turtle Island, or believe it to be a version of the mythological kingdon known as Shambhala.

Academian's and Archaeologists alike scoff at the mention of these names.

However often introduced in history is biblical scripture, so if we are to discount these names and accept what historians accept, we are only left with scriptures details of an advanced civilization known as Babylon.

Within the Tower of Babel mythology, we are explained Gaia once consisted of a 'One World Language'.

Mythology explains this unique civilization was extremely advanced.

We see this from the wondrous examples conduced by megaliths created at all cardinal points of Earth which defiantly construe the movement of the sky, sun and heavens.

The Tower of Babel mythology also explains the industrious civilization was as advanced as the 'gods'; able to build towers to the Heavens; that they were so advanced they could create miracles as only the gods could achieve.

Through the study of Sacred Geometry, we are able to understand this once forgotten one-world tongue.

History comes in many forms and not just monuments, so to find the truth we must examine all facets of history, which includes mythology, oral traditions and biblical scriptures.

For the sake of serenity and for the brotherhood of humanity, this research does so without religious intent, but purely with an open and objective mind to uncover the secrets to our lost and misplaced past origins.

Documented as only modern technology has provided, sifting through the countless documentations of our past and modern historians, done so and recreated in a CSI history facilitation, this information is recorded in a manual type style dictated and arraigned through modern electronic technology offered here as an E-Manual for the Ages.

Chapter Index

[EpidosE 1] Codex Babylon: Great Pyramid Speaks

[EpidosE 2] Re-Henging the Babel On Language

[EpidosE 3] Angkor Wat Babel's On Synchronicity

[EpidosE 4] Chand Baori's Chants Babel On

[EpidosE 5] Babel Onwards from Lalibela to Chankillo

[EpidosE 6] Atacama Giant the Babel On Ruler 

[EpidosE 7] Sacsayhuaman's Eve of Babel On

[EpidosE 8] Sillustani: a Babel On Serenade

[EpidosE 9] Tiwanaku: A Sungate Babel's On Tears

[EpidosE 10] Babel On Guachimontones: Talking Circles

[EpidosE 11] Tikal Translates Babel Talk

[EpidosE 12] Chichen Itza's Serpent Shadow Babel's On

[EpidosE 13] Cholula's Great Babel On

[EpidosE 14] Teotihuacan's Double Talk of Babel On

[EpidosE 15] Chaco Canyon Babel's On Astronomy

[EpidosE 16] Cahokia's Tribal Codex to Babel On

[EpidosE 17] Newark's Great Octagon Babel Basics

[EpidosE 18] Serpent Mound Babel's On A Comet Crater

[EpidosE 19] Easter Island's Maoi Babel On the Stars

[EpidosE 20] Laos Language of Babel On

[EpidosE 21] Gobekli's Tau Talk of Babel On Silence 

[EpidosE 22] Petra where Time Babel's On

[EpidosE 23] Babel On: Red, Bent and Sirius

[EpidosE 24] Giza's Plateau Babeling On History

[EpidosE 25] StarGate Earth: Return to Babylon

[EpidosE 26] Codex to Babylon: a New Age E-Manual

No true name has been found for this missing civilization formerly accompanied by mythical titles such as Atlantis, Mu, Lemuria, Turtle Island or even Pangea - places rumored hidden backwards in the existence of mankind's mysterious past known only as a prior civilization of advanced technology, now vanquished to the secrets of time.

Uniquely the Babel mythology explains their technology could not save them from what they had learned through their applications of math, geometry and astronomy: the eventual cyclic demise and rebirth of the alpha-omega ordinance to our Universe.  

Before the imminent cataclysm erupted, the united decision was made to construct a message across our planet, which Father Time could withstand and Mother Earth could uphold: a message of hope to those few survivors.

"..let us build us a city and a tower, lest we be scattered abroad

upon the face of the whole Earth."

A message of knowledge, technology and profound wisdom left to a future unknown offspring from a parent civilization of not remembered surnames..certainly a message of love to a future humanity to realize and establish their true identity and existence.

A language written in math, geometry and the Stars.

The language all civilizations understand and use to become advanced.

This is our heritage, left by OUR ancestors, allowing a view to this unique book of antiquity written upon Mother Earth's precious face.

Pages to our lost history documented through modern technology revealing that which has been, is now: that which is to be - has already been, and that Time requires that which is past; for man fears time, but time fears the Pyramid's.

Welcome to Codex Babylon: E-Manual for a New Age

Episodes One through Four already released - please see Forums ..

COMING  SOON .. Babel Onwards from Lalibela to Chankillo

Copyright research JD Jeffrey 2019

Tribal Codex: Chaco Canyon

Posted by Jon Gilbert on May 13, 2019 at 7:00 PM

The 'Great Sun Spirit' summoned Night Hawk and so he left the 'Great Ohio Snake' and soared southwest across the 100th Meridian - past the soon-to-be-appointed sacred Canyon 1358 miles away. His journey would take him another 136 miles to the Hopi ancestral lands in today's northern Arizona territory.


The ancient Anasazi (hisatinom'Snake and Fire Clans' were tasked with watching the sky. The blue-green auroras were becoming more frequent, sinking lower across the plateau. For a while they were only seen in the distance to the north. As they drifted south Night Hawk began circling the mesa's. The message was clear. The red auroras would come was now time to gather the people and head to 'Grandfather's Safety Canyon' where the ant-cestors had built a place for survival. No one knew how long they'd be underground, but were assured it would be safe to re-emerge when mother Earth settled.

All clans united and approximately 3500 people, men, women, children and elderly headed into seclusion below the surface to a location marked by equinox sunlight.

Ant-cestors and the Myth of Maasaw

Hopi ancestors are considered to be 'the ancient ones'. In popular myth the Hopi were helped by a race called the ant people who have been described physically much like Egyptians with narrow waists, broad shoulders and large heads. Being 'ant people' they also have great strength and superlative construction abilities, especially underground.

Might these 'ant-people' have a basis in truth for humans - archaic humans who were very tall with large heads and possessing great knowledge..hence the term giants?


Hopi myth descibes Maasaw physically as a skeleton man who was 'terrifying' to look upon. Might this have been due to his height and elongated skull? The 'skeleton man' would be telling us that his race had a different musco-skeletal configuration markedly larger than the 5 foot Ancient Ones chosen as caretakers and wisdom-keepers.


The tall race of elongates who were on and in the Earth before and after the flood otherwise known as human.nunaki. Genesis 6:4 ‘There were giants in the Earth in those days and afterwards…’ (KJV)

see our video on this subject ..

Kincaid's Cave description

The Deluge

The days past while thunder increased. Clansman knew the time was near to cease hunting the plateau and water forays to the river. A few days later it came..a mighty roar and many 'air blasts' before the final thundering the ground shook as never before. Barringer's Asteroid - Meteor Crater had arrived..98 miles to the south leaving a mighty hole. Pulverized white rock lay in waste spread for miles.

The clans were warned that fire would come from the sky as if a fiery serpent were descending..this impact didn't dissapoint the prophecy. They now knew 'the cycle' was upon them – that this day marked the beginning of a long sequester...of many moons.

Three generations had passed before the time came for emergence. Some of the original knowledge had been lost, but the 'clan-chiefs' had a plan. They had already decided that the future would need their help..the Earth would need healing and so would its people. Knowledge would be key. The Deluge cycle had to be memorialized for the future of future generations. 

An arid high desert canyon area to the east had been selected - 'Chaco Canyon' was born.

100th Meridian

On either side of the 100th Meridian, North America displays 'world-class' Earthworks, Slate Rock Ruins, Petroglyphs, Medicine Wheels and a host of 'sacred symbolgy' in Native American ritual and costume. These all add-up to astronomical knowledge and kindred wisdom. At the heart we find 'Codex 13'.

Might we locate the 'Codex' between the Hopi's Grand Canyon Cavern and Chaco Canyon?

Kincaid's Cave to Chaco Canyon by the Numbers

Hopi Mesa's sit at 35 degrees north latitude .. 3+5=8

Kincaid's cave to Wupatki is 58 miles .. 5+8=13

Kincaid's cave to Third Mesa (closest to GC) is 73.03 miles .. 7+3+3=13

Third Mesa to Hovenweep is 135 miles

Third Mesa to Square Tower Mesa Verde is 148 miles .. 1+4+8=13

Third Mesa to Aztec Ruins sun-dial is 161 miles .. 1+6+1=8

Third Mesa to Chimney Rock is 206 miles .. 2+6=8

Kincaid's cave to First Mesa is 88 miles .. 2 13's or 26

First Mesa to Pueblo Bonito (Chaco Canyon) is 136 miles

Chaco Canyon's Pueblo Del Arroyo sun-dial to Aztec Ruins sun-dial up the North Road is 53 miles .. 5+3=8

Chaco Canyon

Chaco Canyon today is an ancient city of Puebloan structures where tourists from around the world can attend Park Ranger guided tours. For decades it's knowledge has remained elusive to the public. Like many sites in the American southwest it has Spanish names. Unlike South American and Mexican temples Chaco Canyon's houses were never adorned with gold nor was there a continuous inhabitance, therefore it was never conquered...until now.

Many have excavated, hiked and pondered this sacred site and yet this canyonland has held its the Night Hawk, once we rose above the noise and confusion, we were was able to see that Chaco brings our sun and moon's most defining aspects into 3D focus unlike any other site – solstice, equinox, solar and lunar eclipses as well as exceptional events during a three-year period every 18.6 years when luna gets outside of the suns normal declination during major standstill. We know this is no accident for it happens to the north at 'Chimney Rock' – another ancient, isolated site where from the full-moon kiva the lunar standstill awaits those who've beckoned humanities call.


Chaco is home to '13 stone Ghost-towns'. Each town unique to the next..where windows open to the past. From inside the minds-eye peers the 13 week seasons shift, reflected in our solar journeys horizon rise and set. Stone faces gaze starward – as man has done for millennias, sometimes in wonder, sometimes in anticipation and most recently to remember.

Chaco canyon's 13 Ghost Towns stretched over an 8 mile area exemplify advanced astronomical knowledge.

Geo-coordinates 36.06°N & 107.97°W reference 36 North as a 360 degree ratio while 107.97 West 'rounded-up' equals 108.

This number 108 signifies our Solar System; one Sun and eight Planets total 9. Geocoordinate of 36N is also the sum of 9.

(conducts use of Solstice-Equinox plus 13 month Lunar phases and acoustics)

13 ghosted ruins are within a length of 13 Kilometres (8 miles) 13 metric = 8 imperial (Codex 13).

Chaco's '13 sanctuaries of astronomic knowledge' detailed in reference to Fajada Butte's famous Sun-dial daggered serpents situated at a height of 135 metres, hints to the distance between Chaco's 13 ghost-towns and Ohio's 1376 foot Serpent Mound, calculated in distance between the two at 1358 Miles.

(conducts use of Solstice-Equinox and 13 month yearly Lunar phases)

Phi Scaling

Three, Six and Nine

Chaco's elite wall, door and passeway architecture is constructed with a minimum thickness, height and lengths of 3 to 6 & 9 feet. 

Tesla is known for the quote “If you only knew the magnificence of the 3, 6 and 9, then you would have the key to the universe.”

When we examine Tesla's Map to Multiplication, the digital roots of the numbers in positions 3, 6, 9, and 12 constantly repeat the same sequence 3, 6, 9!

Diameters of the moon, earth and sun are as follows:

Moon = 2,160 miles [2+1+6] = 9

Earth = 7,920 miles [7+9+2=18 & 1+8] = 9

Sun = 864,000 miles [8+6+4=18 & 1+8] = 9

Link to Ancient Agenda's Tesla's Time Task article depicting the Map's Mathematical & Geometric relation to Earth and Sun at Solstice and Equinox just like Chaco Canyon's Ghost-town structures ..

The Grandcestor's built Chaco not only for it's visual appeasement but also for its spiritual aspects one can only find in a 'Tribal Union'. Daytime's sun-shadow play and serpentine daggers gives way to one of the brightest night skies in NA – a site from where 'Orion rules the night and the full moon can illuminate a Hawk's hungry hunt or cast rock shadows on its own'.

Chaco like many archaic monuments speaks an astronomical language. Returning to Tesla and .. 'If you only knew the magnificence of the 3, 6 and 9, then you would have a key to the universe.'

Is there a correlation to Chaco's 3, 6 and 9 foot dimensions? We know the moon and sun were integral in the design of Chaco based on Pueblo Bonito's 'moon phase' kivas. And we know that the sun likewise is integral from the sun daggers atop Fajada Butte. Building alignments and 13 week shadows compliment the intent.

Standing firmly on terra firma at Chaco we begin to see the system within the design. Earth, Moon and Sun make Three. Sun, moon and inner planets makes Six. Sun and all planets makes Nine.

This may not have been what Tesla was thinking but might it have been what the designers and builders of Chaco were?

Windows intentionally frame solar and lunar events at the 13th week of each year starting with vernal equinox. As each astronomical age in the precession of the equinox is seen as a window of time, are the Grandcestors telling us, not just at Chaco but at monuments around the world, that there is a specific window or time to watch for?

Not all windows here are square or rectangular. Some are 'T' shaped...the ancient Tau symbol known around the world. This 'architectural symbol' provides us with another clue to the much sought astronomical message and truth to our shared historical past as it symbolizes Life Force or movement of the stars, sun and moon...Eternal Life.

We've cataloged the viewpoint that emerges in a video dedicated to our solar system found inside the Great Pyramid at Giza.

We can't see the heavens with the top down or standing inside a building. It's clear the Kiva was sacred and never was covered. Moon phases would never properly shadow. The architectual design is plain to see when viewed from above looking down and conversly true when applied to ancient astronomy when looking above from below.

Pueblo Bonito's Crooked Window

Chaco's Window on the World using 'Solstice Light' cardinally locates its 'own' location on the North American continent.

The floor of this room is divided into quadrants with 3 false floors and one section of solid floor.

Winter Solstice sun shoots a beam of sunlight into the room towards a protruded corner.

Pueblo Bonito's crooked Soulstice corner window reveals its North American location.

Pueblo Bonito, Chetro Ketl and Barnard's Loop

Barnard's Loop is an emission nebula in the constellation of Orion. It is part of the Orion Molecular Cloud Complex which also contains the dark Horsehead and bright Orion nebulae. The loop takes the form of a large arc centered approximately on the Orion Nebula. The stars within the Orion Nebula are believed to be responsible for ionizing the loop.

A parsec is an astronomical measurement equaling 3.26 light-years distance. Recent estimates place Barnard's Loop at a distance of either 159 pc (518 light years)[1] or 440 pc (1434 ly)[2].'s_Loop

The distance from Pueblo Bonito's 'Home kiva' to Chetro Ketl's 'Orion nebula kiva' is 0.440 miles.

Chetro Ketl's house has Orion belt star kivas as well as Orion Nebula kiva aligned properly beneath the belt kivas.

Were Chaco's designers telling us where to locate Orion and its nebulas? 

What else might this be revealing?

Chaco's Secrets are many. We've condensed some additional information into a video titled North American Tribal Codex as information can sometimes come to 'light' in the right combination of song lyrics, pictures and words – a new language for a new understanding.

Have we uncovered everything there is to know at Chaco? Unlikely. We like to think we've set in motion a shift from the past into the future.

Why do we see rock structures primarily in the southwest and earthen in the Mississippi Valley and east divided by the 100th meridian? Is it possible and geologically likely that the builders intended a message to be rock smashes scissors and scissors cut paper and paper cover rock? 

Retreating ice sheets can cover but not smash earthen mounds while retreating ice sheets can cover and smash rock ruins if built where earthen mounds are located.

What might a thorough study of rock art in the southwest reveal?

Similarities in Hopi and Sumerian Words

The Hopi believe the Creator of Man is a woman.

The Sumerians believed the Creator of Man was a woman.

The Hopi believe the Father Creator is KA.

The Sumerians believed the Father Essence was KA.

The Hopi believe Taiowa, the Sun God, is the Creator of the Earth.

The Sumerians believe TA.EA was the Creator.

The Hopi believe two brothers had guardianship of the Earth.

The Sumerians believed two brothers had dominion over the Earth.

The Hopi believe Alo to be spiritual guides.

The Sumerians believed AL.U to be beings of Heaven.

The Hopi believe Kachinas (Kat’sinas) are the spirits of nature and the messengers and teachers sent by the Great Spirit.

The Sumerians believed KAT.SI.NA were righteous ones sent of God.

The Hopi believe Sotunangu is a Sky Katsina.

The Sumerians believed TAK.AN.IKU were Sky Warriors.

The Hopi name for the Pleaides is ChooChookam.

The Sumerians believed SHU. SHU.KHEM were the supreme Stars.


Petroglyphs to round out Tribal Codex's Grandcestor message to humanity ...

Article written by J.Gilbert with guidance and soulstice by JD Jeffrey. Copyright 2019

Great Ionic Aeration Pyramid

Posted by J.D. Jeffrey on March 3, 2019 at 12:00 AM

Giza's Great Ionic Aeration Pyramid

            'Fountain  of  Utopia'

Global advanced technology and modern knowledge, with present day documentations, has led multitudes to question the history to our last remaining seventh wonder of the ancient world.

There are many whom believe the Great Pyramid was not built by an egotistical Egyptian Pharaoh. Some believe it to be much older, and advanced; as some have implicated the Great Pyramid as a machine.

To understand this new-age theory, one must investigate our actual-factual verifiable history of the Pyramid itself.

The easiest way to reveal this is in understanding it's architectural nuances, which have been catalogued by historical professionals long before the cleaned up tourist Hollywood attraction of what appears as todays Great Pyramid existed.

From the late 1800's, we are given documentations to certain nuances by the grand sir Flinders Petrie.

His inspection and documentations revealed the Great Pyramid's Entrance-door is constructed from a single stone block that swings up and 'outwards'.

With some speculating the pyramid as a type of hydrogen machine (or any liquid vapor system) the 'supposed' swing-door could not withstand an internal blast, as the vacuum would push the door open releasing whatever proposed chemicals being used as a hypothetical machine.

(possibly releasing harmful chemicals into the atmosphere?)

The three Granite 'plug's blocking the access upwards in the Ascending passageway were sealed shut during construction with the first megalithic stone inserted into a gravity-fed 'pinch seal'. These three granite-plug stones made the Ascending passageway impassable, thereby having to be tunneled around to gain entrance to the above chambers.

The Queen's Chamber erroneously named 'Star/Air-shafts' were intentionally blocked at both ends, therefore were inoperable and could not be used.

They are intentionally blocked at the exit point to the outside of the pyramid and at the entrance inside the Queen's Chamber. They were sealed over and had to have the stone broken through to be revealed in 1872. The wall stones that make up the Queens Chamber are of one piece and too large to move through passageways after construction of the pyramid. This construction nuance details the wall stones were inserted 'during' the build procedure.

These shafts could NOT be used for anything negating the sealed over use of the Queen's Chambers Southern shaft as a Dilute Hydrochloric solution and the Northern air-shaft for Hydrated Zinc Chloride solution causeways represented by the proposed Pyramid Machine theory.

(detailed intentional blockage revealed in this diagram of the Great Pyramid's internal area's)

The Queen's Chambers shafts were hermetically sealed proving claims of an opening and closing valve system useless, thereby dispelling the myth of liquid or nitrogen being mixed and moved from within.

At the end of the Queens Chamber shaft, according to video and photographic evidence during Gattenbrinks Robotic inspection, are various Red-ochre painted hieroglyphs.

Any type of liquid or steam would have long ago evaporated the simple red paint. Also it is heavily speculated due to marks in the entrance passage Hall to the Queens Chamber that the Hallway at one time had a stone blocking entrance into the Queens Chamber.

(Gantenbrink picture reveals cracks and crevices that would allow chemical liquid or steam to penetrate behind the door which would have eventaully evaporated the simple red ochre paint)

It should be noted that no other pyramid has Air/Star shafts making the Great Pyramid exceptional in this fact. Also of the two point five million stones used to create the Great Pyramid, it is mostly limestone with many loose cavities between blocks, making it's water tight theory obsolete.

Let it also be noted that the Great Pyramids Descending Passage-way and Subterranean Chamber are created from Limestone bedrock. Continuous flooding of any liquid type (or steam) would erode the simple bedrock as any first-year apprentice Geologist would point out.

If geologist Robert Schoch's thesis of the Sphinx water erosion is to be believed, that detail alone reveals what water can do to limestone bedrock.

The issue with this certain idea of a water-chemical solution machined vision of the Great Pyramid is we are looking at a cleaned tourist Hollywood version to the Great Pyramid.

What negates this theory of a chemically induced machine is the historical truth of the Great Pyramid's internal megalithic stone construction itself.

Where the lower angled Descending passageway area reverts to a horizontal passaweway before entering the Subterranean area, there is no 'pool washout' in the bedrock that would have been created from the waterfall effect rushing down the 26.5 degree angle of the Descending passageway. Nor is there evidence of the effect water creates on and through bedrock in the Subterranean's entrance 'step'. The step 'edge' does not reveal wash-away effect from water flowing over into the Subterranean Chamber. In nature, water falling at that degree angle over bedrock would have eroded the step into a V shape; the same natural v-cut shapes we see identified at the Sphinx location. We see no evidence of this in the Great Pyramids lower inside bedrock passageway and Subterranean entrance step.

In the early 1300's, the Gizeh location suffered a catastrophic earthquake which dislodged the Great Pyramids polished Tura limestone outer casing stones, allowing them to be stripped and used as quarried stone in quickly fabricating Palaces, Mosques and other buildings. 

The casing stones were sealed which kept water and other forces of nature from penetrating into the pyramid's interior shafts, passageways and rooms.

This unfortunate happenstance has allowed for the past 700 years what little rain-water the Gizeh desert now receives, to seep into the building causing stains from water mixed calcium extrate and other trace minerals; which has been misidentified from new-age pyramid investigators, using this misidentification to conclude the pyramid was once a chemically induced machine.

After years of intense in depth study of the Great Pyramid structure and Nikola Tesla's research..there are both pluses and minuses in the various conclusions.

Nikola Tesla studied the values of electricity and came to the conclusion electricity actually has a healing quality; we know this as Piezoelectricity. The Great Pyramid intersects Ley-lines that create Piezoelectricity. This purifies the natural aquifer cisterns seated below the Giza plateau.

The next step is to understand the Great Pyramids build structure.

By researching the past elders whom first entered the Great Pyramid who documented their finds..such as Piazzi Smythe, Flinders Petrie etcetera; we can document this in a profile to conclude the upper part of the Great Pyramid was sealed air-tight which could only be done during the pyramids build process. (we understand this by the size of stones used for blockage - the posted pic details the blockage)

The Descending Subterranean passageway held debris in its lower descending passageway area..but not full blockage.

This is ascertained as rubble from Caliph al Ma’mun's men as they were first in documentation to 'break' into the pyramid; whereby history dictates they tunneled around the 3 great granite stones blocking the Ascending passageway.

Many speculations are contrived with this Great Pyramid as an advanced machine, and yet the pyramid itself interfere's with that mechanical notion. Following the Pyramid's own language, the clues documented and ones still in place today, reveal a simpler more vital contribution to civilization's sustainability.

The Great Ionic Aeration Pyramid

If the Great Pyramid truly is a machine, the early documented clues of professional historians reveal how it works as an irrigation device. 

More precisely, the Great Pyramid simplified, works from natures own forces somewhat as a reverse check-valve tornado Wind Turbine.

The North prevailing winds of the plateau are sucked into the pyramid by opening its door: the natural induction of air forces the wind down the descending passageway and the angle is designed to force it faster, which also helps to cool the air. In the Descending passageway (now removed) there was one single protruding stone integrated into the floors surface one must climb over to continue down the passageway. This angled stone performs a squeezing of the air, creating a 'check-valve' Vortex push.

When the wind enters the Subterranean area, it is forced into a Vortex due to the different size/shaped walls, which are constructed to work as stationary 'air vanes'. The Vortexed air is cycled to the ceiling and pushes down the walls along the floor (explaining why the Subterranean area door is raised off the floor) creating a density obstacle so air can not push back out and up the Descending passageway, which would then cause the Vortexed effect to slow and nullify operations.

 The Subterranean area ceilings, walls and floor-pit area reveal evidence of rotational swirling seqences.

Could this be part of the master builders intentional design to help direct wind flow? Or could the miniscule amounts of fine sand mixed into the air flow, over time, cause the minor swirl erosion marks?

Either way, the identifying marks show a purposeful intended cause.

The small passageway leading to nowhere (opposite the Subterranean entrance) is used to compound-compress air 'pushing back' into the room to reverse-circulate the air towards the ceiling and stationary inner short wall-wind vanes. After air intake into the Subterranaean area has cycled, this Vortex of forced-cooled air then can only go one place; down the tube known as the Pit or Grotto of the Subterranean area, which is angled for a purpose.

It pushes the Piezo-ionic purified water held in the natural aquifer cisterns out into the fields and self irrigates the desert into a tropical paradise..self sufficient. All we need do is till, seed, weed and harvest; plus minor maintenance to keep the 'pipes' clean.

The captured wind creates a downward forced 'pressure vacuum' air-funnel cycling through the chamber  up and around the ceiling down the walls where the stunted walls administer the vortex by splitting the air, which then forces through the floor canal into the Pit-pipe to create a plunger effect helping to move the water held in underground carved irrigation tunnels.

Essentially the self-serving pump action works as a contained micro tornado inducing a cyclonic nature of forced air into a specific direction to be harnessed and controlled. 

Natures Vortex wind creating tornado

According to scientific research, water from the Great Pyramid due to it's location synced with the pyramids design shape, is purified to 99.8 per cent pure.

The Pyramid's shape helps to drive down the Piezo-ionic flow and amplify it.

Aeration by Piezoelectric video

There is also a claim to one added bonus - the pyramid has shown to restructure seeds on a molecular level that helps them to grow six times faster, six times more abundant with six times more protein. Couple this with the purity of the 99.8 per cent pure water..and Giza is a living Eden paradise.

"- Agricultural seeds placed in the pyramid for 1-5 days showed a 30-100% increase in yield"

You can find the full detailed analysis of the water purification and seed restructure in doctor John DeSalvo's book -'Great Pyramid Decoded' where Valery Uvarov's expanded analysis conducted by himself with aide of other noted professionals explain these procedures in detail.

Link to Dr. John DeSalvo's Giza Foundation website included at end of article titled: Great Pyramid Research Foundation

The next analysis is to see the foundation of the 'wind power' claim.

Wind Flow Modeling and Simulation over the Giza Plateau Cultural Heritage Site in Egypt (Ashraf Hussein, 2009)


The most prevailing wind direction over the year is in the northwest direction between 345 and 360 at wind speed of approximately 5m/s [Mortensen et al. 2006].…

The Giza wind rise identifies and indicates

plenty of wind to drive the Pump system.

The Great Pyramid has 'concave' sides which quite 'possibly' helps to channel North-East and North-West winds into the pyramid's doorway opening.

It's also been established that the door-entrance creates 'Helmholtz' resonances caused by the wind blowing across the entry tunnel, which may help in organizing air molecules during their descent into the Subterranean Chamber administering an 'ionic wind' of colliding electrically charged air molecules increasing wind potential thrust.…/new-theory-for-great-…

5 minute video showing how the Great Pyramid's pump 'may' work.

This pump [Self pumping] is a reconstruction of the Subterranean chamber under the pyramid.

With the Great Pyramid's entrance designed approximately 50 feet above ground level, this would keep most wind blown sand below the entrance area. According to certain researchers, there is speculation to an inner entrance 'man-door'.

This would make sense as a type of hepa-filter to filtrate sand debris moved by the wind, which could then be easily serviced and cleaned or replaced periodically if need arises.

With the dilapidation in modern time to the pyramids original entrance, there is no evidence of how the outer door was propped to stay open against wind forces on it's own. It could of been a simple stick to prop it open or a small wedged-stone manually inserted between the inner upper edge of the stone swing door and it's closure seal.


Tesla's Wardenclyffe Tower uses aquifers to draw reservoirs of Electromagnetism into 'Ball-Lightning' inside the Towers top-caged ball (works like a Faraday Cage for containment).

The contained power would then be reduced into a Voltage-regulator, which then would be transfered to 'housing-stations' therefore then can be sent to receptor-facility's to be distributed for organized use to business's and homes.

Tesla's research into Free Energy is not as simple as one would think and why no one has been able to reproduce his vision in a working model.

Nikola Tesla never accomplished his dream of Wardenclyffe Tower for various reasons.

However, he did give us a working model of hydroelectric generated power.

The Niagara Falls Hydroelectric Generating Station was Tesla's creation and to this day still works wonderfully.

Water is the catalyst that drives the hydroelectric plant; and water and air have very similar properties.

Tesla understood this well and based his 'sealed air turbine' on this principle.

With evidence detailing the Great Pyramid was hermetically sealed from the entrance of the Ascending Passageway 'while it was being built' , the modern machined theory that the Great Pyramid works on the same principles Wardenclyffe is designed upon, becomes improbable.

The pyramid's own evidence suggest the analysis of the Great Pyramid as an Irrigation Machine working as a pump does, incorporating an air cushion plunger effect 'reverse Check-valve' system.

"A plunger pump is a type of positive displacement pump where the high-pressure seal is stationary and a smooth cylindrical plunger slides through the seal. This makes them different from piston pumps and allows them to be used at higher pressures."

The theory of a Ram-jet Water Pulse system is inconsistent to the working of a pulse-jet ram, as a continous pusle inside the pyramid would eventually dislodge the skeleton stones also cracking the outer casing stones.

This type of machine energy would over time be a destructive force to the pyramid itself.

Recent findings at the Giza plateau such as 2010's 'closed to the public' Sphinx dig, where Egyptologists used heavy machinery to dig down approximately 40 feet, have still gone unpublished. What details we do know are in their own rights curious. Interestingly, findings such as tunnels and caverns yet to be discerned are hinted at by egyptian authorities..

A statement made to the Egyptian Press on the 14th of April 1996, by chief of Egypt's Supreme Council of Antiquities as quoted by Zahi Hawass states;

"There are secret tunnels under the Sphinx and around the Pyramids which will prove to carry many secrets of the building of the Pyramids."

This mysterious underground system below Giza incorporates tunnels, passageways and caverns that were documented in the early 1900's.

Dismissed as a hoax or somehow forgotten, due to modern technology and recent history investigations, these areas have been slowly investigated and are now being re-documented.

Across our planet there are various deserts that have cisterns which connect over vast distances (sometimes many miles of length)

With the Gizeh area particularly, evidence suggests there are counterpoints linking them that are man-made. Could certain monuments be these Germination Containment Centers to help quantify the seed acceleration process, with vast tunnel systems underneath that connect to outer lying regional deserts to irrigate and recreate the lush tropical utopia spoken of in mythology?

Found at the Saqqara complex, the Schist Disc seems to be an advanced propeller..or properly an 'impeller', which could be used at certain terminal areas redirecting and pushing the water flow. 

It's more than possible the caverns, tunnels etc. found under Giza's main plateau are the remnants of the clean-out passages, relieving chambers/holding tanks, water-ways and irrigation directional culverts that allow water to cross vast distances irrigating desert fields into plush paradises, as Egypt's historic mythology of an Eden paradise recognizes.

Certain Sahara aquifer's today such as the Lakes of Mandara still give hints of yesteryears magnificent crop yields, still retaining Citrus and Laurel trees plus Olive bushes found thriving today.

With a machine such as this, food can be grown at high protein levels.

Everything from corn to sugar-cane can be raised to feed not just third world nations..but all nations.

With the advent of global technology, slowly more and more of lost history is being uncovered and addressed. Time answers all questions, and we are living in the right time.

With Gizeh's Great Ionic Aeration Pyramid restored and working, we could again irrigate the Sahara, and other parts of Afryca. It can also be used in various areas of our global monumental matrix.

Also, if humans are for the most part vegetarians (pure foods-no pesticides or preservatives), then it's quite possible human excrement can be used to fertilize the fields preserving Earth and mankind in a self sustaining environment eliminating many world-issues.

In order that we as a unified nation can raise cain allowing our world to once again become abel, our gracious Grandcestors left in place the grand architects plan to a true Fountain of Utopia.

Copyright research of JD Jeffrey 2019

Additional information:

Transient phenomena of streamlined Vortex cold air

Video explanation of Low Frequency Hertz Pump action;

(Ultrasonic Air-blower Water Pump)

30 Second video animation of Piezo Pump

Creating Crop Lands from Deserts

Professor V.A. Makarov's research

Great Pyramid Architecture

Great Pyramid Research Foundation

Tribal Codex: NA Mounds

Posted by Jon Gilbert on February 23, 2019 at 9:45 AM

Judging the reasons behind a European attempt to suppress Native American knowledge is a topic of vital discovery for understanding archaic history. Ancient Agenda's CSI History investigators look high, low and wide to reveal ancient mysteries and present undeniable facts. As always we put the facts on the table for you the public - Judge and Jury to decide.

Earth's reconstructed story is a long one. Here we are presenting rarely if-ever seen or realized evidences at North American Mounds. Tribal Codex part II will be Chaco Canyon and a select few surrounding 'sister' sites. We'll culminate this series with Petroglyphs, Medicine Wheels and various other rock art and structures.

In a different article/series we will present the evidence as it pertains to the invasion of the Americas and what was at stake in the European conquest..who done it and why, looking at indigenous suppression bordering on an all out genocide of people, culture, ceremony, sacred places, knowledge and wisdom supplanted by western European religious dogma (15th to 17th century).


NA ancient cities and burial mounds numbered in total over 200,000, an amazing number unregistered still by many people today, include Natives. It was as recent as 1991 that the Director of the Smithsonian's 'National Museum of American History', historian Mr. Roger Kennedy was shocked to learn, for the first time that 'massive' ancient remains existed in North America. Likewise at least one President for the 'Society of American Archaeology' had never been to Cahokia – even by the time he had retired at age 70.

Indeed most Americans were unaware that North America was dotted with advanced ancient architecture. Kennedy states “we now know there were more people in Cahokia than there were in London or Rome at the time”.

The estimated and often argued total population of the Americas, pre-1492, is between 50 and 100 million, of that between 2 and 18 million in North America.

Ancient Mound sites, simply lost to history, memory and vision or the result of 19th century political and scientific agendas?

Oddly enough the ancient architectures were known 200 years ago. The young Mason George Washington undoubtedly had met the Indigenous Shamans, whom erected their sacred Tee-Pees with 13 ceremonial  Poles, with Tee-Pee entrances facing Eastward.

Did George face east when he laid the U.S. Capitol cornerstone in his loin cloth?

Masons meet Shamans ..

The largest mound site George Washington visited was on the Ohio River and yet curiously he opened the Ohio Territory for frontier settlers to venture westward via his military without protecting or informing of these sites. As an unfortunate consequence many mounds were used as fill for small towns and villages as they sprung up and grew.

This continued into the 20th century. At St Louis in 1904 in preparation for the World's Fair, 16 mounds were destroyed. At this time and era, St Louis' nickname was Mound City.


Likewise, Thomas Jefferson was personally well aware of large Earthworks in the Ohio Valley and thanks to Lewis and Clark he became aware of the largest Earthwork in the western hemisphere in the middle of the continent (Cahokia). Were Lewis and Clark secretly sent on an ancient artifact-finding, ancient knowledge-discovery mission? Jefferson's passion was knowledge.

The sheer number of mounds had to point the Founding Fathers to the recognition of large populations on the lands they were about to confiscate.

Of the modern day large cities on the Ohio and Mississippi river valleys only Marietta, Ohio somewhat retains its center-city mound identity. Marietta is also defined in other ways so in essence, culturally, the once mighty Mound Cities are gone. Since around 2012 there has been a push to build Mounds in Forest Park St Louis. 

(print from 1832 painting of Marietta, Ohio Adena Hopewell Mounds- credit: Fritz Zimmerman)

Early archaeology by people like Atwater, Squire and Davis noted from the artifacts at the Mounds, that these were likely built by highly advanced cultures but eventually this knowledge went underground around 1920, except for prior publications which were somewhat hidden (and still today) in certain 'special' libraries....perhaps due in part to John W. Powell's paper to the Smithsonian regarding the proposal to limit presenting artifacts from Pre-Columbian periods AND his appointment in 1881 of Cyrus Thomas as the director of the 'Eastern Mound Division of the Smithsonian Institution's Bureau of Ethnology'. Shouldn't Americas heritage monuments have been protected, studied and presented to the public as they were excavated?

Is this not our birthright to know..?


Sorting fact from fiction requires astute investigators and sometimes being an academic has its drawbacks.

When Thomas came to the Bureau of Ethnology he was a "pronounced believer in the existence of a race of Mound Builders, distinct from the American Indians."

We are in fact in agreement with this statement and belief of Mr Thomas.

It is from this position that we respectfully put forth Tribal Codex: NA Mounds to all those who came before us and to all that will follow..

Great Mounds of Truth

Mounds were made for solar alignments and astrological dedications.

Long straight rectangular Mounds create 'horizons' for astronomical forecasting.

Round circular-hill Mounds 'capture'  astrological arrangements. 

Woodhenge's project the identical solar practices as Stonehenge's astrolabe, establishing Lunar and Solstice/Equinox knowledge.

Hopewell Earthworks

Hopewell Earthworks sites were nominated by the U.S. Interior Dept for World Heritage status on May 25, 2018 to be included among sites like Grand Canyon Arizona, the Pyramid fields from Giza to Dashur, Egypt; Machu Picchu, Peru; the Taj Mahal of India and Galapagos Islands, Ecuador.


Hopewell Mound Earthworks: Astrological Center

Hopewell calculates the full 18.6 year Lunar cycle. It lays out maximum-minimum Lunar rise and set points..showcasing Hopewell's sacred geometric Th1rt3en point Lunar Transit.

The earthen created geometrical banks at Hopewell's astrological center incorporates a highly advanced unique octagon Lunar astrological center to calculate and establish long term Lunar practices. The long rectangular banks are created as a 'false horizon' for accurately sighting the circular oblong motion of our Moon around Earth.

This enables the full calculation of 18.6 years during a 13 month lunar year calendar.

Hopewell's most esteemed mounds are the connected great Circle and Octagon. The great-circle encloses 5 to 13.5 foot embankments (30 acres). A ditch measuring 8 to 13 feet deep runs inside the perimeter of the great circle.

(8 imperial = 13 metric = Codex 13)

The Octagon has Eight internal points where two squares can be inserted/overlaid via alternating points. Within the square whose center axis-point is 51.8 degrees east of north four smaller squares can be drawn.

A Greek/Roman measurement known as a 'Stade or Stadium', is 606.9 feet (6+6+.9=12.9 or 13).

606.9 feet is 184 meters (1+8+4=13). One of the small inner squares is One Stade (below left image), which equals the side-slope length of the Great Pyramid's angle of 51.8 degrees.

High Bank Works

High-Bank Mounds align Lunar minimum and maximum 'standstill Moonrise and Moonsets' as well as 'Solstice Sunrise and Sunsets'.

We find this same example exemplified at locations such as Newark's great Circle with Octagon Mounds.

High Banks to Newark is 58 miles (5+8=13). Newark to Wright is 35 miles [3+5=8]. Wright to High Banks is 57 miles. (58+35+57=150 miles, 150mi=241.402km, 241.402 reduces to 13). High Banks great Circle is 20 acres = 8 Hectares. From center of great circle through opening points to center of smaller circle with a 250 foot diameter (250ft is 76m, 7+6=13).

Mound City

Mound City Group is the only fully restored Hopewell earthwork complex. As such, it is a national treasure. Here, visitors who walk quietly through the enclosure and among the mounds can still experience a sense of what it may have been like to gather at a Hopewell ceremonial site two thousand years ago.

This earthwork consist of a 13-acre rectangular earth enclosure with at least 23 mounds. The height of the earth walls of the enclosure is about 3 to 4 feet, with an entrance or gateway on both the east and west sides. All the mounds are dome shaped except for one that is elliptical. The largest mound of the group was described by early explorers as 17.5 feet high [5.3m, 5+3=8] and 90 feet in diameter [27.4m, 2+7+4=13]. There are two additional mounds just outside the enclosure. All the walls and mounds have been reconstructed and are clearly visible.

Wright Earthworks

The Wright Earthworks consist of a fragment of a geometrically near-perfect square enclosure and part of one wall that originally formed a set of parallel embankments, which traveled from the enclosure to a large oval yard. The Newark square's sides formerly ranged from about 940 feet (290 m) to 940 feet (290 m) in length [9+4+13], enclosing a total area of about 20 acres (8 ha).

Th1rt3ens everywhere... diagonal diameter is 328 feet (3+2+8=13), at a heading of 42.34 degrees (4+2+3+4=13) - southwest to northeast (winter Solstice sunset).

Cross Mound

Ephraim George Squier and Edwin Hamilton Davis visited the site in the mid 1840s. They would discuss their survey in their 1848 publication Ancient Monuments of the Mississippi Valley. They describe the location of the work as occupying a "narrow spur of land,". They describe the design of the work as a Greek cross. The work was three feet high and 90 feet apart (90 feet = 27.4 meters, 2+7+4=13), on each end and closely matches the cardinal directions. A small ditch surrounded it, following the design of the cross. In the middle of the cross was a circle shaped depression. The depression was noted as being 20 feet in diameter and 20 feet deep. Towards what they describe as the "back" of the cross was "a small circular elevation of stone and earth."

One of the many enigmatic effigy mounds in southern Ohio.

Ohio & Ontario Serpent Mounds

Ohio Serpent Mound

Serpents Winged Disc Sound of Silence ..

Video reveals a link between Serpent Mound and other serpent effigies.

Serpent Mound impact crater is an 8 kilometer structure ..

Is the Serpent on this Mound delivering a panSPERMia message, as it overlooks it's OVUM comet-crater?

Early Earth, like early Mars and no doubt many other planets, was bombarded by meteorites and comets. Could they have arrived with “living” microbes inside them? ..

Serpent Mound article ..

Ontario Serpent Mounds

Serpent Mounds National Historic Site of Canada is located in an open oak savannah setting on Roach’s Point and East Sugar Island in Rice Lake, Peterborough County, Ontario. Traditionally recognized as a burial site dating from 50 BCE to 300 CE, it is a grouping of Eight separate burial locations forming a serpentine shape that is approximately 60 metres long and almost 8 metres wide, also registering a height between 1.5 (4.9ft, 4+9=13) to 1.8 metres high.

(speculation of 'approximately 60 meters long and almost 8 meters wide' could very well total 67 meters computing as 6+7=13)

Serpent Mounds incorporates a 4.4-hectare area [4+4=8] on Roach’s Point, as well as a 49-hectare area [4+9=13] on East Sugar Island.

Ohio's Serpent Mound 'triangulation' connects from center of spiralled Tail to center of Serpent's Egg allocating a triangle above the body, which points a direct North-East heading of 53.5 (5+3+5=13) to Ontario's Serpent Mound at a distance of 724 kilometres. (7+2+4=13)

Originally created, North America is home to 31 Serpent mound/effigies.


Cahokia is the largest North American continent Mound site and the largest world-wide earthen pyramid known as Monk's Mound. This Mound is centered on 13.9 acres (13.9 = 1+3+9=13).

The center 'downtown' area is built upon 13.2 Kilometers. (5.1 Miles squared)

The site is aligned 5 degrees East of North forming a central-axis point 58 foot (5+8=13) wide elevated road extending 1 kilometer through the 'center' of Cahokia City.

Monk's Mound is constructed with 814,000 cubic yards of fill (8+1+4=13).

Cahokia's Woodhenge Astrolabe is 850 meters (8+5=13) from the center of Monk's Mound. Likewise a large square mound is 1480 feet (1+4+8=13) Southwest from Monk's Mound.

As seen from the Grand Plaza South of Monk's Mound, the great city of Cahokia calculates Luna's full 18.6 year Lunar Transit.


Emerald Mound

Located 8.5 miles (8+5=13) from the Mississippi river in southwest Mississippi, Emerald Mound reaches a height of 35 feet (3+5=8, 8 imperial=13 metric) base. It's built upon 8 acres once housing 8 mounds. The mound measures 770 feet (230 m) by 435 feet (133 m) at the base.

The larger of the two platform mounds atop the main mound sits at the western end, and measures 190 feet (58 m, 5+8=13) by 160 feet (49 m, 4+9=13) at the base and is 30 feet (9.1 m) in height.

This Mound was fashioned in a distinctive 'Pentagon' shape.                          

A Solid Platonic Connection

The Great Octagon's great Geometry example:

Giza's Great Pyramid is built as a Platonic Solid shape of the three-sided Triangle, with a rather simplified 'square base' footprint.

England has the great Stonehenge revealing geometry's '360 degree Circle'.

With the Great Pyramid purposely built at 360 of a degree off true North to reveal a hint to a 360 degree circle, amazingly Stonehenge, which is created as a megalithic circle, is located 3,600 Kilometres from Giza's Great Pyramid.

3,600 Kilometer distance between the Pyramid and Stonehenge revelate the circle significance.

These are the basis to geometry also combining a knowledge of 'Circling the Square'.

Combining the Triangle, Circle and Square leads to the higher understanding of math and geometry which then creates the Pentagon allowing the combined knowledge to illustrate the exotic Eight-sided Octagon.

Searching the globe of archaic monuments, we find the heart of the America's to be home of dual perfect Octagons of megalithic examples exemplified in detail revealing the sacred geometry of our our ancient history combined with advanced cosmological knowledge.

With over 200,000 mounds attributed to North America alone, and although some claim North American mounds to pale in comparison, the idealogy of cosmo-mathematics created by sacred symbology on a megalithic scale which includes the advanced state of the Octagon, leads this journey into lost history as a horse of a different color.

High Bank Mound

"Hopeton and High Bank are two major geometric earthworks that remain (though degraded) in the immediate Chillicothe area, now under the protection of Hopewell Culture National Historical Park (contact the park for possible or future visiting arrangements).

The linked circle and octagon at High Bank look remarkably similar to another pair at Newark, Ohio. Archaeologists are still investigating, but it seems the shapes are similarly connected to astronomical events. The crossaxis of the octagon points to the northernmost rising of the moon.

And one of the octagon walls points to the summer solstice sunrise. Between them, these two alignments determine the orientation, and the shape, of the octagon. More mysterious are the walls and circles that trail off to the southwest.

While Newark and High Bank are about 60 miles apart, they were designed using similar principles.

Their Circles share the same diameter, and each harmonizes with its Octagon: at High Bank, points at the center of all Eight sides of the Octagon can be joined to form a Circle of 'equal diameter'.

Ray Hively and Robert Horn have shown that High Bank, like Newark, encodes all Eight Lunar-standstills, plus the Four Solstices, while the axes of the two designs are exactly 90 degrees apart.

The builders could not simply replicate Newark’s design, due to the difference in Latitude, so had to create here another equally complex and subtle instrument."

The Octagon built with 8 sides divided into 135 degree increments, also uses the 'Stadium' measurment method, which the Great Pyramid uses

this same measurement in duality to the NA Octagon's. This geomtric language reveals a unique understanding in thier dual connection of knowledge

regarding platonic geometry, and with a distance from the center of Newark's Great Circle to the peak of Giza's Great Pyramid (using Google Earth's measuring tool) is exactly 6,007.71 Miles.

The recorded distance of 6,007.71 equates as 6+7=13 and 7+1=8.

Pentagon Mound

The outer circle was more than 1,200 feet (365.76 metres) in circumference and the earthen wall 5 feet (1.52 metres) high with a general base diameter of 12–16 feet (3.65–4.87 metres). However, the small inner circle had diminished to only 12 inches (30.48 centimetres). In contrast, the pentagon walls had retained ‘a more perfect form’. The five small mounds within the pentagon were the same size as the wall giving the design stunning symmetry.

This noble effort grants passage to the Tribal Codex written upon Earth in a time before our understanding.

"The noblest pleasure is the joy of understanding." ~ Leonardo da Vinci

Additional Codex 13 Mound Information:

Rules of Sacred Geometry

Starting with the master we have the Circle.

From there the three sided Triangle, the four sided Square, the five sided Pentagon and the six sided Hexagon are the Primaries.

Three, Four, Five and Six forms give us the basis for Sacred Geometry.


Circling the Octagon

Circling the Square is a term within geometry and can be seen at various global archaic monument-sites. Unique to this concept is 'Circling the Octagon' found only in North America at areas such as the distinguished Newark Earthworks. 

Hopewell's Six Geometric Secrets

Through a quick topographical review of Mounds, it's easy to distinguish the advanced geometry expression detailing a higher knowledge involving math and astronomical precisions.

1. Dual Squares & Circles

Small circle to big circle line of 'solar transit' through large circle-dot Mound Henge (Sun symbol)


2. Alpha-Omega

Diamond-Squared & Open-ended Circle Henge 

3. Sun Dot


4. Orion

Elliptic Triptych Belt Star Mound

5. Eye-Sometrics

Voice box of our Grandcestors Codex

6. High Banks - 90 degree river, 90 degree off Newark's Lunar Layout

1320 by 1080 ~ 31 Acres

Indiana's Cube-Henge

Many Mounds contain rows with 13 sacred remains.

Various mounds across North America, when excavated, documented remains stacked in levels containing a total of 13 bodies.

The most complete reference for these earthworks is 'Ancient Monuments of the Mississippi Valley', written by Ephraim G. Squier and Edwin H. Davis. It was published in 1848 by the Smithsonian Institution.

Since many of the features which the authors documented have since been destroyed or diminished by farming and development, their surveys, sketches, and descriptions are still used by modern archaeologists. All of the sites which they identified located in Kentucky, came from the manuscripts of C. S. Rafinesque.

Maturin Le Petit, a Jesuit priest, met the Natchez people as did Le Page du Pratz (1758), a French explorer. Both observed them in the area that later became Mississippi. The Natchez were devout worshippers of the sun. Having a population of some 4,000, they occupied at least nine villages and were presided over by a paramount chief, known as the Great Sun, who wielded absolute power. Both observers noted the high temple mounds which the Natchez had built so that the Great Sun could commune with God, the sun. His large residence was built atop the highest mound, from "which, every morning, he greeted the rising sun, invoking thanks and blowing tobacco smoke to the four cardinal directions".

Later explorers to the same regions, only a few decades after mound-building settlements had been reported, found the regions largely depopulated, the residents vanished, and the mounds untended. Since little violent conflict with Europeans had occurred in that area during that period, the most plausible explanation is that infectious diseases from the Old World, such as smallpox and influenza, had decimated most of the Native Americans who had comprised the last mound-builder civilization.

One-Hundredth Meridian

Uniquely, North America's One-Hundredth Meridian equally divides Mounds, artificial Horizons and Woodhenges on one side; Petroglyphs and Rock art with Chaco Canyon are located on the other side.

To the West of the 100th Meridian, located in Northern Arizona, is Meteor Crater also known as Barringer Crater. It's believed to be 50,000 years old. Meteor Crater to Wupatki Ruins is 39 miles: 3 x 13=39.

Distance from Barringer Crater to the prestigious Chaco Canyon is 184 miles.

A very curious 13 from adding 1+8+4

Meteor Crater side-by-side with Cahokia 

Might it be hypothesized and realized that the forgotten message of North American Mounds are more than merely great works of astronomical wisdom; that in truth they represent the knowledge to a cataclysmic episode not just in North America's past, but our global history, written in advanced geometrical symbology.

Part Two..coming soon.

Tribal Codex: Chaco Canyon 

Link to North American Tribal Codex video:

Copyright research by Jon Gilbert and JD Jeffrey 2019

Sillustani Serenades

Posted by J.D. Jeffrey on February 5, 2019 at 10:30 AM

Sillustani Serenades: PI'ed Piper plays

A long time ago, when Babel was green

There was more kinds of Towers than you've ever seen

They were built free while the Earth was being torn

And it was all written on the Chullpas stone;

There was carved Lizard-gators and long-necked Geese

Some humpty backed Serpents and some Chimpanzees

Zodiac Cats, Rats and Elephants, but sure as you're born

All written on the Chullpas stone..

Located near the North-Western shore of Lake Titicaca and built upon a plateau of red sandstone covering an approximate area of 10 acres, resides one of Peru's now silent towering tributes.

Historical acadamians claim the Sillustani Chullpa Towers were once indeed funerary chambers distinguished as Burial Towers; however the accuracy in placement and construction play a different note.  

Due to the various towers deconstruction destruction by conquistadors and profiteers in search of gold, we are able to peer inside the architectural details with a hint to the architects mind.

Meticulously carved, these towering megaliths out of the pages of unknown history incorporate an advanced 'hollowed socket' construction to reduce weight for ease of lifting the massive blocks into place regarding stacking order. With a smooth fit appearance on the outside, the inside is also filled and coated to add strength and extra resistance, which is an integral part of the cylindrical design feature.

In technical terms, this type of build procedure is known as 'dry-laid convex polygonal' stone manipulation construct. This is the main construct system used with a few built in the 'heterogeneous dry-laid coursed ashlar ' stone masonary work.

Sillustani Chullpas are of pre-Incan history and are located on the shores of Lake Umayo near Puno in Peru.  Suspected grave robbers have left obvious destruction caused from dynamite entry for unknown valuables, while other towers appear left unfinished.

Understanding these towers presents a challenge;

Each of these Towers is slightly different in size and height, with different size and shaped openings. Among the circular conical towers, there are also geometric squares. Documented as the widest Chullpa, this certain particular tower incorporates the squared base shape.

All Chullpa's are distinctively created with the same curious ground-level access hole alignment.

Although they vary in size, shape and height, the Chullpa openings respectively face Cardinal directions. Easterly faced openings are often associated with Sun travel and notably documented upon other archaic world monuments.

Chullpas are found across the Peruvian altiplano with Sillustani considered to be in preservation, the best example offered. Finely detailed architecture reveals a sophistication of complexity not found in typical Incan structures. The rectangular edged stone work with bevelled surfaces are aligned stacked with a precision that allows for a tapered appearance. 

With most of the rectangular towers collected at a distance from the embodiment of conical towers, Sillustani's largest and finest circular tower constructions occupy prominent positions along the outer-edges of the plateau.

Various towers are shown to have embossed protrusion 'notches' known as knobs that face a Northernly direction, with certain stones carrying various creatures reminiscent of Gobekli Tepe.

With every global archaic advanced structure, the architect leaves clues inviting function to form, for all function has form.

Sillustani's architects left their own clues.

1st clue is the name chosen used to describe the towers.

2nd clue - they are the highest altitude monument in the world.

3rd clue - they do the same thing Dolmens do..but at a higher pitch.

Clue one is the Spanish name Chupa: Although the original name to this sacred site is lost to time. Appropriately chosen, the word chupa in Spanish, translates to 'suck or draw in'.

The name of Sillustani's towers describes their possible functioning purpose.

Second clue refers to the Codex 13 signature:

Estimated height above sea level is 13,000 feet.

Geo-coordinates 15°43′16″S 70°09′30″W

Adding the South and West coordinates together gives us 85.5246.

Further reduction as in 8+5 reveals the 13 significance.

.5246 fully reduced becomes 8.

Sillustani's tallest tower is said to reach 40 feet tall [12 metres]

The most numerated area of Chullpa's are constructed as smaller towers. Finished in a white clay mixed coating distinguishing them from the others, these particular structures are known simply as the 'White Towers'. Documented measurements describe certain White Towers as 48 feet in circumference with a height of 13 feet.

Clue three refers to what it is the towers are for: 

Resonance frequency exchange.

“If you want to find the secrets of the universe, think in terms of energy, frequency and vibration.”

― Nikola Tesla

Chullpa's are contructed as conical energy frequency capacitators for sound amplifying.

To expand on this operation first please take note looking closely at the tapered Tower shape..and notice the bottom opening? All openings are situated at ground-level.

They are  essentially Flutes; elevated fluted conical stone pipes.

The towers typical Pinecone-BeeHive center is constructed as a flute 'Reed'.

Based on a hillside, these Chullpa's encapsulate 'ground-winds' thereby circulating within the core structure creating a frequency sound.

Many archaic monuments across our great planet are documented incorporating a finely tuned harmonic frequency message.

From chance study, it has been revealed Chullpa Towers create Harmonic Vibration Soundwave in hi-pitch sound frequency.

"..using a phone application which can emit specific musical notes, A and A# caused the inside of the chullpa to seemingly amplify the sound, while other notes did not. "

Rounded-tip top's create an even flow for wind to enter or escape the inner cavity.

The tapered conical tower shape with internal curvature reverberates an external echo using the beehive-center construction as in sequence to a fluted baffle-reed.

The reason why Sillustani incorporates 'both open and closed' tower-roof systems is explained through knowledge pertaining to the musical Wood-wind instrument.

"All woodwinds produce sound by splitting an exhaled air stream on a sharp edge, such as a reed or a fipple. A woodwind may be made of any material, not just wood. Flutes produce sound by directing a focused stream of air below the edge of a hole in a cylindrical tube. The flute family can be divided into two sub-families: open flutes and closed flutes.

Reed instruments produce sound by focusing air into a mouthpiece which then causes a reed, or reeds, to vibrate. Similar to flutes, Reed pipes are also further divided into two types: single reed and double reed. Single-reed woodwinds produce sound by placing a reed onto the opening of a mouthpiece (using a ligature). When air is forced between the reed and the mouthpiece, the reed causes the air column in the instrument to vibrate and produce its unique sound."

From documented evidence of archaeological dictation, we learn from the caves of France, the earliest 'constructed' flute dates to the Paleolithic age in approximation between 35,000 to 40,000 years into mankinds past. Both bone and ivory flutes pieces were found in the cave complex consisting of Vulture bone flute and possible Mastodon ivory flutes.

"Researchers universally accept the existence of complex musical instruments as an indication of fully modern behaviour and advanced symbolic communication but, owing to the scarcity of finds, the archaeological record of the evolution and spread of music remains incomplete."

Is it possible in lieu of previous primitive musical knowledge, the towers of Sillustani each would play a destinctive sound?

Due to the varied constructions observed by the tower wall thicknesses, stone density, size and height of fluted chamber to be resonated; it is quite possible to recreate notes 'tuned' at a specific resonant frequency performance allowing hollowed enclosures to harmonically resonate with variable frequencies. Lightning produces a certain destinct type of electromagnetic signal known as 'whistlers'.

Particles hitting the ionisphere and atmosphere (especially in hi auroral borealis regions) emit sound frequency.

This is known as VLF radio, which can be harnessed naturally according to Nikola Tesla's research using a coil (cone) type apparatus.

"A whistler is a very low frequency or VLF electromagnetic (radio) wave generated by lightning.

Frequencies of terrestrial whistlers are 1 kHz to 30 kHz, with a maximum amplitude usually at 3 kHz to 5 kHz. Although they are electromagnetic waves, they occur at audio frequencies, and can be converted to audio using a suitable receiver.

They are produced by lightning strikes (mostly intracloud and return-path) where the impulse travels along the Earth's magnetic field lines from one hemisphere to the other. They undergo dispersion of several kHz due to the slower velocity of the lower frequencies through the plasma environments of the ionosphere and magnetosphere. Thus they are perceived as a descending tone which can last for a few seconds.

The study of whistlers categorizes them into Pure Note, Diffuse, 2-Hop, and Echo Train types"

With the towers located near Lake Titicaca and directly upon the lake of Umayo, built at an altitude where the air stays chilled, atmospheric conditions contiunually keep moisture in the air. 

Yearly, and occuring during all seasons, the altiplano is known for it's frequency in thunderstorms. This combination of constant moisture and thunder-electromagnetics would help to amplify the serenading VLF 'whistler' effect.

If this hypothesis is correct, it stands to reason each sound is a planet in our solar system interacting with our Sun.

This would be determined by locating which one is the Sun Tower.

"..another class of structures- of which there exist a group of 'four' at the foot of the cliff on which the largest chullpa stands, while an isolated one is on the slope of the North-Eastern promontory. These are called inti-kuntana, translated place where the Sun is tied up.”

Incan mythology includes the belief the Sun was reborn each day by "Pachamama," or Mother Earth; a mythology stating our Sun each day rises in the East. Found across Peru from Cusco, to Lake Titicaca's Hangmans Gallows, to Machu Picchu; we are faced with advanced astronomical observatories.

Many alignments of specific constellations including the Milky-Way are known to this area where astute observations in calibrating the Sun and Heavens are noted. Orion is one of the many noted observation possibilities.

Although no official astronomy notations have been taken, it's possible by taking direction from other ancient cosmological monuments ascertaining that Solstice 'should' set upon smaller Tower's East-facing entrances, while Equinoxes 'should' be determined by noting Equinox noontime Sun setting on top of certain tower pinnacles.

The 'ark' of embossed carved hieroglyphs regarding the Serpent and Lizard glyphs at Sillustani help in understanding. Serpents we find everywhere in ancient history..and serpents are susceptible to frequency change able to detect minute vibrations. Lizards apparently respond to an extremely low-frequency electromagnetic field. The glyph of the four-legged animal with long tail curled in essence would be of the feline cat-family. Felines are able to detect sounds up to 65 kHz; approximately two octaves higher than humans, also able to detect noise variances of only 1/10 of a tone.

With the resonant frequency chamber towers, there is a sequence; there are many towers built in pairs, some alone, and some in groups. 

An accurate diagram of tower placements is needed to reconfigure the numerical note sequence of Sillustani's Towering PI'ed Piper Musical Zodiac Scale.

Solar Harmonic Musical Scale:

"The earth and each of the planets of the solar system revolving around the sun makes a musical note so low it cannot be heard by the human ear. If we imagine a piano keyboard without limitation,

the sound of the earth is a "C sharp" placed 33 octaves below middle C.

Mercury - the closest planet to the sun - plays a "C sharp" with its orbit. The orbit of Venus runs the note "A", and the sequence goes on with the Earth (C sharp ), Mars (D), Jupiter (F sharp), Saturn (D), Uranus (G sharp), Neptune (G sharp) and Pluto (C sharp).

The "merit" for the planet most in tune goes to the planet Uranus. The most "tone deaf" are in order Mercury, Neptune, and in third place, the Earth. The "pitch" or more properly the average pitch in which the solar system is tuned to is 441.27 Hz, which is only five hundredths of a semitone above our traditional “A” note conventionally fixed at 440 Hz (five hundredths of a semitone difference are perceptible only by a discrete "musical ear")

The notes of the planets are obtained by a mathematical calculation applied to the related periods of rotation around the sun, corresponding to the opposite of the rotation frequency. The principle is simple: a frequency oscillation (expressed in Hertz) and a precise musical note corresponds to each body with a periodical oscillation which is constant over time." 

Earth's notable resonation is known as the 'Schumann frequency', which registers a 'normal' resonance of 7.83Hz

"The Pythagorean musical scale is simply based on whole number progression of 8 Hertz

as the fundamental frequency to create the note 'C'. Eight hertz is very close to the Schumann Resonance of 7.8 Hz."

This constitutes the Earth frequency (Earth's Soul) as a C note.

Note 'A' is our Solar System's combined sound-frequencies created by our Sun-star.

"More recently, discrete Schumann resonance excitations have been linked to transient luminous events – sprites, ELVES, jets, and other upper-atmospheric lightning."

With recent submissions regarding the Schumann frequency and resonances predicting Upper Atmospheric Lightning, Elves and Sprites conditions; it's quite possible we are observing the Sillustani glyphs as a clue to advanced knowledge left to us from our misappropriated past.

The culminating factors coupled with the Towers embossed clues reveal an advanced message being played out...Sillustani plays an A frequency; Giza's Great Pyramid Kings Chamber plays an F frequency..both A & F fall under the age of Aquarius.

The age of musical vibration frequencies in the time of cyclic-catastrophe reveals Earth's frequency changes from C-minor to A-major.

Peru shows signs of rock vitrification, and there are other sections on Earth that are vitrified.

This has to do with the Sun's frequency as our Sun goes into a mini-micro Nova during this specific part of the catastrophe-cycle.

There is documented evidence provided through Earth, Lunar and Mars expeditions of solar vitrification, according to astronomy-science.

Our normal Sun reverberation frequency intensifies during the Sun's mini-micro Nova; the Suns 'frequency change' intensifies.

Going up the scale from C-minor, Earth's harmonic reverberation 'pressure' intensifies to an A-major. 

(higher pitch equals higher frequency intensification)

These towers of solar-resonant resurrection, once found to hold the remains of deceased families, are so deemed as burial towers. Presently referred to as Chullpa's, rightfully suspected as 'intrusive burials', they are towering pillars to Earth's Soul.

The term 'chullpa' referring to Sillustani's stone towers comes from the words 'uta amaya' translated as "Houses of the Soul".

To hear the resonant serenade of our Grandcestors PI'ed Piper codex transported across the symphony of time, is to gaze in true wonder; 

to to listen to the fluted harmonic rhythm of your Soul.

The ark started movin, it drifted with the tide.

Them Chullpa stones made up from the rocks and they cried,

And the waters came down and sort of floated them away,

And that's whats written on the Chullpa stone, to this very day.

You'll see carved Lizard-gators and long-necked Geese,

Some humpty-back Serpents and some Chimpanzees,

Zodiac Cats, Rats and Elephants, but sure as you're born,

..history played on the Chullpa stone.

Copyright research JD Jeffrey 2019

These mystical altiplano symphonic resonant tower-chambers contribute as part of Earth's Monumental Early Warning System

Additional information:


Woodwind Musical Instruments

Lizard vibration-

Serpent vibration-

Feline vibration-

Harmonics and Lightning [at 2 mins in]

Khafre's Codex Khafremation

Posted by J.D. Jeffrey on September 2, 2018 at 12:30 AM

Codex Khafremation

In light of Khafre's pyramid, it is severely overlooked in confirmation within the shadow of the Great Pyramid.

However in the grand plan to the Giza layout..even Menkaure details this codex, as does the entire site-plan.

They all explain something in order to understand the complete message.

Now Khafre's original height given in Metric also has an addition value of 13; with a height of 143.5 meters. [1+4+3+5= 13] ..

The Base of Khafre in meters equals 215.28 per side [215.28 x4 = 861.12 plus height 143.5= 1,004.62] 1,004.62 added up is 1+4+6+2= 13

Giza's middle pyramid Khafre, also known as Chephren has a base of each side equalling 706 feet. [7+6=13]

It is located at a distance of 175 meters [1+7+5=13} next to the Great Pyramid.

This center pyramid's side-slope angle also gives us this detail with its angle at 53.13 Degrees.

It's original height of 471 feet transfers as 274 Cubits;

this equals 13 Imperial from cubits adding 2+7+4= Codex 13.

The Sarcophagus also demonstrates in various numeric values executing exact Khafremation to the ancient agenda's of coding the iconic number of 13 as calculated by historian sir Flinders Petrie, with an outer length of 103.68 inches. The inner length is 84.73 rounding up to 85 which 8+5=13.

The outside 103.68 inches transfers in feet as 8.64 while the inside 84.73 transfers as 7.06008333 in feet. 

The two numbers added together:





again when added together equals 13 [1+5+7= 13]

Khafre's pyramid built upon an altar, sits upon a 33 foot pedestal;

the number 33 is a 'swing' number on geometry's Protractor with a very important significance to Giza's Khafre pedestal pyramid revealing an 'arc-motion' that complies with Earth's processional axis tilt.

In the Shadow of Greatness;

front and center a message written in stone to our inheritance,

there is lighted Khafremation given to our Grandcestors Codex 13.

Copryright research of JD Jefrey 2018 ~ Codex 13

Tao of Djedefre

Posted by J.D. Jeffrey on March 27, 2018 at 1:40 PM

Tau of Djedefre's Codex

Across the expanse of our great globe, we find various different monuments in pyramidal form.

China offers the four sided triangular 'Tetrahedron' pyramid.

Central America offers the Ziggurat step-pyramid.

Indonesia presents the Step-Well pyramid.

When it comes to Giza, the land of the forgotten, we find all three of these typical type pyramids.

We find Saqarra's Djoser pyramid edified as a Ziggurat pyramid.

Eight miles to the north we locate the Tetrahedron pyramids nown as Cheops, Khafre and Menkaure.

Five miles further to the north, we find situated on top of a hill, the pyramid known as Djedefre. Little is known in regards to this now decimated pyramidal structure.

Through the eyes of Ancient Agenda's CSI History, following the clues of our Grandcestors..we offer a different view..

This pyramid's archaic title was given as - "Djedefre's Starry Sky".

Could this be the first clue..?

"Djedefre's pyramid was architecturally different from those of his immediate predecessors in that the chambers were beneath the pyramid instead of inside. The pyramid was built over a natural mound and the chambers were created using the 'pit and ramp' method, previously used on some mastaba tombs.

Djedefre dug a pit 21m x 9m and 20m deep in the natural mound. A ramp was created at an angle of 22º35' and the chambers and access passage were built within the pit and on the ramp.

Once the 'inner chambers' were finished, the pit and ramp were filled in and the pyramid built over the top. This allowed the chambers to be made without tunneling, and avoided the structural complications of making chambers within the body of the pyramid itself. He also reverted to an earlier style of construction by creating a rectangular enclosure wall oriented north-south, similar to those of Djoser and Sekhemkhet."

This unique structure of Djedefre, also known as the pyramid of Zawyet El-Aryan, could very well have been built as an Inverted Solar Observatory.

Djedefre's temple at Abu Rawash does not appear to have been constructed as a full pyramid. Yes it had walls, but it wasn't enclosed as the traditional pyramid found at Giza. From studying pyramids world wide, knowing the Starry-Sky pyramid was constructed and built 400 feet 'above' the plateau, plus it's orientation, construct the variable clues offered that it was an intentional 'open-air observatory' which allows stars to be seen during the 'day time' in arid climate zones.

Our ancient historians termed Djedefre's pyramid with the designation ‘H/R’, as it is situated as Giza's highest pyra-temple.

In ancient Egypt, an astronomer once asked an architect:

“If you were an astronomer, how would you start building an astronomical observatory, which would be perfectly in line with a meridian circle, from which one could observe and teach young people how to determine the transit of all of the stars in the heavens?”

In the Morning Briefing of Sunday, January 25, 2004, Lyndon LaRouche answered that question by saying: “You’d build a deep pit, a deep well, and if the well is narrowly fixed, you can actually see stars during the daytime, and particularly in areas which are fairly arid. And that’s when a lot of astronomy was done. They had the nighttime sky, which they were able to survey this way, and also the daytime sky. Motions of the planets and so forth, they could see, in the dusk.”

Two things were immediately derived from this first observation passage. One is that the same circumpolar stars would come across the meridian at regular intervals of time and would draw small circles around the Celestial North Pole. Secondly, this permitted the observer to map the precise timing of stars at their upper or lower culmination, which could be calculated by clepsydras (water clocks).

Thus was established, in Egypt, the precise study of marking regular angular periodicity of the heavenly bodies, and the variations in periodicity for longer periods of time. The only way to establish such a universal determination was to have two fixed points around which everything else moved: one on earth, and one in the heavens. Once these two points were fixed in stone, the building of the pyramid could begin."

To fix a location of Giza, Djedefre's inverted pyramid was establised 400 feet above the desert plateau giving direction to 'line of sight' trajectory thereby constituting the greater-Giza ground plan lay-out.

It should be established 13 breaks down as 1+3=4 determining Djedefre's chosen location signaling the 400 foot mountain base height. The extensive 'causeway' measured at 1,705 metres gives the sequence in numbers of 1+7+5=13. These numbers alone verify it is part of our Grandcestors Codex 13 message, however with added vindication, there are also two smaller adjacent 'pit' astrological stations similiar to Djedefre exactly 1300 metres apart.

1300 metres from Djedefre is the first astronomy-station, and another 1300 metres from the first station resides the second station detailing the last station of the tryptich observatory layout.

(This video from 20 to 21 minutes connects the 3 locations including Djedefre at 1300 metres each)

In megalithic form, our Grandcestors inscribed their message of the Starry -Sky, the Life Force in which we all belong, from whence we came ..all shall return.

Ashes to ashes, starry-sky Stardust.

From our ancients, we were bestowed the symbol of the Tau, which can also be found the world over and not specified specifically to Egypt.

Djedefre's pyramid is constructed in the shape of this Life-giving Force, to remind us of the Tau observation ;

Life can be found within daylight hours as well as the night lighted view to who we are. We are as many as the stars, and we are not separate..

 ..only together do WE shine!

Copyright research of JD Jeffrey 2018

Monumental Early Warning System

Posted by J.D. Jeffrey on January 21, 2018 at 11:05 PM

Earth's archaic monumental 'Early Warning System'

Across our globe a codex is written in archaic monuments.

This specified codex carries a mathematical instruction that decodes the information equated in the Heavens. Know if you follow the most ancient of antiquities monuments, you will find a certain number explaining and linking each archaic monument. That number is 13.

When this is realized, using Giza as Orion's three belt stars, then locating the other truly misunderstood ancient monuments strewn across mother Earth that equate the numerical 13, an amazing message is shown.

As united we stand in this technological era of a one world language, the honored 'ancients' defiantly reveal what has for too long been hidden now awakened in the age of lighted wisdom.

A book from the global history pages that explains the future during todays present with a monumental message offered from time's logical muse.

Through time at hand the pyramids stand in history be revealed the knowledge of old....a message will come when the proper time beckons...a lost global civilization of ambient Light will be reawakened; questionable history no longer will be.

Within the Tower of Babel mythology, we are explained Gaia once consisted of a 'One World Language'.

Mythology explains this unique civilization was extremely advanced.

We see this from the wondrous examples conduced by megaliths created at all cardinal points of Earth which defiantly construe the movement of the sky, sun and heavens.

The Tower of Babel mythology also explains the industrious civilization was as advanced as the 'gods' - able to build towers to the Heavens;

that they were so advanced they could create miracles as only the gods could achieve.

Through the study of Sacred Geometry, we are able to understand this once forgotten one-world tongue.

Ishtal Maxin defines as a triptych sacred symbol of the Sky, Sun and Stars.

Solex Mal is the tongue of the archaic astronomical language.

The Aztec 'SUN' Calendar exemplifies this knowledge pictographed in stone with a human face detailing a tongue protruding from it's center among astrological orientations.

The word 'Babel' translates as 'confusion'.

The Tower of Babel was an advanced civilization whom understood the movement of the Heavens, which could be considered as their sacred 'religion'.

It is this precise confusion of our lost history that has corrupted the prior advanced civilizations sacred astronomy religion.

[more found following link ]

CODEX 13 - Base Count To Our Numbered History

Reviewing the archaic monuments, allowing them to speak their own definitive language, gives great details to this forgotten advanced civilization now transformed through modern CSI History investigation techniques.

Giza's Great Pyramid is built on 13 acres with a height of 481 feet detailing 4+8+1=13.

Each base side-length of the pyramid is 756 feet in length multiplied by four sides equals 3,024 feet.

Adding the 481 foot height with the 3,024 base completing the full measurement of base and height of the Great Pyramid tallies at 3,505. 3+5+5= 13.

There are only 130 Granite stones 'that can be seen' in the interior.

The Kings Chamber shaft exiting the building registers from the KC at the 103rd course-row of stone.

The Capstone itself is said to measure 103.3+ Pyramid Inches.

As this is but a sample, Giza is essentially the 'vault' to understanding this number.

There are in total 134 'pillars' at the Karnak Temple.

The Amun Re temple

-the massive 15 m thick, 43 m high and 113 m long, first Pylon of the Precinct of Amun-Re.-

It also has one of the largest Obelisks standing 29 meters tall and weighing 328 tonnes. [3+2+8=13]

Adding 134 applies as 1+3+4= 8; the equivalent of 8 Imperial math reconstructing as 13 Metric.

8 is also the sign for the prestigious Infinity symbol.

Valley of the Kings gargantuan 'seated' guardian Mignon statues are 13 metres tall and spaced 49 feet apart. [4+9=13]

Easter Island's standing Maoi Statues: the majority are calculated 'without hats' as 13.1 feet tall with a total of 888 Maoi figures. Again 8 transfers from 8 Imperial as 13 Metric also constituting the Infinity symbol.

Puma Punku's largest stone, the Base Stone is 131 metric tons. It's second heaviest stone weighs 85 tonnes [8+5=13] and the site is built at a 13,000 foot elevation.

Nazca's longest Line is 13 kilometers in length. The geoglyph known as the Giant is 130 feet tall.

You will find 13 written all over Nazca by measuring various lines, trapezoids-geometric shapes and even the geoglyphs themselves.

Machu Picchu covers an area of 13 square miles. The Hawks-nest overlooks Machu Picchu by 130 meters.

Sacsayhuaman's 'base-wall' is just over 1300 feet in length also revealing 13 numerics of 13 within the complex's measurements. It also holds the 13 Sacred Steps monument adjacent to it.

Chichen Itza's Temple of El Castillo 'base-side' measures 55.3 meters equaling 5+5+3=13 and also in Sumerian of 130 Cubits. It has 13 'ball-courts' with the sacred ball-court 490 feet to the south of El Castillo-Kukulkan. [4+9=13]

Teotihuacan covers 13 Kilometers of land and the Avenue of the Dead is 1.3 miles in length plus 131 feet wide.

China's Emperor's Pyramid is 130 feet tall and the Great Wall of China is over 13,000 kilometers in length.

Each side-length of Angkor Wat's 'square moat' is 1.3 miles in length and it's tallest tower is 130 feet tall.

Stonehenge's Trilithon Stones overall height are 13.7 metres tall and there are including the 'Sun-stone' a total of 76 megalithic stones. 7+6= 13.

Ohio's Serpent Mound's total length is 1,376 feet. This effigy's height ranges from one foot to three feet, signaling out the numbers 1 & 3.

Although each site contains many more th1rt3en's in their data, measurements etctera, there are also other archaic monuments carrying this number yet to be revealed detailing our ancient ancestors expansive globally connected message to Codex 13.

The Great Pyramid revealed it's codex of numbers in 13 that led into CODEX 13 - Base Count To Our Numbered History..a synopsis of monuments coded in 13 worldwide revealed its intent detailing Inches - Feet - Miles & Kilometres etc. also locating an over-all message as Orion staged front and center.

The Great Pyramid is built upon a footprint of 13.1 acres. This is the Great Pyramids base thereby instituting it as the base count. This implies a base count of 13.1. If we apply this to the Orion transit of 26,000 years, then it is just .1 'past' the halfway count of 13,000 years. 13.1 ..This is the 'footprint' to the count cycle.

If we look at 13.1 as a base count (defined by the 'volume' calculated of all three pyramids revealing Orion's full tranist count of 26,000 years) and we count three revolutions of the base count, we get 39.3 or 39,300 years - an age very close to when Cro-magnon man appeared.

Also an age of when Zep Tepi could be associated to and a definitive role in locations as to what these archaic monuments are stating.

Serpent Mound built at the edge of a Comet strike debris hole.

Teotihuacan built in the area of surrounding Volcanic activity.

El Castillo built at the location to the Asteroid that wiped out the dinosaur's.

Sacsayhauman built to withstand devastating Earthquakes.

Nazca drawn in a desert waste-land.

Easter Island built around a defunct Volcano.

Stonehenge built at the edge of the Ice Shield.

Angkor Wat built as a Flooded City.

The Great Pyramid built as an Irrigation device - a reverse vacuum air-pump..needed in Floods.

And there are other monuments speaking this same decoded language.

We are silently being told of the Deluge story..a cosmic catastrophe that starts with our Sun throwing CME'S (coronial mass ejection solar flares) as our solar system is penetrated by incoming debris field. This is the cyclic asteroid-comet impact destruction that falls into oceans, lakes and streams causing massive roving tsunami's. This event sets off the Ring of Fire volcanoes that encompass Earth's continents. In turn this sets off colossal earthquakes,  all the while the atmosphere is turning into a nuclear -winter type waste land.

There are many clues and there are also places of refuge catalogued such as Machu Picchu and Derinkuyu. These we know of and have documented. There are tunnels running under China, Spain, Turkey, Peru, etc. and also speculation to a cavern-sanctuary in the Grand Canyon.

'Global Safe-Havens'

Earths Monumental Early Warning System..part two:

From the great Hopi nation, we are given a history defined as a resurrection story.

A story containing the knowledge of a people who foresaw a catastophe and were able to avoid it by going underground in the Grand Canyon location, then after a period of seclusion, returning to the surface after catastrophe to repopulate the planet as guardians to this lost history.

Although the sacred land to this underground city is now lost to time, although some say once found by adventurer G.E. Kincaid employed by the Smithsonian Institute, the area was documented and now owned and quarantined by the Government remaining off limits.

Is it possible our historical timeline is much older than we know?

Could it be its so old, due to mythology of a global catastrophe refacing our planet, that answer was swallowed up by time and will remain a secret forever?

If we could ask mother Earth, could she respond..?

From the four cardinal directions we find timeless refuge capsules of ingenious designs complete with advanced irrigation systems, air causeways and terra-farming operations both designed below ground and also at incredible altitudes.

Curiously these expansive refuge centers seem to be created in areas that could withstand earthquakes and other naturally occurring Earth anomolies. Interestingly these areas seem to be chosen where the Ice Age build up doesn't reach; a natural equator belt to our planet where photosynthesis is still capable.

With modern geological evidence provided in knowledge to our planet, in clarification to research that states Earth's global archaic monuments were built at the end of the last ice-age; would it not make sense if that were true, civilization would not have lost the technology used to create these megalithic wonders and we would have only grown with it as a tool to advance?

There is no recorded evidence of a global catastrophe since the Ice-age. True there has been recorded devastation, but they were localized to specific locales, and not global.

It stands to reason if a sector of survivors travelling the globe after an Earth shattering catastrophe, creating monuments, would definitely have passed on the technological prowess and knowledge of the construction basis used in the various build procedures and possibly in certain cases,certain advanced tools.

And yet, we have no verified answers revealing this as so in archaeology.

So what happened..?

This advanced civilization once spread from all cardinal points of Earth created this global message before the Ice age occurred.

Understanding global ice ages and the coverage of Earth at freezing temperatures reveals Earth does have a natural equator belt that would allow a small event of photosynthesis to thrive, but only after a period of years once the 'fallout debris' has cleared from our planet's atmosphere.

Survivors of this devastation would seek protective underground shelters and extreme altitudes along this natural equator belt to survive the outcome.

Relatively small pockets of the global population would survive, including indigenous land roving tribes.

Survival mode would become instinctive and all technological accomplishments would be left by the wayside in order of survival of the fittest fighting Earth's elements. This is why we have indigenous tribes with oral traditions of 'gods' coming to their lands and teaching them of this catastrophe and the once global utopian society that had prior existed, such as told through Egyptian Zep Tepe, Dogon, Mayan, Hopi and various cultures.

After returning to regular surface climates that were bearable, survivors would again inhabit and culturalize Earth's surface.

During the advent of the ice-age, the surface of our planet would be 'scrubbed-clean' of all cities, advanced tech and clues to this prior technological society. The ice of varied thickness from hundreds of meters to kilometres thick would pulverize everything under it and during 'melt-off' would crush it into the depths of the planet not yet surveyed, also washing many items into the bottoms of the oceans (of which only 5 per cent has been explored) to be buried under silt and dirt, or possibly sucked into our planets various global subduction areas.

Stonehenge apparently sits at the edge of the Ice Shield, and the ice-shelf itself may have crept into Stonehenge knocking over some of it's huge stones.

Reviewing the wear on Gobekli Tepe's megalithic T-pillars showing previous open air age of wear of pitting, could very well explain the 'why' behind it's intentional burial of preservation.

North American mounds megalithic constructions utilized advanced technology also. To academia's view Cahokia's Monks Mound required 15 million 50 pound baskets of Earth to complete.

Its foundation was 20 feet high, a rectangular platform of gumbo clay roughly 1,000 feet long and 800 feet wide at the base. By itself, the clay would have been worse than no foundation at shrinks and cracks if allowed to dry out, so the engineers utilized the Mississippi river's wide water-table to saturate the clay through capillary action.

Knowing the science behind glacial behavior, the builders were confident the earthen megaliths would survive ice sheet advance and retreat. Glaciers are known to create a 'water barrier' with the soil making the ice slide, gliding smoothly over the mounds, leaving the geometric monuments standing relatively unharmed.

When reviewing our lost history and wondering where is the evidence to a 'post or prior' ice-age society; Occam's Razor dictates very little would be left after a global ice-age that wasn't properly stored and secured from ice reaching areas.

The survivors bent on survival first, would lose the technology and possess mostly half stories and certain knowledge of wisdom's passed down through the ages to a confused civilization; a civilization much like that of which we are today.

A civilization who's memory has been iced.

This shared knowledge is your birth-right.

It is freely yours to explore without hinder or cost.

The provided CSI History research of decoded monuments to 'Earth's Monumental early warning-system' is catalogued and vaulted for all to examine at their leisure, so that it may be acknowledged and understood that the whispers sent over time of our Grandcestors wisdom, is a timeless message written exclusively to You.

Through mythology it has been defined 'we', the offspring of those who walked our planet before, will return to this sacred wisdom;

So it has been written ~ as so it shall be again.

Copyright research of JD Jeffrey 2018 - part 2 release 2019 co-written with Jon Gilbert

Angkor Wat's Synchronicity

Posted by J.D. Jeffrey on August 4, 2017 at 12:00 AM

Angkor Wat's Synchronicity

Angkor Wat's diversity of both male and female forms creates a living duality that can be construed as 'hemisphere's. Both Northern and Southern, as such is the human brain.

These visionaries, 'seers' of histories past, allow us life knowledge procuring our location in time as seers of the future in todays present. Thus the 'what' to the 'anchoring' message is to use both sides of your brain to distinguish pure knowledge from our ancestors infinite wisdom.

The Sanskrit word Ayurveda translates as 'Life Knowledge'; and so it is that Angkor Wat distills this life knowledge passed down through the generations from our generous ancestral lineages by those whom walked our Earth before.

"When one sees Eternity in things that pass away and Infinity in finite things, then one has pure knowledge.

But if one merely sees the diversity of things, with their divisions and limitations, then one has impure knowledge."

-- Bhagavad Gita, XVIII, 20-21.

Angkor Wat: Geo-coordinating Truth

The layout to the city of Ayurveda is calculated as the 'geometric square' incorporating spiral towers at all 'four' corners.

The outer four towers are represented by four rooms whereas the five towers at center-point in the industrial layout are created as five rooms. This in itself is a geometric clue to understanding Angkor Wat's multi-stacked knowledge needed to answer it's timeless riddle.

This glorifiable city to the ancients anchors the geometric answer to wisdom of a historic timeline involved as our own, distinguished through their gift of the Babylon Codex.

In reservation from Angkor Wat's inner courtyard sanctuary holding an additional 'five towers', the largest megalith stands tallest at center equivalent to the height of 130 feet. 

"..Angkor Wat has an intriguing root(180) degree latitude, pertaining to degrees as an angular measure, with the Khmer 'hat' equalling 0.66^2 metres.

The site is precisely rotated by one gradian relative to the points of the compass. Every 216 years, axial precession causes the celestial sphere to advance three degrees, the angle subtended by Angkor Wat's westernmost towers as viewed from its main entrance. Whilst alluding to the Standard Model, 216 also signifies the distance/radius ratios of the Sun and Moon, along with the number of seconds the Earth takes to rotate through one gradian.

Angkor Wat's 4x5 and 6x7 moat-related geometry, which is scaled by 216 metres, reveals the origins of our 24 hour, 60 minute, 60 second timekeeping system by ingeniously mapping rotation to precession via degrees and gradians. The world's largest religious temple teaches us why there are 180 degrees in pi radians and why a solar day lasts 86400 seconds."

The astronomical knowledge of precession displayed in precision verifies to the mind what eyes view from the center statuesque obelisk as it's 'anchor's the Sun's wattage' twice yearly distributing it's solar message.

At Equinox the Sun sits atop Angkor Wat's grand center obelisk dividing as equally as possible  12 hours from day and night; a magnificent feat not only in engineering but also as 'working' astronomical knowledge  of the cosmos.

The 130 foot tall center tower stands as a grand obelsik to the Sun.

Following the example of an 'obelisk', Akgor Wat's center tower distributes light and shadows aligning with the 'courtyards other towers' to create a time sequence allowance for understanding the time of day and year, which includes seasonal movements for planting and harvesting.

This celestial movement method has been incorporated in many monuments to better understand it's functioning use, as this short confirmation explains.

"The gnomon also permitted the determination of the date of the earth's perihelion (the moment the earth is closest to the sun in its elliptical trajectory around the sun), by measuring the size of the image of the sun cast on the obelisk and finding the time when it was largest. Perihelion occurs close to the winter solstice, during the period of the year when the sun's image at noon is on the obelisk, rather than on the floor of the church."


"The height of Angkor Wat from the ground to the top of the central tower is greater than it might appear: 213 meters (699 feet), achieved with three rectangular or square levels (1-3) Each one is progressively smaller and higher than the one below starting from the outer limits of the temple.

The third level supports five towers –four in the corners and one in the middle and these is the most prominent architectural feature of Angkor Wat. This arrangement is sometimes called a quincunx. Graduated tiers, one rising above the other, give the towers a conical shape and, near the top, rows of lotuses taper to a point."

Digesting the diagramed layout in accordance to the structures solar Equinox alignment with

Upon close inspection to the complete monolithic layout, which includes the moat; the varied knowledge of our solar system is re-created.

The spiraling towers enforce the movement of our solar system as it spirals through our Galaxy and Universe.

"The Oort cloud is a theoretical cloud of predominantly icy planetesimals believed to surround the Sun to as far as somewhere between 50,000 and 200,000 AU (0.8 and 3.2 ly).

It is divided into two regions: a disc-shaped inner Oort cloud (or Hills cloud) and a spherical outer Oort cloud. Both regions lie beyond the heliosphere and in interstellar space. The Kuiper belt and the scattered disc, the other two reservoirs of trans-Neptunian objects, are less than one thousandth as far from the Sun as the Oort cloud.

The outer limit of the Oort cloud defines the cosmographical boundary of the Solar System and the extent of the Sun's Hill sphere. The outer Oort cloud is only loosely bound to the Solar System, and thus is easily affected by the gravitational pull both of passing stars and of the Milky Way itself. These forces occasionally dislodge comets from their orbits within the cloud and send them toward the inner Solar System. Based on their orbits, most of the short-period comets may come from the scattered disc, but some may still have originated from the Oort cloud."

The 3 dimensional architectural design of Angkor Wat's heavenly layout incorporates the Oort Cloud - Kuiper Belt system as a 'moat' to the cosmographical boundary of our Solar System allowing for extension beyond it's premise as the Milkyway.

The abundance in the number 13 is explained at this location, however what sets Angkor apart is it's self explanations of pre engineered 'location means everything' where realty is reality.

The above mentioned moats obtain a geometric ratio of 4/5/6/7.. "Angkor Wat's 4x5 and 6x7 moat-related geometry.."

Incorporating knowledge of what reviews as the equivalent to the Pythagorean principle 4-5-6 & 7, there is also the example method 4+5 = 9 & 6+7=13.

Nine (9) found throughout Angkor's architecture is the mathematical equation of the Earth and Moon size of 8 to 1 ratio.

Thirteen (13) is given as the reference to the Orion transitional 'halfway point' interval of 13,000 years.

Excavated and dug 33 feet into the ground, each moat is 660 feet across times 4 sides equals 2,640.

Angkor harbors a square plaza with a wall relief 2600 feet in length; another wall depicts a frieze 260 feet in length and the 'equinox causeway' full length is given at 2,600 feet.

The number 26 defines Orion's full transit of an estimated 26,000 year circular revolution.

Hidden in the geometry and stelea of Angkor, we are given the unreadable language to be only read through pictures and knowledge of the moon and the stars. A language of math combined with geometry leading to answers in astronomy.

Histories silent language of those who came before.

"Whilst the Great Pyramid's latitude tallies with the speed of light and, upon conversion to radians, conforms to mathematical definitions of the cubit:metre ratio, Angkor Wat has an intriguing root(180) degree latitude, pertaining to degrees as an angular measure..

The world's largest religious temple teaches us why there are 180 degrees in pi radians and why a solar day lasts 86400 seconds. These findings confirm that the Great Pyramid's latitude intentionally reflects the speed of light with astonishing accuracy."

"The general appearance of the wonder of the temple is impressive and grand.. a feeling of being caught up onto the Heavens. Perhaps it is the most impressive sight in the world of edifices.

Angkor Wat occupies a rectangular area of about 208 hectares (500 acres) defined by a laetrile wall. The first evidence of the site is a moat with a long sandstone causeway (length 250 meters, 820 feet; width 12 meters, 39 feet) crossing it and serving as the main access to the monument. The moat is 200 meters (656 feet) wide with a perimeter of 5.5 kilometers (3.4 miles).

The west entrance steps lead to a raised sandstone terrace in the shape of a cross at the foot of the long causeway. Giant stone lions on each side of the terrace guard the monument. Looking straight ahead, one can see at the end of the causeway the entry gate with three towers of varying heights. This entry tower hides the full view of the five towers of the central group.

A figure of a standing Vishnu (eight arms) is in the right inside the entry tower.  Continue westward along a second raised walkway (length 350 meters, 1,148 feet; width 9 meters, 30 feet).

A large central area, four porches, columns and steps present a symmetrical plan in the shape of a cross. In front of the libraries are two basins (length 65 meters, 213 feet, width 50 meters, 164 feet) the one on the left is filled with water whereas the other one is usually dry.

The first steps after the library and before the basin follow the path for about 40 meters (131 feet) to a large tree for a superb view of the five towers of Angkor Wat, particularly at sunrise. The walkway leads to a terrace kin the shape of a cross, known as the Terrace of Honor, Just in front of the principal entry tower of Angkor Wat.

Supporting columns and horizontal carved molding around the base accentuate the form of the terrace. Steps flanked by lions on pedestals are on three sides of the terrace.

From the top of the terrace there is a fine view of the gallery on the first level, known as the Gallery of Bas-reliefs (215 by 187 meters, 705 by 614 feet). The outer side, closest to the visitor, comprises a row of 60 columns whereas the inner side is a solid wall decorated with bas-reliefs.

*** 705+614= 1319

Return to the center of the cross-shaped galleries and continue walking toward the central towers. Another set of stairs alerts one to the continuing ascent. The outer wall of the gallery of the second level, closest to the visitor, (100 by 115 meters, 328 by 377 feet), is solid and undecorated..

***328 and 377.. 3+2+8=13 and 3+7+7=17. Both numbers breakdown to 4 and 8.

Four is the number of the Soul and Eight is the number of Infinity.

..the upper or third level of Angkor Wat lacks the stately covered galleries of the other two but is the base of the five central towers, one of which contains the most sacred image of the temple.

The square base (60 meters, 197 feet long) of the upper level is 13 meters (43 feet) high and raises over 40 meters (131 feet) above the second level. Twelve sets of stairs with 40 steps each one in the center of each side and two at the corners-ascend at a 70-degree angle giving access to this level.

All the repetitive elements of the architectural composition of Angkor Wat appear on the upper level. The space is divided into a cross-shaped area defined with covered galleries and four paved courts. An entry tower with a porch and columns is at the top of each stairway. Passages supported on both sides with double rows of columns link the entry tower to the central structure. The corners of the upper level are dominated by the four towers. Steps both separate and link the different parts. A narrow covered gallery with a double row of pillars and windows and balusters on the outer side surrounds the third level. The Central sanctuary rises on a tiered base 42 meters (137 feet) above the upper level. The highest of the five towers, This central sanctuary sheltered the sacred image of the temple. It originally had four porches opening to the cardinal directions."

The mathematical precision of various archaic monuments also represented by Angkor's builders reveal a global knowledge found at all gates of our planets Cardinal directions.

The center tower, talllest at 130 feet, supplies the grand numerical clue while each causeway length of 1.3 miles and a depth of 13 feet hints towards the overall message.

Of all the monuments sharing Babylon's Codex, we find Angkor Wat giving explicit direction across our solar sytem and the implication's of Orion's transit.

We find these examples with histories finest megaliths such as the Great Pyramid, where the Speed of Light is found by centering on the Grand Gallery.

Stonehenge contributes it's geo-coordinates in it's Longitude revealing both 'South & North' angle's of the Great Pyramid and it's Latitude reveals the astronomical measure of the 'mean distance' between Earth and our Sun.

Many other archaic monuments lay claim to this astronomical message from our long hidden past leaving a coordinating geodesic simplified language.

Angkor's tallest tower and center obelisk is built without cement or adhesive consisting of a 10 interlocking ring stage system to create the remarkable free-standing structure. Built upon a triple platform base system, the overall tier becomes a 13 tiered tower.

With other monuments Longitude's and Latitude's revealing unbelievable monumental and astronomical results, Angkor's prime real estate location centered on 13 Longitude & 103 Latitude can not be seen as an accident.

What Angkor defines is our previous world grid Longitude and Latitude we are somehow aligned to.

Angkor Wat is built upon a seasonal flooding plain implicating a cyclic flood of deluge proportions.

This constructed monument is ingeniously built allowing the flood to keep it afloat, and a dire message from our Grandcestors so we could learn to stay afloat. They created Angkor in it's location of seasonal floods detailing their history in magnificent astounding architectural form to reveal to us regardless of our technological advancements, we can not escape the cycle.

"Angkor is as much about water as it is about stone—the site boasts an enormous system of artificial canals, dikes, and reservoirs, the largest of which (West Baray) is 5 miles (8 kilometers) long and 1.5 miles (2.4 kilometers) wide. These incredible feats of engineering form an integral part of an overall site design that remains faithful to religious symbolism.

Moats, for example, simulate the oceans surrounding Mount Meru, the home of Hindu gods."

The embossed reliefs tell a tale of a cycle churning of the great Milkyway home to the cycling Serpent. It depicts humanity working in harmony with perpetual balance of each other and nature. Doing so gives us the golden-age allowing us to shine removing darkness across the universe.

Angkor Wat's serpent 'bridge to entrance' example reveals a 'tug of war' using the serpent as the rope. This configuration explains the churning of the Milkyway and humankinds place in the cosmos.

"A low balustrade resembling the body of a serpent borders each side. Short columns support the balustrade..the wondrous group of the five domes, companions of the sky, sisters of the clouds,. Six pairs of ceremonial stairs with platforms on each side of the walkway lead to the courtyard.

A continuation of the serpent balustrade along the walkway frames the stairs. The balustrade terminates with the body of the serpent making a turn at right angles towards the sky and gracefully spreading its nine heads to the shape of a fan."


We also find this exact message on the opposite side of our globe found at Chichen's Itza's 13th colossal Ballcourt. The Mayan's explained through cosmology this part of the Milkyway is known as 'the crossing'.

Cross referencing it's location upon Angkor Wat's Milkyway causeway of the equinox allows a hemispherical referential answer to our Draconian Pole Star.

"In 1998 Graham Hancock and John Grigsby showed a correlation between the temples around Angkor Thom and the constellation of Draco. The diagram shows the path of the celestial north pole around the ecliptic north pole, over an illustration of the main temples around Angkor Thom. On the ground, the location of Angkor Thom matches the location of the ecliptic north pole in the sky. West Mebon, East Mebon and Ta Som have the same spatial relationship to Angkor Thom that Deneb, Thuban and Kochab have to the ecliptic north pole.

The movement of the celestial pole is another aspect of the 25,776 year cycle known as the Precession of the Equinoxes. Because Angkor is in the tropics, the northern stars are low on the northern horizon. In the present era Polaris is close to the celestial north pole. When Draco is in alignment with the Angkor temples, it is below Polaris and below the horizon. During it's nightly rotation around the celestial north pole (when Draco is above Polaris and visible from Angkor) it is upside down in relation to the Angkor temples.

In 11,500 B.C. Vega was the northern polestar and Draco aligned with the Angkor temples above Vega and above the horizon. Vega is the brightest star in the northern sky and it is by far the brightest northern polestar. Canopus is by far the brightest star along the celestial south pole and the second brightest star in the sky, after Sirius. Canopus and Vega were both polestars around the same time, approximately 13,500 years ago.

Satellite images have been used to locate temples around Angkor. ..appears to be temple ruins to the northeast of Angkor Thom in the correct relative position and distance to represent Polaris."

Often expressed by the ancients as 'bodies in motion', the celestial planets were given human deity-form including faces for a more 'earth-like' appeal in understanding.

Athough they are immortalized as 'gods', animals and the serpent-dragon, this is notably a clue to the mythology of their earthly origins.

The detailed message Angkor contributes to the Dragon/Serpent knowledge is explained through astronomy as well as oral traditions, folklore, sacred scripture and the monuments themselves linking together a unified message to humanity.

Sacred geometry plays an important role in our history, as it did from our ancestors age, and why it still does today. This archaic form of speaking is a versatile language across all nations and why our ancients chose to build thier wondrous monuments in this specified language.

It was done so globally we may all read this one world language of Life Knowledge.

Through the motion of sunlight and shadows calculated daily by Angkor's towering center obelisk, using the other shorter obelisk's of the 'inner and outer' courtyards for reference points in their cardinally pointed directions, like numbers on a clock, an astrolabe time calendar is recognised.

With Angkor Wat defining knowledge in both Imperial and Metric math procedures; Is this purely accidental or did our ancestors (when initially creating this monument) have the foresight to include the coded math message in the statues as well..?

The duality in statues reveals both men and women, however the ornamentation is dominantly accentuated in presence by a majority of female statues. This representation is in direct reference to where we view the cosmos from, which is 'mother' Earth.

As with many of the archaic monuments found the world over..Angkor Wat also details a message of advanced knowledge where acoustics is echoed.

"The gallery on the left is the Hall of Echoes, so named because of its unusual acoustics. (To hear the resonance in the Hall of Echoes walk to the end of the gallery, stand in the left-hand corner with your back to the wall, thump your chest and listen carefully. the library should leave the door at the end of this gallery).."

Angkor Wat's solar message "Across the Universe"


"Angkor Wat is a miniature replica of the Universe in stone and represents an Earthly model of the cosmic world. The central tower rises from the center of the monument symbolizing the mythical mountain, Meru, situated at the center of the Universe. Its five towers correspond to the peaks of Meru. The outer wall corresponds to the mountains at the edge of the world, and the surrounding moat the oceans beyond." http/

Angkor Wat's "Jai Guru Deva Om" meaning in literary expression  approximates as "glory to the shining remover of darkness", and can be paraphrased as "Victory to God divine", "Hail to the divine guru";

Derived from a Sanskrit fragmented sentence phrase, "Jai Duru deva Om" expresses the offering of Angkor Wat within the translation of the mantra 'Across the Universe'.

The histories we are taught are highly compromised in it's stories and if it was lumped together with minimal understanding. After researching various oral traditions, Mayan & Hindu Vedics, Deluge mythologies, denominations valued scriptures etc., the task was defined  by a singular line of approach (much the same of the Angkor's equinox path) using what is obtainable to reassemble it clarifying a possible understanding.

Throughout the knowledge of the monuments themselves revealing astronomy, clarifies a codex written on the face of Earth.

Adding actual known history combined with global Vedic and scripture uninhibited by religions influence, revived as it was originally written with math and geometry to be applied to the archaic monuments for disclosing a cycle of humanity; a living message is understood.

Our past ancestors were 'seers'; visionaries of great mental and astronomical perceptions.

The cycles of time were created as monuments so we may all see visions displayed in the heavens with the forethought to include us as seers in destiny. They could foresee the future, past and present. With great honor they bestowed upon our generation the fortitude to join them.

At the point of external wakefullness being revealed, this living message culminates as Babylon's synchronised City of Angkor Wat.

It is at our ancestors request that WE together join the journey as seers, and see with our own eyes a window to the soul of what we were born to know!

Copyright research of JD Jeffrey 2017

Angor Wat's Astronomical Implications

(additional astronomical confirmation)

Stones in the Sky

"My interest in Buddhist Temples took me around the countryside of Thailand always appreciating and always seeking the mystery that created such beautiful architecture. But always in the back of my mind there lurked a curious fascination with the teachings of Gotama Buddha and the secrets that seemed to be incorporated into all the temples. But knowing that Angkor Wat was designed on a star system similar to the pyramids of Egypt got me very curious because now I felt a deeper reason which drew me to SE Asia in the first place.

What was Angkor Wat?

Concurrently, and coincidentally, I was finishing my review of the book " Galactic Alignment" by John Major Jenkins, an accomplished Mayan scholar. The message Hancock was delivering was that the builders of Angkor Wat seemed to have known of a solstice-galaxy alignment. Jenkins had shown how the end date of December 21, 2012 in Mayan calendrics was definitely associated with the solstice-galaxy alignment. In his new book "Galactic Alignment" Jenkins even mentions how this awareness of galactic center was known in ancient Vedic literature, but did not mention Angkor Wat specifically. What Jenkins does mention are the Laws of Manu which deal with the ancient Vedic doctrine of world ages - the yugas.

Manu indicates that a period of 24,000 years consists of a series of four yugas or ages, each shorter and spiritually darker than the last. In Vedic mythology, a fabled dawn time existed in the distant past, when human beings had direct contact with the divine intelligence emanating from Brahma - the seat of creative power and intelligence in the cosmos. As the teachings tell, Kali, the creator destroyer Goddess, will appear at the end of the Kali Yuga to sweep away the wasted detrius of a spirit-dead humanity, making way for a new cycle of light and peace.

So, combining my awareness with the research of John Jenkins, and through the serendipity of receiving the book "Four Faces of Siva", I could see the direct influence from the knowledge of the solstice-galaxy alignment as embedded in Angkor Wat, recognized by Graham Hancock, and originating from ancient India.

The cycle of time we are collectively now living through is the grandest cycle of all. It is the galactic alignment cycle when the path on the 26,000 year precessional cycle begins again augmenting another New World Age. It is also the end of a Kali Yuga cycle of 434,000 years, the end of the 13-Baktun cycle in the Mayan Long Count Calendar, and hopefully the end of an age where materialistic pursuits will be replaced with a divine awe for the majestic significance our galaxy has upon our lives.

The great transformation humankind is undergoing is being augmented by extraordinary forces, which can be accelerated by aligning ourselves with the center of our own galaxy. The central tower of Angkor Wat symbolizes the most spectacular architectural achievement, which pays homage to the relationship of man and the universe.

Indigenous people live predominately by the forces of nature and survive by living off the land. In their own regional areas throughout the world there is a complete self-sufficiency that recognizes natures cycles. If the global population removes the indigenous life style from this Earth there will be no more people to learn from on how nature was integrated into life and how the cosmos was integrated into ritual. Humanity will have severed its relationship to a higher ordering principle, which governs our attainment of higher states of consciousness. Angkor Wat has revealed itself to be the most magnificent expression by the Khmer Kings in combining the realm of the Gods with our world here on Earth.

The Churning of the Milky Ocean to extract the elixir of immortality is a very ancient theme based on an intimate knowledge of the stars. If we know how to align ourselves with the stars we can begin our ascent to the realm of the Gods and beyond."

Serpent Mound's Serpentine Salvation

Posted by J.D. Jeffrey on July 23, 2017 at 4:55 PM

Eden's Beguiled Serpent Surprise

The epic Serpent Mound reveals a tale from history..a tail coiled in truth from our Grandcestors garden of delights.

A cycle is a circle and all circles go forward in point transiting in a backward motion, as our planets do. We have traveled down the circle-cycle to a point in transition.

To better understand this, we must travel now in the backward motion, back in the cycle.

Back in time.

From across the planet we have oral traditions coupled with petroglyphs, hieroglyphs, effigies ectetera, that speak of the shape-shifting serpent.

Gobekli Tepe, Egypt, Angkor Wat, Sacsayhuaman, Chankillo, Band of Holes, Chichen Itza, Serpent Mound and others all tell the tale of the serpent.

Mythology tells us that the 'Pied Piper' drove out all the snakes from the rock of Ireland.

So ..where did the snakes go?

Has our history become beguiled..?

be·guile (bĭ-gīl′;)

be·guiled, be·guil·ing, be·guiles 

 To deceive by guile or charm: beguiled unwary investors.

 To deprive (someone) of something by guile or deceit; cheat: disease that has beguiled strength.

 To distract the attention of; divert:

 To amuse or charm; delight or fascinate.

 To pass (time) pleasantly.

Britain has reported a 'bronze era' 60 metre mound created by 'fire-cracked' rocks in the serpentine fashion appearing tobe a minimum of 4,000 years in age.

Scotland boast's two serpent effigies on it's West coast created in Ayrshire and Argyll counties. 

We know South America has a sexy Sacsayhuaman serpent, Chankillo's 13 sacred stone huts placed upon the serpents back and also a nestled Band of Holes slippery serpent.

Central America's Mayan Kukulkan pyramid creates a celestial shadow-serpent while Teotihuacan's Feathered Serpent pyramid parades lighted wisdom along it's sacriligous silent street.

North America has serpents galore, found both in modern day America, also located in Canada.

United States alone accounts for approximately 31 serpent-effigies strewn across it's territories of different distinctions such as the secrets of the Saguache Stone-snakes.

Said to be the largest serpent effigy our world offers, the great Serpent Mound of Ohio, an earthen-mound of prehistoric construction sheds Light on the serpentine message.

Warren County of Ohio bearing a like-wise effigy shares a serpentine tale to the Serpent Mound Light-bringer message.

It is believed to have been created by a pre-Columbian Native American people associated with the 'Adena culture'.

The opened-mouth of the serpent demonstrates a precise alignment with the setting sun of the Summer Solstice, while the coils of the serpent align to the Winter Solstice. Both Equinoxes and the various Lunar positions are located throughout the rest of the year embodied within this serpents secrets.

"Charcoal recovered from a hearth 2.6 metres below the ground tested for dates ranging from 13,613 to 14,086 years ago, making it one of the oldest First Nations settlements yet uncovered.

Gauvreau says the site — which is one of the oldest sites of human occupation on the Northwest coast of North America — gives a new meaning to the First Nations concept of time immemorial.

“When First Nations talk about time immemorial, it just goes to show how far back the occupation of this land goes back in deep time,” she told CBC News

This shape-shifter Serpent construes a unified message as a cosmic Light-bringer.

Serpent Mound's Time Immortal Sermon on the Mound

Genesis 3:1

"Now the serpent was more subtil than any beast of the field which the LORD God had made. And he said unto the woman, Yea, hath God said, Ye shall not eat of every tree of the garden? And the woman said unto the serpent, We may eat of the fruit of the trees of the garden: But of the fruit of the tree which is in the midst of the garden, God hath said, Ye shall not eat of it, neither shall ye touch it, lest ye die. And the serpent said unto the woman, Ye shall not surely die: For God doth know that in the day ye eat thereof, then your eyes shall be opened, and ye shall be as gods, knowing good and evil."

The Tree of Life is given as both 'good and evil' knowledge..however all knowledge is both good or evil, depending on how one's use of the knowledge is pertained in tasting the forbidden fruit.

Scriptures often translate the Serpent as Satan..however the boldness of this modern interpretation is not what it seems.

Satan is an en-translated word in Hebrew meaning 'the adversary'; or 'the one who contends against us'.

Written in three Hebrew letters forms the word Satan;

Shin (consume or destroy)

Tet (a Snake or to surround)

Nun (Life) The consuming and destroying snake that surrounds the whole of life.

Revelation 20:7 - And when the thousand years are expired, Satan shall be loosed out of his prison..

Ouroborus of Heavens constellations.

The below picture reveals the center smaller iconography has it's 'paw' on the Flower of Life which is a rendition of our solar system and it is looking directly at it.

The 'wings' explain the movement throughout the cosmos as the Ouro-serpent continues it's timeless journey.

The 'duality of serpents' explain the Ouroboros cycle which can be digested as the Yin-Yang symbology of masculine/feminine life to Earth's human species for simplified explanation.

The two different adorned headresses known as 'upper' and lower' completes the circle-cycle.

In essence, it is a time sequence.

Serpent Mound and Serpent Symbolism

“It’s not an egg the snake is holding in its mouth. That’s the sun. When the snake releases the sun, a new world is born,” says Donlan, who has broadly studied Native American culture and philosophy.

Serpent Mound is built with it's head overlooking a 'den of snakes' Comet impact crater.

John 10:10 "The thief Satan does not come except to steal, and kill, and to destroy."

The snake from the garden of Eden statement of Genesis 3: 14~15

“So the Lord God said to the Serpent – 'Because you have done this, cursed are you above all livestock and all wild animals!

You will crawl on your belly and you will eat dust all the days of your life.

And I will put emnity between you and the woman, and between offspring and hers; he will crush your head, and you will strike his heel.”

This is clearly a statement clarifying the constellations and Ouroborus.

Let's together decipher it, shall we?

“..cursed above all cattle and wild animals.” references the constellations we chose to see and name such as Leo the Lion, Taurus the Bull, Cancer the Crab and so on including the lesser known constellations which we use in astrology etc.

“You will crawl on your belly and you will eat dust all the days of your life.” is a reference to Ouroborus in regards to humans star gazing and seeing constellations from below as a child peers upwards to their mother usually seeing the mothers 'belly' first.

Ouroborus forever eats the cosmic stardust which makes up the composites of all life including hu-man.

“And I will put enmity between you and the woman, and your offspring and hers: will crush your head, and you will strike his heel.”

This is again a reference to Ouroborus as the serpent/snake is depicted in a circular pattern eating it's own tail ..or as the Bible states, “..he will crush your head – strike your heel.” which implies the never ending cycle of life.

“..enmity between you and the woman, and your offspring and hers;” concludes Ouroborus coming around and being recognized as the 'th1rt3enth' zodiac sign that only happens every so often in a rare time during the advent of the human species astrological precession.

America's name derives from the Incan 'AMARUCA' effigy of evidence

"These original tribes, the native cultures in the North hemisphere have deep roots. The north American aboriginals had to be conquered - they knew too much real history

Carved in their sacred poles, etched into mother Earth's living rock and echoed in their stories or oral traditions, the native history was exaclty the same but highly detailed and filled in what the eastern religions were hiding and missing. They were suppose to be the all powerful but history dictates they were the savages.

Always be aware and keep an open mind towards the information and never quit searching.

On histories forefronts, there is a respective level of knowledge to our history that contains hundreds of thousands of years that we are made to be unaware of.

We can not relive history but we can approach it with an open mind and incorporate new findings and build out the " Picture " of the day; that picture may change tomorrow as new facts are uncovered.

There may be changes to that theory as recent exhaustive genetic studies have proven that indigenous North Americans have among the most unique dna in the world. Some findings may eventually show, as many indigenous people have maintained, that indigenous populations in North America pre-dated the land bridge theory"

It is time for resurrection of truth ~ for the good of knowledge sets us all free.

Revelation 12:9

“That serpent of old, called the Devil and Satan, who deceives the whole world..”

This shape-shifter sheds Light often changing names, but never changing directions of sequences.

Serpent Mound's solar-quakes of serpentine Sun light procure a sequential precession of wisdom.

Serpent Mound to Chichen Itza and it's Kukulkan serpent shadow pyramid - 1359.92 miles

The distance between Chankillo and Serpent Mound - 1356.21 kilometres

Serpent Mound to Poverty Point is 2200.17 miles - 3540.84 kilometres ..both coordinates combined reduce to the number 8.

Eight in Imperial math is recognised as Th1rt3en transfered to Metric math-value.

Eight is the Infinity symbol and signifies the audacious Ouroborus infinite travel.

The Egyptian's, as with other cultures, revered the timeless Serpent which they openly displayed.

The 'circle with line' through it's end is often seen as a 'Cartouche'.

This symbol stands alone and it's reference is that of the 'Alpha-Omega' - the Serpent whom eats it's own tail signifies the never ending life cycles of the cosmos and humanities Life extension of rebirth..for what once was, will again be.

The scripture mythology of JC's Sermon on the Mount from Matthew 5: 5-6 stipulates;

"Blessed are the 'meek': for they shall inherit the Earth. Blessed are they which do humger and thirst ofter rightousness: for they shall be filled."

This is a statement of Wisdom as meek translates to 'learned laymen'.

JC appointed his disciples of 12 to feed the multitude of 5000 with 'two fish and fives loaves of bread' after serving his sermon on the mount.

JC and his 12 disciples equals 13 while 5000 plus two fish and five loaves of bread equates as 5+2+5=12.

This number can be vewied as 4+8=12..or 48..also notified in Serpent Mound's length of 13,48 feet revealing a Serpent on the Mound.

Egyptian headress often carried the Serpent with a sideways figure eight Infinty symbol found on many of the ancient statues.

The exact same Infinity Serpent symbology is also found portrayed at Egypt's colossal Abu Simble Temple

~Revelation of the Dragon-serpent~

Gospel of Revelation 12: 1-17

1 And there appeared a great wonder in heaven; a woman clothed with the Sun, and the Moon under her feet, and upon her head a crown of twelve stars:

2 And she being with child cried, travailing in birth, and pained to be delivered.

This verse conveys mother Gaia and her child our Moon as the 'twelve stars' aligns as the Draconian constellation of our Pole Star 'Thuban' given as a symbolic message above our solar system.

As the Moon travels around Gaia, from a view of the Sun and Heavens, it disappears only to reappear. Hidden from view the Moon slowly appears first as a small bump increasing in size giving the appearance of a pregnant mother until finally separating, as a mother giving child birth.

3 And there appeared another wonder in heaven; and behold a great Red-dragon, having seven heads and ten horns, and seven crowns upon his heads.

4 And his tail drew the third part of the stars of heaven, and did cast them to the earth: and the dragon stood before the woman which was ready to be delivered, for to devour her child as soon as it was born.

This provocative misunderstood statement reveals Revelation's 'Wormwood' and it's mountainous Comet/Asteroid's transcending the Heavens on it's cyclic journey which eventually impacts Earth and it's Moon.

Our Moon's pock-marked surface bears these tell-tale signs from antiquity.

5 And she brought forth a man child, who was to rule all nations with a rod of iron: and her child was caught up unto God, and to his throne.

6 And the woman fled into the wilderness, where she hath a place prepared of God, that they should feed her there a thousand two hundred and threescore days.

A thousand two hundred and threescore days calculates as 1260 and a numerical reference to the Orion cycle dictated by many of Earth's silent archaic monuments.

The man-child brought forth by the woman is an astronomy reference of Earth's tidal lock from our iron-cored Moon.

7 And there was war in heaven: Michael and his angels fought against the dragon; and the dragon fought and his angels,

8 And prevailed not; neither was their place found any more in heaven.

This astronomical revelation explains the cyclical Deluge period given as a the finality of Earth and it's Moon destruction period.

9 And the great dragon was cast out, that old serpent, called the Devil, and Satan, which deceiveth the whole world: he was cast out into the earth, and his angels were cast out with him.

10 And I heard a loud voice saying in heaven, Now is come salvation, and strength, and the kingdom of our God, and the power of his Christ: for the accuser of our brethren is cast down, which accused them before our God day and night.

11 And they overcame him by the blood of the Lamb, and by the word of their testimony; and they loved not their lives unto the death.

The great Dragon, the cycle of Ouroborus and it's Asteroid/Comet impact entering our solar system exits it's cyclical catastrophe leaving humanity decimated to rebirth it's few surviving nations revering the motions of the cosmos in a lesson not to be forgotten, for the cycle shall return.

12 Therefore rejoice, ye Heavens, and ye that dwell in them. Woe to the inhabiters of the earth and of the sea! For the devil is come down unto you, having great wrath, because he knoweth that he hath but a short time.

13 And when the dragon saw that he was cast unto the earth, he persecuted the woman which brought forth the man child.

14 And to the woman were given two wings of a great Eagle, that she might fly into the wilderness, into her place, where she is nourished for a time, and times, and half a time, from the face of the serpent.

15 And the serpent cast out of his mouth water as a flood after the woman, that he might cause her to be carried away of the flood.

The great cyclical catastophe of the 'Dragon of the Heavens' is what causes and creates Earth's 'Ice-age' throwing off Earth's natural wobbled-tilt creating decimating climate change until Earth resettles and our Sun recreates photo-synthesis rejuvenating our life sequence as our planet becomes stable and habitable once again.

16 And the earth helped the woman, and the earth opened her mouth, and swallowed up the flood which the dragon cast out of his mouth.

17 And the dragon was wroth with the woman, and went to make war with the remnant of her seed, which keep the commandments of God..

Astronomy, the hidden secret given within scripture is a dictation from our Grandcestors of what they went through, and what following survival nations should expect from this cyclical catastrophe of our Heavenly solar system foretold not only in the various 'updated' denominations scripture books but also by revered nations given in monuments, petroglyphs and hieroglyphic history such as to name but thrice -

the Hindu, Egyptain and Mayan's astro-theology.

The Plume Feathered Serpent and Dragon folklore is associated from history on both Eastern and Western continents of Earth.

Angkor Wat displays the ritual of cosmic Milky-way Serpent.

The Mayan's revered this Serpent-Dragon history detailed in various Central American monuments often referred to as Quetzalcoatl.

China's Great Wall with it's zig-zag pattern resembling the enigmatic Sacsayhuaman created as a serpent is covered in the number Th1rt3en whereby the Great Wall of China can be seen from space as it is a colossal staggering 13,171 miles in length.

The triptych pyramids of Giza create a magnifying serpent shape shifting shadow as Dragon mythology verified with scriptures dictates a Heavenly shape-shifter also known as the Ouroborus.

As the Giza pyramids shadows shorten and lengthen, we see the shape-shifter exemplifed by it's point distributed shadows..shadows of a hidden serpentine wisdom.

As history recycles, we have entered the age of setting the coiled serpentine Records beyond a shadow of the Light-bringers doubt to a path of restored knowledge.

Revelation 13:4

“And they worshipped the Dragon which gave power unto the beast: and they worshipped the beast, saying, Who is like unto the beast? Who is able to make war with him?”

The Infinity symbol's concept is describing something without any boundaries; larger than any number.

Philosophers such as Zeno of Elea, speculated the nature of the infinite, proposing many paradoxes involving infinity, and Eudoxus of Cnidus, who used the idea of infinitely small quantities in his method of exhaustion.

Modern mathematics uses the general concept of Infinity in the solution of many practical and theoretical problems, such as in Calculus and set theory, which the idea is also used in physics plus various other sciences.

In mathematics, "Infinity" is often treated as a number (i.e., it counts or measures things: "an infinite number of terms") however it is not the same destinction of number as either a natural or a real number.

George Cantor formalized many ideas related to Infinity and infinite sets during the late 19th and early 20th centuries. In the theory he developed, there are infinite sets of different sizes (called Cardinalities). The example is the set of 'integers' as countably infinite, while the infinite set of real numbers is incalculable.

It should be noted the Infinity symbol is recognised as the Imperial math number 8 which translates in Metric math as 13.

The 1348 foot length Serpent Mound with it's one meter height sheds it's wisdom to the Codex 13 revealing both Imperial and Metric math of a language left by our Grandcestors connecting a once epic global civilization.

"Including all three parts, the Serpent Mound extends about 1,376 feet (419 m), and varies in height from less than a foot to more than three feet (30–100 cm). Conforming to the curve of the land on which it rests, with its head approaching a cliff above a stream, the serpent winds back and forth for more than eight hundred feet and seven coils, and ends in a triple-coiled tail. The serpent head has an open mouth extending around the east end of a 120-foot (37 m)-long hollow oval feature.."

This world reknowned enhanced effigy is created in three parts and in reality is a total length of 1376 feet.

76 can be reveiwed as 7+6=13.

The number can be observed as dual 13's or in singularity to the numeric message of 8.

This number details two 13's and added together creates the number 26 - a direct message to the Orion 26,000 year Precession.

It's total number of 1376 can be reduced as 1+3+7+6=17, further reduced as 1+7=8 reserving duality of infinte wisdom to the Infinity symbol preserving the serpentine of Ouroborus overall completed message.

"The star pattern of the constellation Draco fits with fair precision to the Serpent Mound, with the ancient Pole Star, Thuban (α Draconis), at its geographical center within the first of seven coils from the head. The fact that the body of Serpent Mound follows the pattern of Draco may support various theses. Putnam's 1865 refurbishment of the earthwork could have been correctly accomplished in that a comparison of Romain's or Fletcher and Cameron's maps from the 1980s show how the margins of the Serpent align with great accuracy to a large portion of Draco. Some researchers date the earthwork to around 5,000 years ago, based on the position of Draco, through the backward motion of precessionary circle of the ecliptic when Thuban was the Pole Star. Alignment of the effigy to the Pole Star at that position also shows how true north may have been found. This was not known until 1987 because lodestone and modern compasses give incorrect readings at the site."

Many archaic monuments such as Angkor Wat and the Great Pyramid's entranceway reveal this message of Draco combined with Orion as a time clock in the Heavens.

This gateway to the stars of UNISON Quest is designed to build a throne in numbers so that 'our' voice (with use of Internet services) heard world wide will be unstoppable.

This is how  Father-time allows us 'together' to go home as our gracious Grandcestors bequeathed and ordained to us - to know whence we came from shedding the tribulations to our lost history so we the inheritors are beguiled no more.

Caduceus one of the three oldest symbols known to man refers as a 'good luck' symbol and used as a modern day 'health' symbol often found embossed upon Hospitals and Ambulances.

A Serpent bearing  'good fortune' related to humanities DNA sequence.

It is our birth right to know and share this information freely shaking the 'Tree of Life' and gain hold of precious fruits in order to bite the apple's sweetened  serpentine wisdom coded in histories knowledge.

Serpent Mound's Serpentine Salvation balances the scales of justification as together 'we' the virtuous shall upset the gardens apple-cart of the slithering oppressors to our hidden and stolen history, exclaiming in unison ~

  byte my Apple !

Copyright research of JD Jeffrey 2017

Teotihuacan: the Dead shall Rise

Posted by J.D. Jeffrey on June 19, 2017 at 6:55 AM

Teotihuacan's risen recital:

"In that day the Dead shall Rise"

Teotihuacan's anthem to it's amazing city like perfection is claimed to be

'Where the God's were born' from our anthropology of antiquity.

Created by our Grandcestors antics, you could say they upped the ante in this antedated city that holds many secrets that raises your antennae as we antagonizingly anticipate answers of antidote.

Viewing Teo's city from above while being visited by crowds of humans, if you focus with inner-eye awakened, you can see the antsy ancestral-grandchildren of those known as the antediluvian Ant-people clambering upon and over these mesmerizing pyramids like ants surrounding their home base ant-hill.

Often wondering, with Teotihuacan in its original detailed colors of stone and the Street of the Dead filled with water..would a cloudless sun-shiney day beaming into the water also create in reflection Teotihuacan to shine as a beacon?

And as beacon is often translated as 'message' - just exactly what is this majestic city's message..?

"Now we see but a poor reflection as in a mirror; then we shall see face to face. Now I know in part; then I shall know fully, even as I am fully known." 1 Corinthians 13;12

From the silent Street of the Dead, echoes of voiceless whispers can be heard.
Teotihuacan's triptych pyramid city, 'Where the God's were born' reveals a language in sacred geometry reconstructing verifiable knowledge to our solar system.

Various researchers such as Nassim Haramein realize the mathematical constant of Teotihuacan's tetrahedral pyramids as one part of the 'as above, so below' antiquital equation.
Nassim's verification of the chosen location upon the face of Earth to this sleeping city of the dead does appear of an exact godly orientation in reference to the knowledge of our planets defined geometry.
The fundamental geometry that defines the mechanics of our solar system was understood and documented from our histories past in such a way as to not be mistaken in the message sent over time.


This advancement into the technical age has graciously allowed us to realize Teotihuacan's massive undertaking could only be created by a civilization working as a unified force such as depicted in natures regimental gifted approach by the insect ant civilizations.

Our Grandcestors understood the balance of nature and the benefit as a global civilization working as one. The message Teotihuacan defines offers this beacon of knowledge in honor of those whom came before..those whom were advanced enough to see the gifts nature combined with science can create in an awakening of what was once thought of to be a dead street of silence.

Teotihuacan is claimed to be 'Where the God's were born' from our anthropology of antiquity anthem in accordance to it's amazing city like perfection .

By reviewing Teotihuacan, allowing knowledge of astronomy to percept the cities layout, we can define what the message is exactly by mentally reconstructing each of Teo's triptych pyramid's.

The geometic representation to each pyramid reveals advanced knowledge of 'Circling the Square' explainging Teo's pyramids.

The Moon pryamid details our Solar Systems 'inner four planets' closest to our Sun-star.

Each squared level details a circling of the square to explain each planet.

The creators of Teotihuacan created each squared-ring with 'canted' edges. This curious element distinctly details each planets 'ecliptic' angle in regards to it's station in our solar system in postion to the Sun and Zodiac calender.

"Ecliptic, in astronomy, the great circle that is the apparent path of the Sun among the constellations in the course of a year; from another viewpoint, the projection on the celestial sphere of the orbit of the Earth around the Sun. The constellations of the zodiac are arranged along the ecliptic."

The pyramid of the Moon's fourth ring shows advanced knowledge of our Earth's oblong revolutions around our solar systems Sun.

Isaiah 26: 19

"But your dead will live, LORD; their bodies will rise-- let those who dwell in the dust wake up and shout for joy-- your dew is like the dew of the morning; the earth will give birth to her dead."

Teotihuacan's majestic city is built upon 13 kilometers of land.

The center 'street' is named the Avenue of the Dead which is 1.3 miles long and 131 feet wide.

The three temples are known as pyramid of the Moon, pyramid of the Sun and the Feathered Serpent's pyramid.

Teotihuacan's temple of the Feathered Serpent is offset by 13 degrees to the pyramid of the Sun; this is indeed an intentional message in sequencial formation.

In this place where the God's were born, adding Teotihuacan's geocoordinates in singular sequence add's up 67 -or- 6+7= 13.

19°41′33″N 98°50′37.68″W - 1+9+4+1+3+3+9+8+5+3+7+6+8=67

The God's born of numbers in destiny.

The number Th1rt3een is calculated often on this silent street of the dead's pyramids also incorporating it's city-wide layout.

Through the verified numerics, it is established astonishingly not only  a geometric layout of our Solar Systemwe also find it plotted to Orion's Platonic transit.

TEO Facts

Graham Hancock's "Fingerprints of the Gods"

"Teotihuacan's 'Mathematical city' it is stated that at the time of the equinox a shadow passes along the face of the pyramid in 66.6 seconds."

This number 66.6 is of interest as from the dimensions given in the book, the base of the pyramid is 666 Indus Valley feet equaling one foot as 13.2 inches.

66.6 can be seen as 6+6+.6=12.6 and the same number given by Giza's holy city of the three main pyramids. 12.6 can also be rounded up which in turn gives the number 13.

"Referencing the Teotihuacán Mapping Project, René Millon (1973), Aveni writes: ”As Millon (1973) and his co-workers of the Teotihuacán Mapping Project have shown, the streets of the ancient holy city align in one of two directions, a north-south orientation 15° 28’ east of north, which is exemplified in the map of Fig. 68 by the Street of the Dead, and an east-west orientation 16° 30’ south of east…The archaeological evidence suggests that the deviation of 1° from a perfect right angle between the two is probably not accidental. Many building complexes and residential compounds within the city follow the first orientation while others obey the second…” Source: Skywatchers of Ancient Mexico, Anthony F. Aveni, page 223."

15° 28’ east and 16° 30’ south of east can be construed as 1+5+2+8=16 and 1+6+3=10..16+10=26 which is a hint at the same number as the Orion 26,000 years Transit.

‪Mexico's Teotihuacan‬ Pyramid of the Sun layout is to the right of what would be the opposite side of the Pyramid of Khufu in Egypt. When the last 'ray' of Sun light strikes the peak of Giza's Great Pyramid, exactly at that precise moment in synchronicity relays the first ray of Sun light at the top of Teotihuacan's pyramid of the Sun in Mexico .

It's said the Great Pyramid covered in polished Turo limestone casings shone like a beacon, as Teo's cleansing waters would also make Teo's city shine.

These two 'lampstands' of our Grandcestors displaying a unique 'olive branch' of knowledge, offer peace and tranquility in wisdom standing before Earth's Sun-god. [Revelation 11: 4]

We find these exquisite messages from time, taking in Earth's tilt, exactly across from one another on our globe.

Often missed in scriptures, we find the allowance of a distinct as above, so below message created from the Tower of Babel scripture in elation to the Teo-Giza equation..

"Let us build a CITY and a TOWER .."

Genesis 11: 4

Teotihuacan's pyramid of the Moon's layout incorporates a plaza of 17 platforms that geometrically explain our solar systems planets and their major moons as associated by the major platforms accompanied by smaller pedestal-platforms. 

This shows a strong link to what the Olmec heads indicate

identifying advanced wisdom of our solar system predating modern astronomical knowledge.

In all of the Moon pyramids divination, Teo's pyramid of the Moon exclaims our inner-four planets to our solar system.

However, transfixation in concentration to heavenly glory offers more of Teo's time elapsed secrets to be unveiled.

The pyramid of the Sun details our complete Solar System.

The Plumed Serpent pyramid has mostly been destroyed, however we have the mythology of whom the Feathered Serpent is, and so we can rely on other monuments of the same name to conclude an astrological answer.

Teo's Plumed Serpent pyramid, according to Chichen itza's Kukulkan pyramid, reveals a plumed message of our Sun-star ~ which befits it's presentation at the end to the Avenue of the Dead.

The Plumed Serpent temple constitute's our Sun with three sets of four platforms adorning this pyramids frontal view.

These 12 platforms replicate the precessional knowledge of Solstice/Equinox patterns detailed during that specific time of year as both day and night are equal in length to the 12 hours of sunlight and 12 hours of darkness to Earth's routine  scheduling of  the 24 hours in  a day.

Revelation 11:1-19 

"Then I was given a measuring rod like a staff, and I was told, “Rise and measure the temple of God and the altar and those who worship there, but do not measure the court outside the temple; leave that out, for it is given over to the nations, and they will trample the holy city for forty-two months. And I will grant authority to my two witnesses, and they will prophesy for 1,260 days, clothed in sackcloth.” These are the two olive trees and the two lampstands that stand before the Lord of the earth."

Interestingly we find that Teo's Plumed pyramid held a total of 260 serpent head iconography statues. This dual reference from numerics and symbology explain our solar system and it's systematic 26,000 year Platonic Preccessional trek.

The three platforms 'behind' the Sun Plumed Serpent temple create the same identical message found and given at Egypt's three main Giza pyramids.

Teotihuacan's Plumed Serpent temple reveals Orion above and beyond overlooking our Solar System.

Teo explains what is not revealed about Giza's three main pyramids contributing to a completed understanding in the overall message left for our awakening as we are risen into the technological age.. age once shared by our Grandcestors.

From the Plumed Serpent pyramid, the view along the Avenue of Dead in it's heavenly glory is but a finger pointing a way to the prestigious Moon pyramid allowing in unification to awaken the Inuit Lazarus.

Matthew 27: 52

"..and the tombs broke open.

The bodies of many holy people who had died were raised to life."

This innovative-man construction details humanity platformed standing upon our inner solar system.

Above the center Earth 'belt line' circled-square is created a stairway (with overtly large ballastrades) to the upper levels constructed as 'rib cage with lungs' detailing Earth's necessity to Venus.

Beyond that is the uppermost level stairway, the 'throat' to the top Sun-square revealing the Sun gives our planets harmonic waves producing sound.

Histories comatose Lazarus awakens positioning his gigantese message, sleepless no more.

By drawing a line directed from the pyramid of the Moon straight down the center of Teotihuacan's 'Street of the Dead' and projecting onward across the ocean, you will encounter only Easter Island orienting an advanced knowledge of our planet singling out a solitary remote island.

The megalithic Moai statues circled around the desolate island seem to exclaim a global unified civilization of industrious proportions. Curiously the stone statue's of Easter Island are oriented with eyes painted and pointed in search of the cosmos.

Teotihuacan's risen recital furthers the exquisite knowledge gifted our generation written upon Earth in timeless fashion to our Grandcestors Codex 13.

co·dex (kō′dĕks′;) n. pl. co·di·ces (kō′dĭ-sēz′, kŏd′ĭ-)

A manuscript volume, especially of a classic work or of the Scriptures.

[Latin cōdex, cōdic-, tree trunk, wooden tablet, book, variant of caudex, trunk.]

Word History: Cōdex is a variant of caudex, a wooden stump to which petty criminals were tied in ancient Rome, rather like our stocks. This was also the word for a book made of thin wooden strips coated with wax upon which one wrote.

The usual modern sense of codex, "book formed of bound leaves of paper or parchment," is due to Christianity. By the first century bc there existed at Rome notebooks made of leaves of parchment, used for rough copy, first drafts, and notes. By the first century ad such manuals were used for commercial copies of classical literature. The Christians adopted this parchment manual format for the Scriptures used in their liturgy because a codex is easier to handle than a scroll and because one can write on both sides of a parchment but on only one side of a papyrus scroll. By the early second century all Scripture was reproduced in codex form. In traditional Christian iconography, therefore, the Hebrew prophets are represented holding scrolls and the Evangelists holding codices."

Where the God's were born comes from Aztec mythology and what they told the Conquistadors when they were asked if they created Teo's city. They said it was there when they found it..home of the God's.

From oral tradiitons, stelea's, historical written submissions, scriptures, etc.~ we know the ancients referred to the God's as Heavenly bodies of the cosmos, traditionally known today as planets and our zodiac calendar.

Earth's archiac monuments also speak this silent language, resurrected from time, now dead no longer.

Codex 13, the Tree of Life stump signifying Earth's life force, Eden's Garden Tree of both Good and Evil wisdom in Logo's (Greek word for 'story-telling') written upon archaic monuments on both sides of our classical planet combined with Scriptorial liturgy -

the book of our Evangelist-Grandcestors apocalypse (Unveiling) bequeathed to our generations understanding so that we may together Witness the Light of our true history.

Copyright research of JD Jeffrey

"All truths are easy to understand once they are discovered:

the point is to discover them." Galileo

God Speak: Locating the Hall of Records

Posted by J.D. Jeffrey on June 16, 2017 at 3:00 PM

God Speak- Histories Hidden Hall of Records.

"The ancient Egyptians regarded Thoth as One, self-begotten, and self-produced, the master of both physical and moral (i.e. divine) law, making proper use of Ma'at.

Credited with making the calculations for the establishment of the heavens, stars, Earth, and everything in them.

He is said to direct the motions of the heavenly bodies. Without his words, the Egyptians believed, the gods would not exist.

His power was unlimited in the Underworld and rivalled that of Ra and Osiris.

The Egyptians certified him as the author of all works of science, religion, philosophy, and magic.

The Greeks further declared Thoth the inventor of astronomy, astrology, the science of numbers, mathematics, geometry, land surveying, medicine, botany, theology, civilized government, the alphabet, reading, writing, and oratory.

They further claimed he was the true author of every work of every branch of knowledge, human and divine."

Thoth is claimed to be many things and a skilled architect was of his many acomplishments creating the Great Pyramid, but also credited to the wisdom of creating a hidden Hall of Records from before our civilization began.

From mythology it states there are infact three Hall of Records.

In today's technological age where history is being unearthed and rewritten everyday, it is possible to locate the fabled hidden Hall of Records as not myth but fact - and can be located using clues from history and mythology combined with modern technology.

The Hall of Records is said to be an actual hidden building that houses the records of the pre advanced bipedal species that were devestated through a cyclic catastrophe..a place said to have the knowledge to end all wars. Although Cayce recorded there are three Hall of Record locations - two are known as decoys with a clue to the actual location.

The problem is finding it as it is said to be hidden.

Thoth's emerald wisdom is known to be profound, leaving clues with instructions to these lost and hidden records.

We are meant to discover this location and as a collective humanity, to solve this enigma from the passages of time with Thoth's own words.

This hidden vault of ancient time, constructed and sealed by Thoth himself, leaves it possible this mysterious vault can be found. This vault is not in Egypt under the Sphynx like the American sleeping prophet Edcar Cayce prophesized and as many have misinterpreted.

"Use thou the KEY of the SEVEN,

and open to thee the pathway will fall.

Now unto thee I have given my wisdom.

Now unto thee I have given my way.

Follow the pathway.

Solve thou my secrets.

Unto thee I have shown the way.

Each to the other is the Keystone;

each the gateway that leads into LIFE.

Follow the KEY I leave behind me.

Know ye that seek and the doorway to LIFE shall be thine.

Seek thou in my pyramid,

deep in the passage that ends in a wall.

Know ye that in the pyramid I builded are the Keys

that shall show ye the Way into life.

Aye, draw ye a line from the great image I builded,

to the apex of the pyramid, built as a gateway.

Draw ye another opposite in the same angle and direction.

Dig ye and find that which I have hidden.

There shall ye find the underground entrance to

the secrets hidden before ye were men."

By following Thoth's wisdom and clues, it possible to locate this most mysterious of ancient Mystery in History riddles.

"The principles of the truth are Seven:

He who knows these, understandingly, posseses the Magic Key before whose touch all the doors of the Temple fly open."

the Kybalion

The message from Thoth comes from an advanced civilization.

Such as a civilization with higher intelligence..could we today, across the whispers of time , could we read it- could we today with all our amassed knowledge and technology understand this message? And if these messages are readable..would it give humanity a chance to be collective with 'those who came before'..a chance for us to discover the key to mankind's lost blueprinted history, a riddle hidden in the sands of time.

If all this is true, Thoth's legend and myth of a hidden Hall of Records once forgotten - then is humanity ready...?

Finding the hidden Hall of Records blueprint came from attempting to decipher a starting point and ending to the Giza blueprints located at Nazca.

For certain Nazca is NOT the original blueprints, it is however a learning tool to the next step in the journey.

Link to Nazca Lines decoding revealing the Great Pyramid blueprints -

All blueprints have a first, second, third and so on page(s), thereby applying this knowledge to the glyphs to be "instruction icons" found on all blueprints.

The glyphs each explain a peice of the build procedure, therefore logically looking at a map of the glyphs (without the Nazca lines) as they are displayed in the desert, settling on what is refered to as the "Dinosaur 'baby" as starting position.

This is a 'Chickling', which leads to ''Duckling, to 'Yearling', to 'beginning' or BEGIN - so the Dino baby is where to begin!

The first thing that must be done is to orient the map so the Dino-chickling is standing upon it's feet. This gives direction to reading of the mapped instructions.

When using a building process, first find the scale of what you wish to build which leads to the "Whale" glyph. With 'carpenters square' through the Whale's back center - the two words combined phonically of square and whale - they become 'Scale'.

Next in the build process is to survey your land area of which you wish to build said project, thereby taking us to a geoglyph resembling a contractors survey "Tri-pod".

After setting up the tripod, it is used to find the man in the field to start the actual 'layout' to your building ..which is a 'hands on' process.. taking you from the tripod to the 'man waving' known as the "Giant" glyph, to the glyph known as the "Hands".

These three glyphs combined explain - 'this is the hands-on-part of the build procedure'.

It can only be done by manual labor and not robotic.

Nazca's Flight of the Bird lesson -

The bird leaves it's nest zig-zagging in flight (Heron geoglyph) in search of food such as illustrated by the Fish and Kelp geoglyphs  and also the Flower geoglyph beside Hummingbird geoglyph as a bird naturally seeks out nectar from flowers  - and then returns to it's nest.

In the construction trade, if a bird builds a nest during construction, it is NOT removed for it is a sign of Good Luck.

Nazca's flight of the bird instills it's traditional message of Good Fortune upon it's hidden schematic of the industrious Hall of Records.

Following the rest of the glyph story creates a schematic, one that is not to do with pyramids.

Following the story displayed by the glyphs, an offer by our Grandcestors is instituted -

they have drawn many lines at Nazca and now offer You to draw your line in destiny;

to be one with them on Earth's greatest blackboard of historical instruction.

By drawing a line in coordination of the glyph story, essentially 'joining the dots' to our lost history, you have truly become one and joined with the ancients wisdom in rectifying a map to what was once found in the voiceless sands of Nazca.

Thoth's Hidden Hall Of Records myth has dredged through the anals of time to survive todays modern world. It is a myth heralded as impossible for it entails the wisdom of the ages, a knowledge said to have existed and recorded before our time began.

A wisdom passed to our generation from a society not recorded in our present day history books - hidden in a yet to be located vault.

A vault not to be opened until our civilization is ready.

If openly found - the 'authorities' will without a doubt over take the 'find' and sequester it as it changes everything we were taught regarding historic timelines including religions strangle-hold on advancement as equals.

So the question is - if the Hall of Records could be found; How do we keep it from the TPTB to be used for the good of humanity???

Could it be the ordained Pandora's Box fable?

Together we have walked the Lighted path of our Grandcestors as they echo answers to riddles brought forth from the annals of time.

As we stand on the global epoch of shared technology, time allows mankind to discover who really built the Giza pyramids and that humanity enjoyed previous technological advances as equated in accordance to Lemurian folklore, Plato's 'Atlantis' theory and the Tower of Babel scripture.

The fabled Hall of Records and it's mysterious riddle to mankind, of what it could entail for humanity is a truly bestowed with great honor and servitude to all whom follow and share this messsage..a personal gift to YOU from our very Grandcestors, and so beit that may we all together hear their silent voices of wisdom -

WE are the gods incarnate of today and so we are destined to wear the ancient mask taken from the Halls of Amenti..

UNISON Quest was designed and engineered so that all of humanity may share in these re-discoveries.

Time reveals all and it is now more than a belief the Hall of Records is no myth but indeed fact.

The final step in this epic journey of many life-times, is to match the schematic blueprint to it's hidden location from the Nazca riddle, scrolled across the desolate silent desert of South America as it releases it's God's Speak secrets from the sands of time.

Isaiah 29:18

"In that day the deaf will hear the words of the scroll...."

Namaste ye seeking only truth.. ..Welcome through the illusion.

Copyright research of JD Jeffrey

Codex 13 - Sanctifying Scriptures Secret

Posted by J.D. Jeffrey on June 15, 2017 at 5:40 PM

Codex 13 - Sanctifying Scriptures Secret

Most shy away from the biblical part of history for reasons of religious beleifs, complexities and misunderstanding. Although there is no simplified understanding to the bible(s), there is a code hidden that explains what religions have not disclosed.. for those who have been given eyes for which to see.

This Codex 13 was understood through research not only from the monuments but also the various religious scriptures offererd. Scripture often mentions archaic monuments as Altars, Temples and Tabernackles - it's the descriptive details that give them away.

Together they are combined as 13 is cleverly hidden in tales of scripture..tales of monumental proportions.

The Gene-assisted secret of Adam is he is the first human to procreate and at 130 years of age did this with Eve giving birth to Cain.

Scripture identifies 13 plagues of famine.

The thirteen sons of David which were born when he was to Jerusalem.

It is the thirteenth day of the twelfth month, named Adar, that the people celebrated the victory of Judas Maccabaeus on the army of Nicanor to Adasa.

A decree of Jew extermination was decided by Haman during of a convocation addressed to scribes the thirteenth day of the first month.

The image of the creature kneeling ahead the Throne of God, the Holy Trinity Father, Son and Holy Spirit, is symbolized by the number 13: the 1 ahead 3.

12 houses of Ages of the Zodiac. [12 houses plus Zodiac =13] Each given a sign in Gen 49. [4+9=13]

Revelation, chapter 13 gives the description of the beast John saw rising up out of the sea.

According to an article by Chuck Missler of Koinoia House ( there are 33 titles in the Old Testament for the antiChrist, while there are 13 in the New Testament. An example is found in Daniel 9:26, "The Prince That Shall Come."

The word "leaven," which is symbolic of sin, appears 13 times in the New Testament.

In Genesis 17:25 Ishmael is circumcised at the age of thirteen which is when God made the promise to Abraham;

Genesis 14: 4 Sodom rebelled after 13 years of servitude to Chedorlaomer king of Elam (Babylon)

Jeremiah starts his ministry in the 13th year of Josiah (Jeremiah 1:2). Jeremiah may have been 13 years old when his ministry started.

Joseph was 17 years old when he was taken as a slave. He was 30 when Pharaoh put him in charge of Egypt (13 years). Genesis 37:2 to 41:46. [ 30 minus 17= 13 ]

The Dragon, which is symbolic of Satan, is mentioned 13 times in the Book of Revelation.

There are 13 major famines that occurred in the Bible from Genesis 12:10 during Abraham’s time to Acts 11:28 during the period of the early church.

In Romans chapter 1 the 13th characteristic of evil attributes is that mankind is a hater of God (Rom 1:30).

Deuteronomy 13 speaks about pagan and false Gods that will lead people into idolatry and thus, the severe judgment of God.

Some traditions hold that Judas Iscariot, the one who would betray Christ, was the 13th one seated at the table of the Last Supper.

The name Judas Iscariot incidentally is 13 letters, who was considered to be JC's favored.

Mary  Magdelene is also 13 letters.

The 13th chapter of the Book of Revelation is reserved for Satan and the beast (the Anti-Christ).

Nimrod, the mighty hunter, was of the 13th generation of Ham.

The Valley of Hinnom is mentioned thirteen times in Scripture and is always related to evil pagan practices.

The "3 and 10 phobia" mentioned above is significant, for the number 13 is representative of Satan's attempt to mimic God and the Holy Trinity. The number 10 is the number of "the perfection of Divine order." According to Bullinger, 10 represents "the completeness of order, marking the entire round of anything...It implies that nothing is wanting; that the number and order are perfect; that the whole cycle is complete."

The Bible identifies an additional 13 Gospels not included in the Bible that are to be read in accordance to scripture..

Gods creation of Earth is recounted at 7 days and 6 nights ..or 7+6=13

Luke 16: 1-13 equates a story of a certain rich man's servant whom  who calls lord's debtor to fix a debt.

5: "So he called every one of his lord's debtors unto him, and said unto the first, How much owest thou unto my lord? And he said, An hundred measures of oil. And he said unto him, Take thy bill, and sit down quickly, and write fifty. Then said he to another, And how much owest thou? And he said, An hundred measures of wheat. And he said unto him, Take thy bill, and write fourscore."

The equation works out as the servant now owes 50 and 80, whichs sums to 130.

Moses led 600,000 on a 40 year journey lost in a desert that only takes 3 weeks to cross.

600,000 .. 40 .. 3 ..or 6+4+3=13.

The Torah states the father of Moses lived 137 years.

Ishmael and Levi are also said to have lived 137 years.

Levi originated the Tribe of Levi.

The gematria value of the phrase “HaCohen V'HaLevi”, meaning “The Cohen and the Levites” in Hebrew is also 137.

There are many more..however there is the most interesting book of Revelation intriguing tale of God's Two Witnesses whom lay clothed in sack-cloth for 1260 days..then lay dead in the streets for another 3.5 days. 1260+3.5 is 1263.5..which is obviously a Metric number and can be 'rounded-up' from 1263.5 to 1300

Scripture also defines in detail astrological equations verified by the archaic monuments detailed in Codex 13. Long have we been led to believe it is a salvation practice.

Salvation is what the referred good-book does in fact do within it's own personal guidelines, however salvation belongs only to the heart and soul of truth.

This extremely coded book hides astronomy in every main characters story.

Enoch and Ezeqeel reveal as examples the many astrological correlations deduced from scripture.

The story of Enoch as an astrological reference is the easiest understood.

Enoch the seventh seed from Adam. Enoch stopped to ponder his life at thirty years.

Had his first child at the age of sixty five.

Talked with God at age three hundred.

At age three hundred and sixty five God took Enoch..he did not die.

(one of the FEW in scripture to NOT taste the hour of death)

Enoch's Message:

Enoch.. 7th seed - 7 days to a week.

Pondered his life at 30 - 30 days to a month.

Had his first child at 65 - 65 days from the beginning of the year is when you SOW the seeds in the field.

At 300 God talked to Enoch - 300 days from the beginning of year is HARVEST time.

God took Enoch at age 365 meaning the year STARTS OVER and does not die.

A very significant scripture story pointing to our Solar-Year once cleverly hidden now acknowledged.

Ezeqeel's Message:

Ezeqeel is referring to our Sun and the eight planets.. "wheels within wheels"

This constructs the motions of the cosmos.

The moon around our Earth - Earth & moon around our Sun -

the Zodiac Houses around our Solar System

Ezeqeel's 'wheels within wheels' is our moon circling our planet, while our planet circles the Sun. As our solar system circles the galactic arm, we view our 13 celestial zodiac symbols making the four Cherubs who's faces turned each way the wheels turned, to be our four Pole Stars that intermittently change during processions warble of the 26,000 year Orion Transit.

This transit is specifically correlated in the gospel of Revelation.

These are the astronomical observations of Enoch and Ezeqeel..referred through scripture as 'the Watchers'.

Diciphering scripture dictates Adam at the age of 130 had Cain first and Abel was born one year later.

Scriptures eludes to Adam & Eve having a total of 56 children of both boys and girls.

33 boys and 23 girls which tallies 56 - when you add Adam and Eve as parents, the number becomes 58.

Fifty-eight is a significant number as 5+8 equals 13.

Scripture dictates Cain new his wife (implying his sister) and was 'marked by God' that no one should bring him harm when

he was cast away to roam the Earth also stating there were others whom might bring Cain harm hence his mark.

Religions state that in thier purity incest issues was not yet affecting humanties population.

Allegorically we are given two ages as Cain born at Adam's age of 130 years and Abel born one years after is 13x2 =26. The 26,000 year Orion cylce implied by Adam as Ist human to procreate at age of 130 revealing the coded 13,000 year halfway point of Orion's transit.

It should also be noted if you venture into a Christian church, you will find the thirteen 'stations' of JC's crucifixion period.

Six stations each flank either side to the church hall in precessioin to the altar,

with the 13th station positioned above the church's cherished Altar.

Regardless of religious interpretaion, scripture is allegorical and steeped in cycles, sacred geometry (hence the specific number equations) hiding an astronomical message.

Adam & Eve parable..

Eve was taken from Adam's side not to be in front or behind, but by his side - to be EQUAL.

We are all made to be equal, religion doesnt want us to know this -people need to stop dividing..we are worthless in division.

No one has all the answers or has time to look at all the questions, but that black book everyone so dearly covets... God made us in his image and likeness - that means we have his ability to do and think as he does. We are the gods of the now, no one is coming to save us, no one but us. To be a god you must be pure love, which is a Samaritan virtue - when the world learns this, only then will they lay down arms and do for each other before doing for themselves.

Its the true way.

It's time we all know the truth in this extensive Codex revealing mankind's history as we share a taste of what's derived from reading all 3 denominations scripture books, dead sea scrolls plus a host of other religious material combined with corresponding explanations to Earth's archaic monuments.

Freely yours to explore as this knowledge is your birth-right, our history of uncovered truth.

This is UNISON Quest !

Copyright research of JD Jeffrey 2017

Nephal I Am: Enoch's Dudael

Posted by J.D. Jeffrey on June 12, 2017 at 4:00 PM

Nephal I Am - Secrets beyond the Garden and the Oracle of our Grandcestors

Mythology across our planet entails the story of a global flood. There are over 190 different cultures world-wide from ancient history that have documented this account by oral traditions and also catalogued in some type of written or pictorial assembly.

Sumerian mythology explains this in the epic of Gilgamesh while it is recognised and retold in the Noah story, which gives reference to a species known as the Nephilim.

The Nephilim of which few survived the original epic deluge, whom reigned before the Flood are told as Noah's historical  blood line, decendant of the great Enoch of true Nephilim heritage.

***NUMBERS: 13: 1-33

"And there we saw the giants, the sons of Anak, which come of the giants: and we were in our own sight as grasshoppers, and so we were in their sight."

Written in humanities past concluding our hidden history, there is a code that consists of a very archaic story told through technology, science and stone.

Paper (papyri) since inception has been used for influencial control purposes, therefore without extensive corroboration limits it's trustworthiness due to it's countless re-writes and various misinterpretations. However there is truth buried within all and therefore must be scrutinized.

Discovering what takes a lifetime, condensed in this article shared with you exposes truth that's been hidden in secrecy.

This is Enoch's Dudael: Exodus toTruth


 And it came to pass when the children of men had multiplied that in those days were born unto them beautiful and comely daughters.  And the angels, the children of the heaven, saw and lusted after them, and said to one another: 'Come, let us choose us wives from among the children of men and beget us children.' 

And Semjâzâ, who was their leader, said unto them: 'I fear ye will not indeed agree to do this deed, and I alone shall have to pay the penalty of a great sin.' And they all answered him and said: 'Let us all swear an oath, and all bind ourselves by mutual imprecations not to abandon this plan but to do this thing.' Then sware they all together and bound themselves by mutual imprecations upon it.

 And they were in all two hundred; who descended ⌈in the days⌉ of Jared on the summit of Mount Hermon, and they called it Mount Hermon, because they had sworn and bound themselves by mutual imprecations upon it.  

Elongated skulls were somewhat of a forbidden subject in the past - however today they are a focus of awakened individuals asking questions to a history of puzzle pieces yet to be assembled. Extensively still asked by researchers questions such as -  "Are they Alien in origin, a prior unknown human like recently discovered Denisovan man..perhaps a hybrid mix of Alien and Humans? Could they be a mongoloid species from hollow Earth or is the Star-Child skull really a Sasquatch/Bigfoot child skull..?"

Maybe some of these skulls are just misidentified, deformed humans caused by malnutrition or disease. Some believe these skulls are Fallen Angels or on the other end of the scale, it has been conjured they are possibly Demons.

The questions are plentiful. Truly, the answers are few.

"It is the mark of an educated mind to be able to entertain a thought without accepting it." - Aristotle            

Today's technological age is extensively detailing just how misguided past historian's interpretations of our planet and it's true history really are. The next 10 years will reveal beyond a shadow of a doubt they understood very little to mankind's rightful heritage.

Through the extensive examination of ancient historical monuments, personal archaic petroglyph/hieroglyphic and stelea study-reading, oral tradition translations and their cultures histories, archaeo-cosmology, mythologies and various denominations scriptures combined with todays astronomical knowledge - an understandable answer can be obtained.

This expose reveals a link to our lost history that has been far too long missing in exposing Nephil I Am.

Science offers the explanation our solar system's inner asteroid belt at one time was indeed a large water bearing planet. In science terms, this explanation is known as Bode's Law.

"Phaeton (or Phaëton, less often Phaethon) is the hypothetical planet posited to have existed between the orbits of Mars and Jupiter, whose destruction supposedly led to the formation of the asteroid belt. The hypothetical planet was named for Phaethon, the son of the sun god Helios in Greek mythology,..

Theories regarding the formation of the asteroid belt from the destruction of a hypothetical fifth planet are today collectively referred to as the "disruption theory". This theory states that there was once a major planetary member of our solar system circulating in the present gap between Mars and Jupiter, which was variously destroyed when:

*it veered too close to Jupiter and was torn apart by its powerful gravity

*it was struck by another large celestial body

*it was shattered by some internal catastrophe

*it was destroyed by a hypothetical brown dwarf, the companion star to the Sun, known as Nemesis 

From variable interpretations to Sumerian history stemming from cunieform and Akkadanian/Babelonian stelea's, we are explained a planet known as Tiamat, which is interpretted now as our solar system's inner asteroid belt. This functional water-bearing  habitable planet would have been the fifth planet from our Sun.

"Our solar system may have had a fifth terrestrial planet, one that was swallowed up by the Sun. But before it was destroyed, the now missing-in-action world made a mess of things.

Space scientists John Chambers and Jack Lissauer of NASA's Ames Research Center hypothesize that along with Mercury, Venus, Earth, and Mars -- the terrestrial, rocky planets -- there was a fifth terrestrial world, likely just outside of Mars's orbit and before the inner asteroid belt. Moreover, Planet V was a troublemaker.

The computer modeling findings of Chambers and Lissauer were presented during the 33rd Lunar and Planetary Science Conference, held here March 11-15, and sponsored by NASA and the Lunar and Planetary Institute."

This distant planet (further than our own from our Sun) absorbed outer-space debris more often and sooner in it's existence than Earth due to it's relative location and cycle of our solar system.

Often bombarded from the far reaches of our Universe with 'panspermia' to it's watery-eco climate, life to our solar system there would be created first.

The progression of time existence to life in comparison with Earth's would definately exist longer with extensive time for advancement.

In recognition to this, we can establish our Sun's now removed fifth planet once harbored an intelligent life species whom became advanced to the point they were able to transcend space visiting other planets in our system. The bio-terrestrial beings that initially visited Earth were a highly technologically advanced race.

This advanced species  were giants of technology consisting of advanced life form.

From cosmological history we learn mythology and the story of the Thunderbolts of the Gods.

The ancient petroglyph symbology found the world over known as the Squatting Man can also be reviewed on native American Navajo rug tapestry.

This squatting-man petroglyph rock art has been clarified as a 'Plasma burst' of the E. U. Theory

The Electric Universe theory is associated as a serpentine Plasma Burst entering into our Solar System.

The 'stick figurines' embossed in the renowned petroglyph are what Earth's people witnessed before the cataclysm erupted creating the mythological Deluge.

According to the research conducted and compiled within the book 'Worlds in Collision' written by Immanuel Velikovsky, this solar interplanetary distruction was witnessed within the span of early human existence.

This solar eruption can very well be considered as the culminating factor in what was witnessed from Earth's skies as our solar systems fifth planet, home to the Elong's (fallen ones) planet disintegrated.

The Elong's from the fifth planet 'Junah' harbored an advanced civilization that was mining both Mars and Earth.

This planet fifth from our Sun imploded due to a postulated CME type-strike from a solar-plasma columnar discharge. When it blew up, it stripped the atmosphere from Mars also causing the great gash in it and killing the Junah planet miners.

Contributing as a galactic wave, it also caused great catastrophe's on Earth.

However the Earth-miners survived due to their underground stone lodgings. Most of their technology was destroyed in the catastrophe, but not all.

They could leave our planet but now had nowhere to Earth became their new home.

Due to their species being from the fifth planet, and we are closer to the Sun as the third planet, they knew the atmosphere difference between Earth and their home planet created a density obstacle that would eventually terminate them to a footnote in history.

Astronomy explains we are the third planet closest to the Sun. Due to the density factor Earth's original aboriginal descendants are shorter, stockier, very dark complexioned and hairier which helps to ward off skin solar radiation issues. The Junah's came from the fifth planet, further in distance from the Sun; less density and light. Their planet was further away from our Sun so they were thinner, taller, white and hairless.

We are explained this clue in Noah's parable birth story told in Chapter CVI: verse 2 in the Book of Enoch -

"And his body was white as snow and red as the blooming of a rose, and the hair of his head †and his long locks were white as wool, and his eyes beautiful†. And when he opened his eyes, he lighted up the whole house like the sun, and the whole house was very bright."

Knowing their species would eventually die-out, they integrated their DNA with ours so their intelligence and sacred gathered knowledge would live on.

Yes, there were humanoids already here who belonged to this planet, not much more than apes we were..but not apes. A strain of our own gene homonoid.

The combination of their DNA and ours created what we are today.

Genesis 1: 26-27

"And God said, Let "us" make man in "our" image, after "our" likeness: and let them have dominion over.. ..every creeping thing that creepeth upon the earth.

So God created man in his own image, in the image of God created he him; male and female created he them".


Earth's original race was two types of blacks. Dark Indonese and Negroid.

They are the initial aboriginal races to Earth.

The off world race was Caucastic and Asianic; the interbreeding changed colors creating multi races.

They whom took 'our women' as wives and bore offspring via invitro-fertilization.

The Junah's species planet imploded, however this destruction created a detrimental cyclic event revealing every so many thousands of years our solar system ends up traveling through the debris field created from intial impact ejected from our solar system now stagnated in deep space collecting dirt and ice which pelts Earth with asteroids and comets driving us into near extinction.

"Years later where upon the Earth, she shook them from her as an elephant does so many flies;"  ..that is the cyclic Deluge.

After they came out from hiding and rebuilt again; first among them the Sumerians, they were the last cyclic catastrophe's inaugural intitiates.

The Nephilim were not the intial 'landers' from the planet Junah but were actually the first offspring, those whom survived the first flood. Their race, the Junah's died off before the Deluge happened.

Hybrids, the tribe of Dan, men of renown, the men of old.

They created a great civilization with man, which was iniquitous.

Eventually we out numbered the original Elongated Junah's as we inter-bred..and we feared them because of their difference and knowledge, so were forced into solitude killing the remainders and allowing time to pervert the sacred teachings.

We were like grasshoppers in their view.

The word Nephilim originally translates as nephal - or to fall, from the fall of man.

When scripture states of giants, it is referring to the Tower of Babel and it's TECHNOLOGY - not a size reference to humans!


It comes from Genesis which is a history of pre-delugian times. (prior-man)

Our technology today would make the Dogon's feel as if 'we' are giants!

This is in effect is what we war about - in search of lost technology and those that are the true original bloodline of the Junah's (jews).

So are they Aliens?, not quite.

Relating our Grandcestors as Aliens is like calling foreigners Aliens - incorrigible for the Elong's are from our very own Solar System...!

Same solar system; it's why we resemble each other - same building blocks to life but different densities.

Our Grandcestors ENIR

The 'enir' (Sumerian for 'House of Brightness') satellite to Mother Earth referred to as 'Grandmother Moon' by its indigenous inhabitants waxes and wanes for our viewing pleasure.

The title given of Luna often referred in tribal generations as 'Grandmother Moon', is a name bequeathed from the Sumerians translated as 'Rabu-Amah Nannah'.

It's transient fortnightly tides Earth’s water and regulates bio-rhythms for all terra-firma vertebrates and humans. Let’s together investigate this tidally-locked down mystery in history, shall we..?

NASA's Moon conclusions -

"Earth's only natural satellite is simply called "the moon" because people didn't know other moons existed until Galileo Galilei discovered four moons orbiting Jupiter in 1610. The leading theory of the moon's origin is that a Mars-sized body collided with Earth about 4.5 billion years ago. The resulting debris from both Earth and the impacted missing fifth planet to our inner solar system accumulated to form our natural satellite 239,000 miles (384,000 kilometers) away. The newly formed moon was in a molten state, but within about 100 million years, most of the global "magma ocean" had crystallized, with less-dense rocks floating upward and eventually forming the lunar crust."

Examining one of the more unfounded myths, it has been erroneously noted that the Moon is a hollow-spacecraft.

Several science fiction books of the early 20th century, including H.G. Wells’ "The First Men in the Moon," take place within a hollow-moon inhabited by Aliens. In 1970 two Soviet scientists took this seemingly whimsical premise a step further, proposing that the moon is actually a shell-like alien spacecraft built by extraterrestrials with superior technology and intelligence.

According to astronomers, our Moon (admittedly through Nasa and Astronomy professionals) as far as celestial bodies go—could not maintain its mass and gravitational field due to it's neglect of density at it's core. In the early 1970's Apollo missions, many tests were applied to the Moon, of which one test reported the Moon "rang like a bell."

Lacking sufficient scientific proof that the moon is a hollow Alien spacecraft, we return to it’s enigmatic and as yet unresolved origins.

"With a diameter of about 3,476 kilometers, the Moon is a quarter the size of Earth, all other moons in our solar system orbit their planets around the equator, our moon does not, and there are lunar rocks that have been found to contain PROCESSED METALS such as Brass, Uranium 236 and Neptunium 237.

Simply put, Earth’s moon is one of the most mysterious objects in our solar system. It is considered a ‘weird’ celestial body due to its numerous physical qualities which scientists are unable to explain, and due to the fact that it is a unique object in the solar system, incomparable to any other moon found to date."

"It has a weird orbit that’s so unique scientists have not been able to find it anywhere else in the solar system. It turns that all other moons in our solar system orbit their planets around the equator. Our moon does not, and orbits Earth at an inclination of five degrees. The moon has a precise altitude, course, and speed, allowing it to “function” properly in regards of planet Earth. Simply put the Moon should not be where it is currently.

The Moon is almost an Earth. The composition of our natural satellite is similar to that of Earth, unlike most other moons. Who are clearly different from their parent planets."

Analysis of the moon rock brought back from Lunar Missions have provided scientiflc answers our moon Luna did not originate from Earth, it does however have a very similiar molecular composition.

NASA using technological break-throughs via modern science, has established the core to our Moon is collectivley made up of once functional 'lava-tubes', which gives the Moon it's hollow sound.

This could be the astronomical genetic clue in confirmation to our lost missing inner planet.

The cosmic 'Sqatting-man' energy released a solar tsunami provoking an astronomical deluge submission that concludes through modern science-astronomy and anthropology practices, 'our' new-age human origins were gene-assisted by the Grandcestors after their planet Junah imploded by a catastrophic event encompassing our solar system.

From the glancing blows Earth received while engaging in battle with the initial cosmic intruder pulverizing Junah and defeating Mars, also rewriting the face of Gaia, can be revealed through oral traditions, petroglyphs, ancient monuments etc. bringing verification to ancient manuscripts for example as the Mayan, Vedics, Akkadanian, Babelonian history and stelea's inspire.

The catastrophe destroyed the inner solar systems fifth planet also clearing the atmosphere from the fourth inner planet causing it's great gash known as the Mars 'scar'.

This impact severed Earth's 360 perfect incremmential harmonic balance creating it's known identified 365 degree climate-axial seasonal rotation as it created immense havoc on Earth forever altering and adjsting it's tilt. The identifying scar on Mars surface if still alive and buried under water, would resemble the infamous Marianas-trench.

The above picture supplied reveals the Sumerian cunieform sacred symbology identified with planet Junah.

This solar catastrophe suggests that Junah’s outer mantle was stripped with it's molten-core ejected intact, flash freezing during the catastrophe, turning it's core solid. Captured by Earth’s gravity, Rabu-Amah Nannah (Grandmother Moon) became tidally locked.

Should it be coincidental the similiarity of words Junah and Luna..?

This research indicates our Solar System’s inner-asteroid belts missing fifth planet 'core-center' explained as planet Junah, radiates in astronomy as the size of our Moon identifying this examination would indeed be compatible with the 'core size' of our Grandcestors home planet Junah.

Do you not think we are entitled to this truth, our birth right?

As much is certain, as humanity stands as veritable orphans in the cosmos, from stardust we were all born. Ever persisting, ever pulling ourselves nearer to the light out of the depths of utter darkness.

All is all - from dust were you created..and to dust shall ye return.

The masters of the numbers....masters to destiny.

Together we collectively can assist the children of tomorrow to unlearn what they have learned so they may relearn what they should have rightfully been taught from birth.

The Elong's, the Nephilim - our Earthly Grandcestors of past history.

"Niyphelah: a term used in the Aramaic culture translated as nephilim refers to the constellation of Orion and nephilim derived as the offspring of Orion, according to mythology."

"the tale of the Nephilim, alluded to in Genesis 6 is based on some of the Sumerian mythology were seven legendary heroes from before the Flood, of human descent, possessing extraordinary wisdom, and one of the seven apkallu, Adapa, was called "son of Ea", despite his human origin.

Ea translates as Earth, equating to son of Earth; or as JC stated at his trial with Pilate.."son of man." which translates as Humanity.

As history dictates, we are and have previously been an advanced race.

So yes there are ruins on Mars and on the Moon, thats why we went to the Moon - to get what was hidden there and why there is no need to go back.

However the technology found on our Moon leads to a further excursion..

..and thats why the future planned missions to Mars.

"Sorrow is knowledge, those that know the most, mourn the deepest, the Tree of Knowledge is not the Tree of Life." Lord Byron

This age old 'scavenger hunt' for lost and hidden technology that has created oppressions from the inquistion to todays false wars has always been a control through fear tactic.

Easy in todays modern age to miss the truth with all the new gadgets and trinkets they keep nations amused with by constant division.

Oh yes, there are other life forms in the galaxy but they dont openly interact with our species - we are too violent. How would they know we are violent - same way we would know..send a probe.                       


We whom with audacity call ourseves civilized kill and enslave everything, first trophyizing it, before ever realizing it's potential and what it has to offer.  This in truth is humanities darkest sin.

"Write the things which thou hast seen, and the things which are, and the things which shall be hereafter;"  Revelation 1: 19

"Rene Duffard of the Institute of Astrophysics of Andalusia in Grenada, Spain found asteroids, (7472) Kumakiri and (10537) 1991 RY16, were found to contain basalt, a grey-black mineral that forms much of the crust on Earth and the other inner planets.

The University of Pennsylvania discovery of a solar system similar to ours in the constellation Puppis. “There, in what is the closest resemblance to Earth’s solar system yet found in outer space, a Jupiter-like planet circles a sun-like star in an orbit that corresponds to one halfway between Mars and Jupiter in our own system.

The New York Times (July 2003) Showed a solar system with a large orbiting body 'between Mars and Jupiter'."

Many astronomers past and present such as Naval Astronomer doctor Tom Van Flandern conclude our inner asteroid belt did indeed at one time prior harbor a fully functioning planet as he pulished in his book 'Dark Matter, Dark Planets'.


"There is evidence that the solar system started out with 12 planets of which only six remain today" Tom Van Flandern was speaking about his Exploded Planet hypothesis, which suggests that the asteroid belt between Mars and Jupiter was once one of those 12 planets. Three of our current planets, he went on to say, were once moons (Mercury orbited Venus, Mars circled the Exploded Planet, and Pluto belonged to Neptune).

The belief that major planets sometimes explode.

In his 'Exploded Planet Hypothesis 2000', he lists as possible reasons for explosion, either a runaway nuclear reaction in uranium in the core, or a change of state as the planet cools down creating a density phase change (like water to ice), causing it to implode or explode, or absorption of heat from gravitons."

The challenge to the Ancient Astronaut Algorithm claims investigating where history went wrong constitute a viable answer to the missing link in our ancestral tree, which can be attributed by astronomy as a missing planet that once resided where our solar system's 'inner asteroid belt' now circulates.

"Vesta, the second most massive asteroid in the main asteroid belt, differs from most garden-variety asteroids in having a crust, mantle and core like our Earth. "

Esoteric occultist history combined with archaic monuments and astronomy through modern technological answers dictates an industrious intelligent advanced civilization known as the Elong's - "Homo Capensis" - were indeed mining Mars and Earth when their home planet became destructive, leaving their survivors on Earth stranded as our missing Link.

Following this link - gives detailed explanation of the secret to the Great Pyramid and it's design layout as a geometric snap-shot in time of our complete solar system.

The pyramid entranceway 'dual combined hallway' form ascending and descending passageways which creates an intersection -  a 'cradle'.

This cradle was created during construction to be impassible, blocked with three megalithic granite stones in reference to our vastly turbulent 'inner asteroid belt'.

Ultimately this geometric message inscribes the blocked area as a cradle and holding area.

A holding area to the cradle of civilization and humanities missing-link also signified by the Great Pyramid's missing 'apex-stone'. A signature pointing a way to the heavens created to state the Apex to 'our' megalithic advanced Civilization is missing.

Recently reported by the American NBC News agency in concurrence with an advanced species from within our solar system, that may have visited Earth and are no longer here, astrophysicist-scientist Dr. Jason T. Wright voices his agreement.

[excerpts from the article]

"Was our solar system once home to an advanced civilization other than our own — perhaps one that predated humanity by hundreds of millions of years before being wiped out by an asteroid impact or some other cataclysm?

At least that’s what the scientist, Penn State astrophysicist Dr. Jason T. Wright, argues in the paper, “Prior Indigenous Technological Species.” The paper was posted on the online research archive ArXiv on April 24, 2017.

Wright argues that if a prior indigenous technological species did exist in our solar system, it might have arisen on Earth or a “pre-greenhouse” Venus, or on Mars when it still had flowing water."

These dwellers of a mysterious forgotten fifth planet, they are the mythological Fallen Ones..the Illumninated and this is their story.

Our Grandcestors of our history.

Indeed they were a gigantese speices of wisdom beyond comparison -

After many years of researching the various religious denominations scriptures including Enoch's forbidden Book, the Dead Sea Scrolls, etc. and cross referencing the words back to their original language - it became apparent the word Gigantese does NOT mean giants of great stature, but instead those of Great Ability..

Studying scriptures math in explanation to Gigantese gives way to understanding -

Book of ENOCH "..and they bare great giants, whose height was Three Thousand Ells:"

Knowing through anthropology that there is no skeletal remains from our historical evidence presented over 9 foot 4 inches, it became established through modern math that the word 'Ell' equals a modern metric 'Millimeter' -

This transition correlates 3000 Ell's as a metric mathematical equivalent in approximation of nine foot eight and one-half inches in height.

These giants, the 'true' Elongated people, those historically of reknown - this is our history and they are our Grandcestorial lineage.

"O mankind! We created you from a single pair of a male and female, and made you into nations and tribes, that ye may know each other ~ not that ye may despise each other."   Quran  49:13

Enoch's dudael exclaims WE are the gods offspring immortal.

Copyright research of JD Jeffrey 2017

Chichen Itza's - Solar Cities Shadowed Secrets

Posted by J.D. Jeffrey on May 18, 2017 at 6:10 PM

Chichen Itza's 13th Ballcourt -

Solar Cities Shadowed Secrets

To the victor goes the spoils - he who wins, writes the outcome...or as Napoleon quoted - "History is a set of lies agreed upon."

This we have seen throughout history. Various cultures whom the megaliths are asscociated with have been passed down through the ages with stories that are unbelievable and no finer example is there than that of the Mayan society and the Spaniard conquistadors.

However - like the Sun creates night casting shadow upon part of Earth only to be revealed at a later time, the truth can never remain hidden.

The great Mayan city of Chichen Itza is known for it's center pyramid that articulates the use of sunlight twice a year creating a casted serpent accentuated and captivated in shadow. This architectural phenom draws major crowds to view this light and shadow display twice yearly defining it's revelation as a Solar City.

Please follow link to Chichen Itza decoding -

Quietly obscured there is a game of eternity cast in light and shadows played hourly as the day silently passes along at the great Mayan Ballcourt that has virtually gone unnoticed, which parallel's the ingenuity and uniqueness El Castillo's twice yearly Serpent shadow displays.  

"The Mayans were great sportsmen and build huge ballcourts to play all their games. The Great Ballcourt of Chichen Itza is 225 feet wide and 545 feet long overall. It has no vault, no discontinuity between the walls and is totally open to the blue sky.

Each end has a raised to the temple area. A whisper from end can be heard clearly enough at the other end 500 feet far away and through the length and breath of the court.

The sound waves are unaffected by wind direction or time of day and also night. Archaeologists engaged in the reconstruction noted that the sound transmission became more and more strong and clear as they proceeded.

In 1931 Leopold Stokowski spent 4 days at this site to determine the acoustic principals that could be applied to theater for an open-air concert he was designing. Stokowski failed to learn the secret.

Today it has not been explained.

It is easy to imagine a Mayan King sitting here presiding over the games. Legends say that the winning Capitan would present his own head to the losing Capitan, who then decapitates him. While this may seem very strange reward, the Mayans believed that this to be the ultimate honor.
The winning Capitan getting a direct ticket for heaven instead of going through the
13 high steps that the Mayan's believed they had to go through in order to reach peaceful heaven.."


It should be noted that each of the Ballcourt extensive dual curbed 'walls' are 95 metres long with the ball-hoop at a height of 8 metres.

Adding 95+8= 103 contiributes to the knowledge towards Chichen Itza's calculated Codex 13.

The grand Ballcourt is divided and centered by 'twin ball-hoops' situated on each wall at a height of 26 feet (8 Metres). The ballhoops are centered exclaiming 'halfway point' to the courtyard.

By examining the 'Ballcourt ball-hoops' we find an interesting factor portrayed as the El Castillo pyramid provides a shadow play of light. The amazing point registered at the Ballcourt is the game of light and shadow is played daily at Chichen Itza's Great 13th Ballcourt.

Like numbers on a clock as it carries out it's daily silent routine, the shadow cast from the ball-hoop grows longer with each passing hour as it circles the Ballcourts giant scoreboard wall returning to the top starting point.

Steadily as the day grows and sunlight passes over the solar city of Chichen Itza, so does the shadow cast by the Serpent hoop lengthen creating a display shadowed in advanced knowledge of astronomy combined with geometric architecture of a higher level.

The 'hoop' combined with it's shadow reminds us as the hours grow longer starting as a single digit until they double; the numbers double and time without constraints, proceeds to march on.

The great Ballcourt's hoop continually cajoins delivering the symbol of Infinity.

The sideways figure eight Infinity symbol declares it's solar city secret that not all language is spoken -  that the language of time is guided by the silent hour-hand of the cosmic clock as it cycles infinitely through the Universe.

The knowledge of Earth passing through shadow and light is played out back and forth upon the great wall of Chichen Itza's 13th Ballcourt detailing constant wisdom to the movement of the Sun and Stars.

As the shadow hand of the Ballcourt Hoop-clock cycles up and down the wall transcribing daily time, the shadows also lengthen creating a pin-point location upon the stelea reliefs embossed upon the base of the Ballcourt wall directing knowledge of the sequencial ages.

Enscribed upon the Ballcourts two main walls, along it's base, the walls are slope-slanted depicting the ballcourts game and it's two teams of athletes.

One particular inscription details a player as being decapitated with a strange ejection of blood stream emulating that of writhing serpents.

It's quite possible to the victor goes the spoils and the Spaniards misunderstood the significance behind the revered ball game establishing a false history to the Mayan folklore in order that they may present them in an unlawful way justifying their claims in why the Spaniards decimated the Mayan's true history as gatekeepers to Chichen Itza's solar city secrets.

With serpents as Chichen Itza's signature motif, also construde in the ballcourt stelea and the center hoop, a notary figure emerges known as Orobourus shadowing truth as it comes full circle.

The wisdom bestowed us in silent shadows creates a language of counting time that humanity, without losing our heads, inherently and comfortably understands.

Written in megalithic advanced architecture, symbols and cycles, like the amazing acoustics attributed to Chichen Itza's El Castillo pyramid and the 13th Ballcourt remind us from whispers across time that our Grandcestors understood life is not just a game and that truth may lay obscured within the sport of shadows, but always truth returns to Light.

Copyright research of JD Jeffrey

Grandcestors Duality of Greatness

Posted by J.D. Jeffrey on May 8, 2017 at 12:55 AM

Great Temple's Namaste of Duality in Numbers.

Our Grandcestors Dual Greatness

Many lighted paths fall open to the visitor of archaic history and the country of India creates a historic pathway for all travellers to take exploration of a time 'before we could know'.

India's Angkor Wat, most well known of monuments outside cultural history shines above and beyond however when it comes to shining examples, India has created an astounding recognised 108,000 Temples dictating a humble equation to the Codex unvieling.

Areas rich in mystifying history include known historic sites such as the impressive Kailasa temple of the Ellora Caves carved from one solid stone basin, Konark Sun temple with it's Chariot of Light detailing it's tell-tale time sequenced wheels of balance, Ajanta Cave system with it's enlightening views , Angkor Wat's sun-summit majestic appeal or the finely created extraordinaire example of Chand Boria.


Chand Boria's stupifying stepwell reversed zigurrat pyramid has chanted it's echoed message of 13 as do others of India's lighted pathway to our Grandcestors wisdom.

In duality of learning or learned, young or old, male or female, together this journey leads us to focus on Tanjore India's Brihadeeswarar temple dually known as the Rajesvaram temple.

The compound is created with dual doorways leading to the 'brihan' derived from Sanskrit as the Big Temple.

Through the smaller temples of the Keralantakan Tiruvaasal and the Rajarajan Tiruvaasal gateways the dvarapalas Door-keepers and Nandi-Sacred Bull are revealed in reverence of the Brihan Temple, the great temple.

Exalted as one of India's tallest ancient structures, the magnificent Brihadeeswarar temple at a height of 66 metres (216 feet) centers the entire temple complex with its vast enclosure and dual gateways chosen to specifically be built from 130,000 tons of granite stone details a complex Interlocking design illuminating the need for a concrete based cement creating this wondrous accomplishment with a mystifying 80 ton solid single-carved Kumbam stone created as a capstone.

The mythology to how the capstone was raised to the temples enormous height entails that a six kilometer earthen-ramp was created to 'roll' into place the capstone combined with the use of elephants. A myth time nor technology has verified.

Between the capstone and three tiered base of the Great Temple resides a 13 receding tiered tower identically created in relief detailing a magnificence to it's majestical architecture of numerous sculptures. The 13 tiered stone terraces are stacked with precision balance and equilibrium. No binding material is incorporated within construction of the tiers establishing this architectural masterpiece is created to carry it's own specific weight.

Built of interlocking stones this monumental effort has not developed a crack or tilted even centimetres despite six known earthquakes since it's creation.

It should be noted this is the only temple in India where a King specifically dictated (by use of an inscription) that this is an all-stone temple titled ‘Kattrali'.

(‘kal' meaning stone and ‘tali' a temple)

Mythology explains this monument was built by the great Raja Raja Chola (who ruled from 985 -1014 Common Era). A tell tale sign to the operation of this clock work masterpiece is that Raja-Raja the great appointed an astronomer named ‘Perunkani' for announcing dates based on the planetary movements in order of celebrating the temple's festivals.

Created through the 'hollow interior' of the architectural brilliance, revealed from below devises an illusion of an impressional three dimensional view to a mystical Mandala.

The mathematical calculations are highly advanced shown through the height of the Great Temple revealing exactly twice the width of the outer base of the adhistana (plinth) of the sanctum providing a duality in numbers.

The numbers Eight and Th1rt3en signify the feminine and the masculine duality in mirrored reflection as the number 8 imperial math translates to 13 in metric math devising one and the same number. The use of numbers also completes the Hindi knowledge of duality to advanced math computations often used for sciences and astronomy levels of learning.

8 and 13:  Prime number 13 exemplifies it should be found with numerical recording (i.e. measurements of monuments etc.) however, as the Prime Number example stipulates, if a specific Prime number is found in abundance - it was selectively positioned as such and not a coincidence.

As quoted by R. Nagaswamy, former Director of Tamil Nadu Archaeology Department, states -

“This is the only temple in the whole of India where the king specifically mentions in an inscription that he built this all-stone temple.” The king uses the word “katrali” – kal and thali in Tamil mean a temple built of stone. This epic inscription, running to 107 paragraphs.." ( 1 + 07 = 8 )

India's Great Temple is dedicated to Siva, the main deity which is a massive cylindrical linga in a double-walled, box-like sanctum. The monolithic linga is 1.66 m in diameter mounted on an “Avudaiyar” ( yoni-pitha) altar.

The linga rises in height height of two storeys. (1+6+6=13 times 2 storeys = 26)

Hinduism means Eternal Dharma and although it incorporates many deities, the worship is of one eternal God. One God with many forms.

Hinduism dates back to 700 BCE in literature, but in truth can be traced back in approximation of 10,000 years. According to practioners, Hinduism has no founder..or it's history is so old it has been lost to the ages of time.

According to Hindu mythology the Great Temple monument with its 13 receding tiers looks like the mythical Maha Meru mountain.

The UNESCO World Heritage monument Brihadeeswarar temple complex incorporates a beautifully created Nandi of epic proportions. The carved Bull statue is 13 feet tall.

The Bull's complete measurements are 3.66 metres in height, 5.94 metres in length and 2.59 metres in breadth. 3+6+6+5+9+4+2+5+9= 49..

..fourty nine transfers as 4+9 equaling  Th1rt3en.

The Brihadeeswarar temple faces east in order that it may capture the brilliance in duality of daylights dancing Sun and the highlights of nights endless dance form of the cosmos.

India's temples provide spirituality, tranquility and peace.

These significant architectural wonders of revitalizing energy centers entice the luxurious significance to the delicate dance of life. The duality worship of both male and female dieites carved into these megaliths reveal poetically we are all created equal.

Equally across our planet we find archaic monuments of inexplicable design efforts encased in stone written in a silent language establishing a coded number of 13 revealing an astronomical significance to a message from a time before we could know.                                                   With all the signs in place to this Great Temple of our Grandcestors Codex encoding numerical astronomy in duality of equally masculine and feminine inter-locking sequencial cycles of namaste in harmony, the dance of life is witnessed through the secrets of India's sacred enchanted Lighted pathways to eternal dharma wisdom.

..and so it is that our Grandcestors ultimately transform before we could know, to now that we know.


Copyright research of JD Jeffrey

Last Supper ReCycled

Posted by J.D. Jeffrey on April 21, 2017 at 11:25 PM

Grandcestors Last Supper Cycle

Da Vinci's silent secrets -


Lets take a trip with the Grandcestors..

Lets go back, way back..back to the first time..

Back to Led Zep-Tepe and the Houses of the Holy.

Back to the reflectory wall of Santa Maria delle Grazie in Milan, Italy ~

What was it the artisans knew yet had to hide within sacred geometry?

"..I say to you, one of you shall betray me” John 13:21

Leonardo Da Vinci, one of histories greatest artists, said to have studied under the finest tutors of his era was an inventor and an astute student of astronomy during the renaissance age where many of histories secrets were kept hidden in select occult groups not available to the mere layman.

Da Vinci spent three years of his life living, learning and creating at the Vatican. From his experience he offers us divine inspiration seated at the house's of the holy Last Supper.

Leonardo's table offers us this questionable seat set at this artistic Last Supper where you can let your plate-ease or-eye-on to another slice from breaking the loaf's wisdom of the mystery in history come to life ..and revelating as end of days run a cycle between the then and the now of Alpha and  Omega.

However in your hunger and thirst of past sacred wisdom, you must be prepared to taste all that you eat and drink ..for at this table - you will not leave hungered.

"If thou but settest foot on this path, thou shalt see it everywhere.”

― Hermes Trismegistus


 "Just as food eaten without appetite is a tedious nourishment, so does study without zeal damage the memory by not assimilating what it absorbs."   Leonardo Da Vinci

At this renaissance table of contents set in the house's of the holy, there is room for all, and so your personal invitation becomes -


Are you ready to fast other illusions in preparation to secrets of Leonardo's cosmic revelation - for it is the story of Your soul bared witness revealed to all in this room breaking bread at histories Last Supper.


Leonardo's table offers one to digest the loafs timeless voices of the Grandcestors as the morsels yielded are washed down by a thirst of spirits to the body..

Hello Grandcestors, our old friend,

We've come to talk with you again

Because a Codex softly creeping,

Gift its seeds while we were sleeping

And the vision that was painted in truth's vein still remains

..Da Vinci's sound of silence..

"Nothing strengthens authority so much as silence." LDV

The empty room reveals the doorways, windows and the tablet set placement of  silverware with rolls, buns, saucers, plates and various cups of wisdom.

The astronomical representation Da Vanci reveals in picture parables of the humanless room hints to answer the full picture translated as.

JC's cup is missing, for as will be revealed ~

JC's cup doth over-floweth..

Please review this link to receive psalm understanding of scriptures hidden mathematical cycle message

"That it might be fulfilled which was spoken by the prophet, saying, I will open my mouth in parables; I will utter things which have been kept secret from the foundation of the world." Matthew 13: 35

Laden on the table hidden within the rolls and buns respectfully announce's astronomically our solar system's outer Oort cloud system.

The eight doorway entries indicate our solar system's eight planets as the rear Triple Window concept indicates the over-looking of the constellation Orion's three belt stars to our solar system. The Orion belt star understanding is revealed in the iconography of the 'three vested wreaths' hung above the room. The sectioned ceiling is defined and interpreted as a geometric reference to our Galaxies spiraling Milky Way.


“I began sharing to people the beauty of hidden knowledge.. O people, who indulge in the ignorance of Truth! Surfeit, awake from your dullness! Why give up yourselves to death while you have power of immortality? Depart from the dark path, be partakers of immortality, abandon forever your vices!

Nowhere but in Truth can you find good!” (Hermes address to Egyptians)

In restless dreams You walked alone,

Narrow pyramids of cobbled-stone

‘Neath the halo of a Truth-amp

You turned your moral to the golden Lamp

When your eyes were pinealed by the flash of Orions-light

That split the night, revelating Da Vinci's sound from silence..

With the table seated creating  it's unique Th1rt3en controversial characters, we can examine in mass quantities the individual parables of fruits in wisdom.

Leonardo's use of quadranting the disciples into sections of four reveal the four seasons of Earth's cycles of Winter, Spring, Summer and Fall

The twelve disciple's replicate our known 'used-interpretation' of a 12 Zodiac house system.


The Primordial advised Thoth thus: “Go forth as a Teacher of men!

Go forth preserving records  until the Light grows! Light shall You be all through the ages, hidden yet found by enlightened.

Working on all Earth, Your power, free You to give it to others or take it away. Do not take the unwise, insincere, weak!”

"For there is nothing hid, which shall not be manifested; neither was any thing kept secret, but that it should come abroad."  Mark 4: 22-23


Although we are commonly told of Jesus and his 12 diciples, the truth has been cleverly hidden and obscured to the mind, but indeed the senses cry out!

The th1rt3en zodiac houses are symbolized by the 13 guest's set at this timeless table.

The embodiment  of the 12 disciples make up the known 12 zodiac symbols and JC constitutes the 13th hidden zodiac symbol - our zodiacs 'short lived' symbol.

"Common sense is that which judges the things given to it by other senses." LDV

Earth's 'four-seasons' are shown in the details of the 12 apostles separated into four groups of three.

Jesus sits front and center but alone, hands spread as a sign of our Sun -

The symbology used by Amun Ra of the Sun-disk shedding hands of Ra-ys.

Jesus is the Sun representing the precession of the Equinox - the Alpha and the Omega. The precession of the Equinoxes 26,000 year circle cycle comes to an the beginning alpha is ending - as in the tail-meeting-head of the age coming together in full circle.

And so begins a newly generated cycle for every end which begins as Alpha created.

Ultimate questions are asked with age old answers offered during this communion with the divine.

As with everything Da Vinci has hidden, within this house of the holy does reside a Codexed serpentine wisdom.

Sacred geometry preserved over time as a unique language unto it's own revealed in Da Vinci's painting details hints to intersecting Spring and Vernal Equinox pass-overs.

Jesus has one hand palm down and one palm up - which means you need to flip the zodiac,

as it is running the opposite way we see our zodiac.

In reality it runs backwards and what JC's palm message is explaining.

We see our zodiac as Aquarius before Pisces ~

With fish as a clue served at the Last Supper, JC also carrying the symbol of the fish which is known as Pisces correctly identifies we are now ascending into the age of Aquarius - when JC was asked by his disciples when his time would end, he answered..

Luke 22:10 “As soon as you enter Jerusalem, you will see a man walking along carrying a pitcher of water. Follow him into the house he enters.” signaling the zodiac sign and age of Aquarius distinguishing the Zodiac runs backwards making this sacred geometry difficult to understand without the incorporated knowledge of  scripture, astronomy cycles and math - which Da Vinci evidently knew revealing in his painted secrets to alchemy explained as the table's place set 'Silverware' defines as Pisces before Aquarius known as the yuga Silver age before Golden age.

Astronomically the 'knife' thrust  into  the Winter Soulstice apostle's quadrant signifies the renewal point as Da Vinci's table rings out the prelude to catastrophe all held within the questionable seated arraignment held by Jesus and the disciplined ones.

The Apostles 'three sets of hands' complies to a time cycle related to the 'wreath adorned shields' hosted above the room astronomically calculating a cycle to Orion's count.


The masters pieces of the tabled puzzle account for the ages to the cycled signs and the 'let being of our souls' known as freedom in Unity ..all have missed with our Grandcestors whispers written upon Gaia from history that modern voices have yet to acknowledge.

This feast of parable's to Golden rations includes the hardest yet sweetest food to swallow, and so you are offered to bite into the wondrous forbidden Apple of truth partaking of the Serpentine spirits to sip from the golden cup long ago created by yesterdays ages  for todays sages. 


And in the Soulstice Light you saw -

Seven billion people, maybe more

History talking without speaking -

Cycle's shifting, no one witnessing

People writing texts that voices never share.. ..only one dare

Disturb precious sounds of silence..


Leonardo's rain song unvieling to the ocean of the heavens leaves no quarter to our Sun's  d'yer maker while dancing days of the crunge over the hills and far away croons that the song remains the same in the houses of the holy as "I heard the voice saying, Whom shall I send, and who will go for us? Then said you, Here am I; send me." Isaiah 6:8

“Once in a time long forgotten, I, Thoth, opened the doorway, penetrated into other spaces and learned of the secrets concealed.

Often did I journey down the dark pathway unto the space where the Light ever glows. Long then dwelt I in the Temple of the Primordial until at last I was One with the Light. Preserve and keep the command of the Primordial" ~ "Which maketh Arcturus, Orion, and Pleiades, and the chambers of the south."

- Job 9: 9     

Fools said time, “Thou do not know -

Silence in the Serpent grows,

Hear the hiss that it might reach you -

Take the charms that it might Teach you .

.But the secrets like silent teardrops fell..

..echoing our Grandcestors silence..

With Da Vinci's clues assigned to each appointed apostle creating the known 12 house's of the holier than thou Zodiac through sacred symbology, JC the redeemer, makes his appearance with outsretched hands - the Light bringer, faces eternal destiny of the Heavens assigned in the zodiac as the 13th sign Ophiuchus-the Serpent Bearer described as a healer, once known to our Grandcestors as Serpentarus.

The center of the Galaxy is viewed through the constellation Ophiuchus ~ this is the time keepers secret to answer the zodiacs movement in sounds of silent question to  “Canst thou bind the sweet influences of Pleiades, or loose the bands of Orion?” - Job: 38-31

Balance and order your life!

Quell all the chaos of emotions and you shall have harmony.

Conquer by silence the bondage of words. Keep ever your eyes on the Light!

Surely when you deserve it, you shall be one with your Master!

And surely then you shall be one with the All !

"Seek him that maketh the seven stars and Orion, and turneth the shadow of death into the morning, and maketh the day dark with night: that calleth for the waters of the sea, and poureth them out upon the face of the earth:" - Amos 5: 8

Know My commandments!

Keep them and fulfill them, and I will be with you, helping and guiding you into the Light!

"It had long since come to my attention that people of accomplishment rarely sat back and let things happen to them. They went out and happened to things" LDV


To You rightfully Da Vinci offers your Soul stillness of placement in a room with a view seated amongst a table where.. ..Out of the darkness shall you rise upward, one with the Light! Humanity has to strive to become the “Divine Sun”.

Follow this Path and you shall be One with the All! Light comes only to those who strive.

Hard is the Pathway that takes to the Wisdom; hard is the Pathway that takes to the Light. Many stones shall you find in your pathway, many mountains you shall climb towards the Light.


Know that always beside you walks the message of Light. Open to all is the Pathway, to all who are ready to walk into the Light!

Suns are They, Messengers of Light to shine among humanity. Like are They - and yet are unlike.

Know that many dark shadows shall fall on your light striving to quench with the shadows of darkness the light of the soul that strives to be free.

And the people bowed and played

With the Neon-toys they made

And the Sun flashed out its warning

At the world that it's transforming

And the times read -

The words of the profits are written on the chatroom walls

and Internet halls

All whispered histories sounds in silence..

The revelation Leonardo's canvas of inspiration supplies details a table with salt spilt upon it, symbolized as bad-luck yet cleverly understood through the JC Cross sacred symbology iconography -

JC's whipped back, pierced side, halo of thorns and 3 nailed limbs explain the solar catastrophe Da Vinci alludes to.

Constituting JC's claim to Pilot at his trial that he was 'The Son of Man' explaining he is a human, thereby revealing he is humanity - or Earth, and that he takes our suffering

Earth suffers as its back is whipped by torrential solar radiation known to cause decaying split-skin of unbearable pain.

JC's 3 nailed appendages signify both sides and the lower portion to Earth will be 'nailed' with comets/asteroids as the 'side-gash' pierced by a centurian's Spear of Destiny reveals an impact to the ocean causing a great tsunami of water ..or Earths blood gushing forth.

The breaking of JC's knees institutes the Earth will be crippled.

JC's 'crown of thorns' reveals the peppered impact to Earth's Northern hemisphere.

JC's chest was left unstricken as a particular message revealed in another historic painting created in his supposed likeness.


Many the pitfalls that lie on this Way.

Seek ever to gain Greater Wisdom! Cognize ~ you shall know the Light!

Light is eternal and darkness is fleeting. Seek ever for the Light!

Know ever that as Light fills your being, darkness for you shall soon disappear!

Open the soul to the Message of Light! Let enter and fill you with Light!

Keep ever your face to the G.O.A.L. !

The Cross as a crucifixion device  didn't appear in history by Roman empirical use until 300 years 'after' the death of JC symbolizes Solstice and Equinox Lighted ways of our Sun's rays criss-crossing our planet. Religions depict it as a cross resembling the math 'plus + sign '  ..however due to Earth's tilt reveals the cross resembles more of an 'X' pattern.


… Open the Soul to the cosmos and let it “flow” through you as one with your Soul!

According to the archaeo-astronomy research of Randall Carlson, the Earth is not  an accurate cirlce, not a  complete sphere (something our Grandcestors knew) and out by a count of 13 miles.

It's been said that esoteric hidden knowledge has selectively been passed down through generations inlcuding advanced astronomy written in sacred geometry also introduced through Pyramid intiation.

With the advent of technology, the knowledge is hidden no longer.

Humanities evolution consists in the process of changing to forms that are not of this world.

Grows in time to the formless — to live on a higher plane.

Know that you must become formless before you can be one with the Light.


Da Vinci's silent sermon serving of hungry facts is the sweetened taste of pure honey to the lips of truth seekers ..but sour to the stomach of the oppressors to humanity.

Listen to pathways to Light, showing the way of attainment:

How you shall become one with the Light - search first the mysteries of the Earth’s Heart!

Seek the Flame of the Living Earth! Bathe in the glare of this Flame! Know you are complex, a being of matter and of Fire.

Let your Flame shine out brightly! Be you only the Flame! Seek ever more Wisdom! Find it in the Heart of the Flame!

Know that only by your striving can Light pour into you!

Only the one, who of Light has the fullest, can hope to pass by the guards of the Way, preventing unworthy people from entering.

You shall cognize yourself as Light and make yourself ready to pass on the Way.

Wisdom is hidden in darkness.

When shining with Soul-Flame, find you the Wisdom, then shall you be born again as Light, and then shall you become the “Divine Sun”.

Grow into One with the Light! Be a channel of Divine Principles to the world of humanity!

Seek  to find the great Pathway that leads into eternal Life — through the image of the “Divine Sun”!


Sacred geometry is the hidden language to a gateway in understanding as Leonardo and other timeless artisans offer thier detailed wisdom;

JC's pointing to his heart with one hand and his positioning of his other hands 'two fingers' symbolize an enlightened passage, for his fingers admit a return cycle as they point exclaiming a devotion of heavenly direction.

… Know you are only a soul! The body is nothing! The soul is everything! Cast off the darkness and travel in Light! Learn to cast off your body and be free from it! Become the true Light and unite then with the Great Light! Know that throughout space the eternal and infinite Consciousness exists. Though from superficial knowledge It is hidden, yet still forever exists.

Know you are to aim at Perfection, for only thus can you attain to the Goal!

Know that the future is never in fixation but follows man’s free will! Man can only “read the future” through the causes that bring the effects in destinies.

… Know you naught that in the Earth’s Heart is the source of harmony of all things that exist and have been on its face?

By the soul you are connected with the Earth’s Heart, and by your flesh — with the matter of Earth. When you have learned to maintain harmony in yourself, then shall you draw from the harmony of the Earth’s Heart. Exist then shall you while Earth is existing, changing in form, only when Earth, too, shall change: tasting not of death, but one with this planet, living in your body till all pass away. …

Three are the qualities of our Grandcestors in their Lighted Home:

Infinite Power, Infinite Wisdom, Infinite Love.

Three are the powers given to Truth Bringers: to transmute evil, to assist good, to use discrimination.

Six are 'They' that manifest: the givers known as..

Light Workers - Humanitarians - Truth Seekers - Shamans - Indigos - Rainbow Warriors: to transmute evil, to assist good, to use discrimination.

Nine is the perpetual balance of Power, Wisdom, and Love from our Sun which regulates our eight planets in this Solar System of Nine.

These are the Manifestations of Spirit creating all things:

Divine Love possessing the perfect knowledge, Divine Wisdom knowing all possible means of helping living beings in their development, Divine Power which is possessed by the Primordial Consciousness whose Essence is divine Love and Wisdom.

Darkness and Light are both of one nature, different only in seeming, for each arose from one Source.

Darkness is chaos. Light is Divine Harmony. Darkness transmuted is Light.

This, is your purpose in being: 

Transmutation of darkness into Light!


Leonardo's feast yields loafing slices of knowledge  ultimately fullfilling our hunger that the DISCIPLINED Shall Inherit The Earth !

"Time abides long enough for those who make use of it." LDV

Modern scholars translate Greek  scriptural texts of  the word 'praos' previously  translated as “meek”..defines more accurately as “disciplined.”

A disciplined appointment to knowledge.

Sacred geometry is the combined knowledge of science through nature today detailed through the now known Fibonacci sequence.

During Da Vinci's renaissance age, it was common to merge math, astronomy and sciences into sacred geometric patterns gaining masterful explorations in ultimate answers brilliantly woven into what appears to be the clock-work structure of our Galaxy.

For Leonardo Da Vinci, art was his chosen expression for exposing the truth to the science religion was hiding apparent in many occult traditions.

In the time and age of JC..let it be noted the people of that era did not have silverware, they sat on couches and cushions; they did not eat at tables (especially not a banquet table) - and they used bowls, not plates.

With our Grandcestors echoing whispers enlightening truth, let it be a feast of realization in our solar systems houses of the holies, the disciplined shall inherit  and consume a last supper of eternal Earthly-Wisdom.

“As above, so below, as within, so without, as the universe, so the soul…”

― Hermes Trismegistus

Namaste disciplined Wisdom seekers ~ this is UNISON Quest !

 "Although nature commences with reason and ends in experience it is necessary for us to do the opposite, that is to commence with experience and from this to proceed to investigate the reason."

Leonardo Da Vinci

  *  *  *  *  *  *  *  *  *  *  *  *  *

"Vatican researcher Sabrina Sforza Galitzia translated the painting's "mathematical and astrological" signs into a message from da Vinci about the end of the world. She claims The Last Supper predicts an apocalyptic flood that will sweep the globe.."

Research compiled from -

Hermes Thrice

The Emerald Tablets of Thoth

KJV scipture Quotes

Sounds of Silence - Simon/Garfunkel

Leonardo Da Vinci quotes

Copyright research of JD Jeffrey



Chand Baori Chants

Posted by Jon Gilbert on March 23, 2017 at 12:45 AM

Chand Baori: Chanting of our Grandcestors

India presents some of the most beautifying and majestical monuments to grace our history with Chand Baori deep in the running for magnificence.

Please observe the district of Rajasthans village of Abhaneri's Chand Baori carefully for the original name Abhaneri was previously named from antiquity as Abha Nagri,

which chants "City of Brightness".

This is one of the deepest 'step-wells' in India which extends approximately 30 metres into Earth's ground revealing to an inquisitive mind architecture built to resemble an upside down Ziggurat pyramid with it's stairwells revealing the up-righted ziggurat pyramid shape. The water at the bottom signifies sky..or the heavens to be precise.. chanting "As above - so below."

As deep as Chand Baori is, there is a deeper message chanted here and it is numerical showing a higher intelligence that we are only now starting to acknowledge.

This amazing 'step well pyramid' has 13 tiers and each staircase counting base platforms is devised of 13 steps.

The total steps is 3500 covering approximately 13 stories which devises the math that is detrimental in understanding Chand Baori's advanced astronomical message.

Chand Baori encodes the enchanted number 13 extremely catalogued within monuments of antiquity delivering the astronomical message to Orion's 26,000 year half-way Transit point.

A true grand architectural marvel, this 'inverted' Step-well pyramid has a unique 3D principal, for when viewed from directly above; reveals what is below - is above.

Although created cut into the ground as deep as 30 meters, the entirety of the view from 'above' this Step-Well creates the projection of a 3 dimensional Pyramid with use of it's many integrated staggered stairwells,.

The illusion the Step Well creates is a reverse appearance..

Instead of recessing into the ground, it appears to rise above ground level.

The Codex encompassing Chand Baori is also registered in it's circumference calculated at .0.13 miles.

For further contribution and evaluation is the adjacent Temple.

It registers dual 'squared' rings.

The 'outer-ring' measures 0.13 Miles while it's 'inner-ring' measures 0.13 Kilometers.

Measuring from center of the Temple's Cathedral-tower, along  the pathway to Chand Baori's entrance, gives a value of 0.13 Kilometers in length.

To understand this distinguished coded message, Chand Baori's 'City of Brightness' has chanted it's position in depth now revealed by the silent monuments of antiquity chanting  explanations of humanities past missing history.

Through the monuments themselves also incorporating actual history, oral traditions, mythology and scripture , this Codex 13 irrefutably connects our society with a highly intelligent and technological civilization that walked our planet unknown years ago.

Our Grandcestors wrote this gift in book form created upon Earth with monuments as the very pages so that with our OWN eyes we may read this coded message, a message that could never be erased or hidden..

..a message that could only be understood by children of the past; our civilization, as we develope into our own enchanted technological world.

[Copyright research of JD Jeffrey 2017]